00807nas a2200289 4500008004100000245008100041210006900122260000900191300001400200490000700214653000800221653001100229653001000240653001300250653000900263653001000272653001600282653001400298653001200312653001100324653001300335653001300348653001200361653001700373100001900390856010800409 2004 eng d00aQuestioning the Motives of Habituated Action: Burke and Bourdieu on Practice0 aQuestioning the Motives of Habituated Action Burke and Bourdieu c2004 a255–2740 v3710aact10aagency10aagent10aattitude10abody10aBurke10adisposition10adramatism10ahabitus10amotion10aontology10apractice10a[genre]10a[recurrence]1 aAnderson, Dana uhttps://genreacrossborders.org/biblio/questioning-motives-habituated-action-burke-and-bourdieu-practice00663nam a2200217 4500008004100000245005200041210005100093260002300144653001100167653002500178653001200203653001300215653002600228653001100254653003800265653001400303653000900317653001400326100002300340856008200363 2005 eng d00aInternet Society: The Internet in Everyday Life0 aInternet Society The Internet in Everyday Life aLondonbSagec200510aagency10aaudience ethnography10aBakhtin10aFeenberg10alittle behavior genre10aSchutz10asocial construction of technology10ause genre10auser10aVolosinov1 aBakardjieva, Maria uhttps://genreacrossborders.org/biblio/internet-society-internet-everyday-life00497nas a2200217 4500008004100000245001000041210001000051260000900061300001200070490000600082653001200088653001600100653001400116653001300130653002400143653001000167653002400177653001000201100002000211856004800231 1999 eng d00aGenre0 aGenre c1999 a84–870 v910aBakhtin10aboundedness10acoherence10acohesion10adecontextualization10agenre10arecontextualization10astyle1 aBauman, Richard uhttps://genreacrossborders.org/biblio/genre00569nas a2200217 4500008004100000245003900041210003900080260002700119300001400146490000700160653001200167653001000179653001000189653000900199653001000208653001100218653001100229100002000240700001700260856007400277 2006 eng d00aSpeech Genres in Cultural Practice0 aSpeech Genres in Cultural Practice aOxfordbElsevierc2006 a745–7580 v1110aBakhtin10agenre10aGrimm10aoral10aPropp10aspeech10aSwales1 aBauman, Richard1 aBrown, Keith uhttps://genreacrossborders.org/biblio/speech-genres-cultural-practice00629nas a2200205 4500008004100000245006200041210006200103260003600165300001200201653001200213653001000225653000800235653001100243653000900254653001100263100002200274700001800296700001600314856009300330 2000 eng d00aLetters and the Social Grounding of Differentiated Genres0 aLetters and the Social Grounding of Differentiated Genres aAmsterdambJohn Benjaminsc2000 a15–2910abanking10agenre10alaw10aletter10anews10anovels1 aBazerman, Charles1 aBarton, David1 aHall, Nigel uhttps://genreacrossborders.org/biblio/letters-and-social-grounding-differentiated-genres00935nas a2200277 4500008004100000020001800041245009900059210006900158260005000227653001300277653001100290653002100301653002300322653001100345653001100356653002000367653001900387653002000406653002400426653001100450653001600461653001200477100002200489700001600511856013000527 2004 eng d a0-8058-3806-600aWhat Writing Does and How It Does It: An Introduction to Analyzing Texts and Textual Practices0 aWhat Writing Does and How It Does It An Introduction to Analyzin aMahway, NJbLawrence Erlbaum Associatesc200410aactivity10aBarton10acontent analysis10adiscourse analysis10agenres10aHuckin10aintertextuality10amultiple media10aprocess tracing10arhetorical analysis10aSelzer10aspeech acts10aWysocki1 aBazerman, Charles1 aPrior, Paul uhttps://genreacrossborders.org/biblio/what-writing-does-and-how-it-does-it-introduction-analyzing-texts-and-textual-practices00600nas a2200169 4500008004100000022002200041245007300063210006900136260005700205653001100262653001300273100002200286700001800308700002400326700002500350856005500375 2009 eng d a978-1-60235-127-100aThe Role of Context in Academic Text Production and Writing Pedagogy0 aRole of Context in Academic Text Production and Writing Pedagogy aFort Collins, CObWAC Clearinghouse and Parlor Press10aBrazil10apedagogy1 aBazerman, Charles1 aBonini, Adair1 aFigueiredo, Débora1 aMotta-Roth, Desirée uhttp://wac.colostate.edu/books/genre/chapter16.pdf00817nam a2200265 4500008004100000020001800041245007000059210006500129260006700194653001400261653001900275653001200294653001200306653001400318653001000332653001200342653001500354653001200369653001500381653001200396653001400408653001200422100002200434856009500456 1994 eng d a0-271-02570-000aThe Ideology of Genre: A Comparative Study of Generic Instability0 aIdeology of Genre A Comparative Study of Generic Instability aUniversity Park, PAbPennsylvania State University Pressc199410aAlthusser10aars dictaminis10aBakhtin10aDerrida10aevolution10agenre10aJameson10aliterature10aromance10aspeech act10aTodorov10ause-value10aWestern1 aBeebee, Thomas, O uhttps://genreacrossborders.org/biblio/ideology-genre-comparative-study-generic-instability00565nas a2200193 4500008004100000245005800041210005700099260000900156300001400165490000700179653000800186653001000194653001400204653001000218653002200228653001000250100002300260856008800283 2000 eng d00aBeyond Genre Theory: The Genesis of Rhetorical Action0 aBeyond Genre Theory The Genesis of Rhetorical Action c2000 a178–1920 v6710aact10aBurke10acriticism10agenre10apolitical oratory10ascene1 aBenoit, William, L uhttps://genreacrossborders.org/biblio/beyond-genre-theory-genesis-rhetorical-action00556nam a2200169 4500008004100000245005900041210005800100260002600158653001300184653001000197653000800207653001600215653001300231100002100244700002800265856009300293 1993 eng d00aAnalysing Genre: Language Use in Professional Settings0 aAnalysing Genre Language Use in Professional Settings aLondonbLongmanc199310abusiness10agenre10alaw10alinguistics10aresearch1 aBhatia, Vijay, K1 aCandlin, Christopher, N uhttps://genreacrossborders.org/biblio/analysing-genre-language-use-professional-settings00679nam a2200241 4500008004100000245004400041210004300085260005300128653001100181653001500192653001400207653001200221653001600233653001000249653001300259653001100272653001000283653001300293653002400306653001400330100001700344856007600361 1978 eng d00aRhetorical Criticism: A Study in Method0 aRhetorical Criticism A Study in Method aMadison, WIbUniversity of Wisconsin Pressc197810abelief10aconviction10acriticism10aemotion10aexhortation10agenre10ajudgment10akrisis10alogic10amovement10aneo-Aristotelianism10asituation1 aBlack, Edwin uhttps://genreacrossborders.org/biblio/rhetorical-criticism-study-method01434nas a2200193 4500008004100000245004900041210004900090300001200139490000600151520088200157653001501039653001101054653001001065653001601075653002401091653002001115100002201135856008301157 2011 eng d00aPride and Prejudice and the adaptation genre0 aPride and Prejudice and the adaptation genre a227-2430 v33 a
Following from the work of Thomas Leitch (2008) and Christine Geraghty (2009),
adaptations that position themselves as adaptations are considered in relation to
an evolving definition of an adaptation genre. In particular, Pride and Prejudice
is regarded as a template for such a genre, a genre signified by a period setting;
period music; a focus on intertitles, words, books and authors; the foregrounding of
‘new’ media; the inclusion of artwork in the sets or in the mise-en-scène; implicit or
explicit tributes to the author; and an appeal to a female audience through the insertion
of female-friendly episodes. The films Pride and Prejudice (1940), Pride and
Prejudice (2005) and Becoming Jane (2007) are examined in relation to this concept
of the genre ‘adaptation’.
10aadaptation10abiopic10agenre10aJane Austen10aPride and Prejudice10aromantic comedy1 aCartmell, Deborah uhttps://genreacrossborders.org/biblio/pride-and-prejudice-and-adaptation-genre01295nas a2200193 4500008004100000245011100041210006900152260000900221300001400230490000700244520062300251653002100874653001500895653001000910653002400920653001100944100002500955856012100980 2007 eng d00aIn Praise of Carbon, In Praise of Science: The Epideictic Rhetoric of the 1996 Nobel Lectures in Chemistry0 aIn Praise of Carbon In Praise of Science The Epideictic Rhetoric c2007 a303–3230 v213 aThis article explores the nature of epideictic rhetoric in science through aclose textual analysis of three Nobel lectures. It examines the effects of the
genre shift from original research reports to ceremonial speeches, revealing
significant differences from Fahnestock’s analysis of the genre shift from
forensic research reports to epideictic articles in the popular press, especially
a move toward greater candidness about the research process. Epideictic scientific rhetoric, therefore, can be said to celebrate the scientific method in general as much as it does the particular line of research at hand.
10abuckyball. Nobel10aepideictic10agenre10arhetoric of science10astasis1 aCasper, Christian, F uhttps://genreacrossborders.org/biblio/praise-carbon-praise-science-epideictic-rhetoric-1996-nobel-lectures-chemistry00856nas a2200289 4500008004100000020001800041245007600059210006900135260003900204653002000243653001300263653001300276653001000289653001200299653001000311653001100321653001100332653001500343653000900358653001200367653001200379653001000391100002000401700002100421700002200442856010200464 2002 eng d a1-57273-384-500aThe Rhetoric and Ideology of Genre: Strategies for Stability and Change0 aRhetoric and Ideology of Genre Strategies for Stability and Chan aCresskill, NJbHampton Pressc200210aactivity theory10aBazerman10aFreadman10agenre10aGiltrow10aKnapp10aMartin10aMedway10ameta-genre10aPare10aRussell10aSchryer10aSegal1 aCoe, Richard, M1 aLingard, Lorelei1 aTeslenko, Tatiana uhttps://genreacrossborders.org/biblio/rhetoric-and-ideology-genre-strategies-stability-and-change00631nas a2200253 4500008004100000245003200041210003100073260000900104300001400113490000700127653001200134653002400146653001800170653001000188653001100198653001100209653001000220653001700230653002000247653001200267653001200279100001700291856006900308 1987 eng d00aDo Postmodern Genres Exist?0 aDo Postmodern Genres Exist c1987 a241–2570 v2010aBarthes10abiological metaphor10ablurred genre10aessay10afamily10aGeertz10agenre10agenre system10aintertextuality10aJameson10amixture1 aCohen, Ralph uhttps://genreacrossborders.org/biblio/do-postmodern-genres-exist00489nas a2200217 4500008004100000245001700041210001700058260000900075300001100084490000700095653001400102653001200116653001700128653000900145653001300154653001000167653001200177653001000189100001700199856005500216 2003 eng d00aIntroduction0 aIntroduction c2003 av–xv0 v3410aanthology10aBakhtin10acase history10afilm10afolktale10agenre10ahistory10aWells1 aCohen, Ralph uhttps://genreacrossborders.org/biblio/introduction00887nas a2200325 4500008004100000245007400041210006900115260000900184490000700193653001300200653001200213653001100225653001900236653001300255653001000268653001200278653001500290653002100305653001100326653001200337653001000349653000800359653002100367653001100388653001300399653001300412653001300425100001700438856010600455 2003 eng d00aIntroduction: Notes toward a Generic Reconstitution of Literary Study0 aIntroduction Notes toward a Generic Reconstitution of Literary S c20030 v3410aaphorism10aBakhtin10achange10aembedded genre10afolktale10agenre10aJameson10aliterature10amaritime fiction10aMcGann10amixture10anovel10aode10aoratorical genre10aorigin10apainting10apastiche10apolicing1 aCohen, Ralph uhttps://genreacrossborders.org/biblio/introduction-notes-toward-generic-reconstitution-literary-study00594nas a2200193 4500008004100000245005600041210005400097260000900151300006400160490000600224653001500230653000900245653001000254653001300264653001100277100002900288700001900317856006400336 2009 eng d00aIcons and Genre: The Affordances of LiveJournal.com0 aIcons and Genre The Affordances of LiveJournalcom c2009 ahttp://reconstruction.eserver.org/093/cover_lockridge.shtml0 v910aaffordance10ablog10agenre10ainternet10amedium1 aCover, Jennifer Grouling1 aLockridge, Tim uhttp://reconstruction.eserver.org/093/cover_lockridge.shtml00585nas a2200205 4500008004100000245004800041210004700089260000900136300006400145653000900209653001000218653001000228653001200238653001200250653001100262653001600273653000900289100001700298856006400315 2004 eng d00aComposing the Self: Of Diaries and Lifelogs0 aComposing the Self Of Diaries and Lifelogs c2004 ahttp://journal.fibreculture.org/issue3/issue3_vandijck.html10ablog10adiary10agenre10aHerring10aprivate10apublic10aremediation10aself1 aDijck, José uhttp://journal.fibreculture.org/issue3/issue3_vandijck.html00586nas a2200241 4500008004100000245002400041210002400065260003800089653001200127653001000139653001000149653001200159653001100171653000900182653001200191653001200203653001000215653001900225653001000244653001200254100001600266856006200282 2000 eng d00aModern Genre Theory0 aModern Genre Theory aNew YorkbPearson Educationc200010aBakhtin10aColie10aCroce10aDerrida10aFowler10aFrye10aGenette10aJameson10aJauss10aliterary genre10aPropp10aTodorov1 aDuff, David uhttps://genreacrossborders.org/biblio/modern-genre-theory00468nam a2200157 4500008004100000245003200041210003200073260003400105653001200139653002300151653001300174653001000187653002000197100002300217856007000240 1992 eng d00aDiscourse and Social Change0 aDiscourse and Social Change aCambridgebPolity Pressc199210aBakhtin10adiscourse analysis10aFoucault10agenre10aintertextuality1 aFairclough, Norman uhttps://genreacrossborders.org/biblio/discourse-and-social-change00486nam a2200169 4500008004100000020001800041245002300059210002300082260005900105653001200164653001100176653001700187653001900204653001500223100002000238856005800258 1993 eng d a0-271-00886-500aMetaphors of Genre0 aMetaphors of Genre aUniversity Park, PAbPenn State University Pressc199310abiology10afamily10ainstitutions10aliterary genre10aspeech act1 aFishelov, David uhttps://genreacrossborders.org/biblio/metaphors-genre00631nas a2200217 4500008004100000245005400041210005300095260000900148300001000157653001400167653001200181653001000193653001300203653001900216653001100235100002000246700001800266700002000284700001800304856009100322 1994 eng d00aLocating Genre Studies: Antecedents and Prospects0 aLocating Genre Studies Antecedents and Prospects c1994 a1–?10aAustralia10aBakhtin10agenre10aHalliday10aNorth American10aSydney1 aFreedman, Aviva1 aMedway, Peter1 aFreedman, Aviva1 aMedway, Peter uhttps://genreacrossborders.org/biblio/locating-genre-studies-antecedents-and-prospects01562nas a2200277 4500008004100000245010100041210006900142260000900211300001400220490000700234520073800241653001500979653001200994653001301006653001101019653001001030653001401040653001301054653001301067653001301080653001101093653001901104653001701123100002601140856011801166 2000 eng d00aThe Symbolic Capital of Social Identities: The Genre of Bargaining in an Urban Guatemalan Market0 aSymbolic Capital of Social Identities The Genre of Bargaining in c2000 a155–1890 v103 aThis article examines bartering speech in a Guatemalan market as a particulartype of discourse, the genre of bargaining. It also investigates marketers' uses
of that discourse as facilitating a process of negotiating their identities as social
actors. The article examines, first, how the invocation of the genre of bargaining
orders marketers' speech into a stable and coherent discourse; second, how
the genre's connections with social, ideological, and political-economic relations
invest marketers' speech with pre-established associations; and third,
how marketers may manipulate social and ideological associations established
by past conventions in order to negotiate the social value of their identities
at present.
10abargaining10aBarktin10aBourdieu10achange10agenre10aGuatemala10ahegemony10aidentity10aideology10amarket10asocial capital10asocial value1 aFrench, Brigittine, M uhttps://genreacrossborders.org/biblio/symbolic-capital-social-identities-genre-bargaining-urban-guatemalan-market00485nam a2200205 4500008004100000020001800041245001000059210001000069260002800079653001400107653001200121653001400133653001000147653001300157653001000170653001500180100001500195700001900210856005000229 2005 eng d a0-415-28063-X00aGenre0 aGenre aLondonbRoutledgec200510aAristotle10aBakhtin10aevolution10agenre10aliterary10aPlato10apragmatics1 aFrow, John1 aDrakakis, John uhttps://genreacrossborders.org/biblio/genre-201865nas a2200229 4500008004100000245013000041210006900171260000900240300001400249490000700263520109700270653001701367653001901384653001201403653001101415653001401426653001001440653001001450653001801460100002101478856013601499 2005 eng d00aWhat a Language Is Good for: Language Socialization, Language Shift, and the Persistence of Code-Specific Genres in St. Lucia0 aWhat a Language Is Good for Language Socialization Language Shif c2005 a327–3610 v343 aIn many bilingual and multilingual communities, certain communicativepractices are code-specific in that they conventionally require, and are constituted
in part through, the speaker’s use of a particular code. Code-specific
communicative practices, in turn, simultaneously constitute and partake of
code-specific genres: normative, relatively stable, often metapragmatically
salient types of utterance, or modes of discourse, that conventionally
call for use of a particular code. This article suggests that the notions of code
specificity and code-specific genre can be useful ones for theorizing the relationship
between code and communicative practice in bilingual0multilingual
settings, particularly those in which language shift and other contact-induced
processes of linguistic and cultural change tend to highlight that relationship.
This is demonstrated through an examination of how young children in
St. Lucia are socialized to “curse” and otherwise assert themselves by means
of a creole language that under most circumstances they are discouraged from
using.
10abilingualism10acode-switching10acontact10acreole10adiglossia10agenre10ashift10asocialization1 aGarrett, Paul, B uhttps://genreacrossborders.org/biblio/what-language-good-language-socialization-language-shift-and-persistence-code-specific-genres00549nas a2200169 4500008004100000020002200041245005800063210005700121260003600178653000900214653001000223653001300233100001900246700001800265700001800283856007800301 2009 eng d a978-90-272-5433-700aGenres in the Internet: Issues in the Theory of Genre0 aGenres in the Internet Issues in the Theory of Genre aAmsterdambJohn Benjaminsc200910ablog10agenre10ainternet1 aGiltrow, Janet1 aStein, Dieter1 aFetzer, Anita uhttps://genreacrossborders.org/biblio/genres-internet-issues-theory-genre01521nas a2200217 4500008004100000245005900041210005900100260000900159300001200168490000600180520091900186653000901105653001401114653001001128653001501138653001101153653001101164100002101175700002201196856008501218 2007 eng d00aEngaging with and Arranging for Publics in Blog Genres0 aEngaging with and Arranging for Publics in Blog Genres c2007 a47–660 v33 aIn this paper, we take a rhetorical approach to weblogs, examining two sets of blogs:blogs responding to a national literary event called Canada Reads and ‘homeless
blogs’. Taking up Miller and Shepherd’s proposal (2004) that the exigence of the blog
is self cultivation and validation, we examine how such an exigence may be met, not
through entering and building community, but engaging with and arranging for recognition
in what Michael Warner calls ‘discursive publics’ (2002:121). By focusing on
uptake (Freadman 2002) as a public dynamic, we suggest how features of the blog such
as blog posts and ‘meta-generic’ commentary (Giltrow 2002:192) about antecedent
genres may enable a blogger to legitimate the self as an integral part and perpetuator
of publics: a blogger’s uptake both actualizes a public (declaring membership), and
imagines it anew (envisioning subsequent uptakes).
10ablog10acommunity10agenre10ameta-genre10apublic10auptake1 aGrafton, Kathryn1 aMaurer, Elizabeth uhttps://genreacrossborders.org/biblio/engaging-and-arranging-publics-blog-genres00593nas a2200193 4500008004100000245005500041210005400096250004000150260002500190300001100215653000900226653001100235653001000246653001500256653001100271653001100282100002100293856008500314 2009 eng d00aSituating the Public Social Actions of Blog Posts 0 aSituating the Public Social Actions of Blog Posts aJanet Giltrow and Dieter Stein, eds aAmsterdambBenjamins a85-11110ablog10aCanada10agenre10aliterature10apublic10auptake1 aGrafton, Kathryn uhttps://genreacrossborders.org/biblio/situating-public-social-actions-blog-posts00597nas a2200229 4500008004100000245004500041210004500086260000900131300001400140490000700154653001200161653001300173653001100186653001200197653001100209653001500220653000900235653001400244653001200258100002200270856007500292 1987 eng d00aDiscourse Genres in a Theory of Practice0 aDiscourse Genres in a Theory of Practice c1987 a668–6920 v1410aBakhtin10aBourdieu10achange10ahabitus10ahybrid10ainnovation10aMaya10anew genre10aSpanish1 aHanks, William, F uhttps://genreacrossborders.org/biblio/discourse-genres-theory-practice01629nas a2200181 4500008004100000245003400041210003400075260000900109300001400118490000700132520117100139653001201310653001001322653001501332653001101347100002301358856006601381 1987 eng d00aSketches of Theories of Genre0 aSketches of Theories of Genre c1987 a397–4300 v163 aThis paper deals with conceptions of genre in literary studies by critically discussing their implications from the viewpoint of an empirical science of literature that has turned its attention to TV phenomena. The basic question addresses the necessity of genre conceptions within the empirical theory of literature. It is argued that there is no need for conceptualizing ‘genre’ within that theory because the underlying philosophy of generic thinking implies an incommensurable metaphysics. On the other hand, it is shown that issues of modern (functionalist sociological) theories of genre can largely be reconstructed as starting points for an empirical theory of ‘genres’ if their core assumptions are grounded on the level of cognition. Types of genre theories considered here are the classificationist, the form-content descriptivist, the typological universalist, and the functionalist sociological approach. The paper concludes with an attitude against genre as a scientific object domain of its own and suggests that ‘generic’ phenomena should be treated as problems of the aggregation of knowledge for consensual interaction in media systems.10aBakhtin10agenre10aliterature10atheory1 aHauptmeier, Halmut uhttps://genreacrossborders.org/biblio/sketches-theories-genre00724nas a2200289 4500008004100000245003200041210003200073260000900105300001400114490000700128653001600135653000900151653002100160653001100181653001000192653001800202653001100220653001100231653001600242653001400258653001500272100002200287700002200309700001900331700001900350856006500369 2005 eng d00aWeblogs as a Bridging Genre0 aWeblogs as a Bridging Genre c2005 a142–1710 v1810aantecedents10ablog10acontent analysis10acorpus10agenre10agenre ecology10ahybrid10aimpact10alinguistics10anew genre10atechnology1 aHerring, Susan, C1 aScheidt, Lois Ann1 aBonus, Sabrina1 aWright, Elijah uhttps://genreacrossborders.org/biblio/weblogs-bridging-genre00674nas a2200241 4500008004100000245005000041210004900091260005600140300001400196653001600210653000900226653002100235653001100256653001000267653001100277653001600288100002200304700002200326700001900348700001900367700001700386856002900403 2004 eng d00aBridging the Gap: A Genre Analysis of Weblogs0 aBridging the Gap A Genre Analysis of Weblogs aLos Alamitos, CAbIEEE Computer Society Pressc2004 a101–11110aantecedents10ablog10acontent analysis10acorpus10agenre10aimpact10alinguistics1 aHerring, Susan, C1 aScheidt, Lois Ann1 aBonus, Sabrina1 aWright, Elijah1 aSprague, Jr. uhttp://www.blogninja.com00507nas a2200169 4500008004100000245005300041210005300094260000900147300001400156490000600170653001100176653001100187653001000198653001400208100002800222856008700250 1973 eng d00aGeneric Constraints and the Rhetorical Situation0 aGeneric Constraints and the Rhetorical Situation c1973 a162–1700 v610aBitzer10aDarwin10agenre10asituation1 aJamieson, Kathleen, M H uhttps://genreacrossborders.org/biblio/generic-constraints-and-rhetorical-situation00503nas a2200157 4500008004100000245007600041210006700117260003000184490000900214653000900223653001000232653001100242653000800253100002000261856006400281 2003 eng d00aOn the Trail of the Memex: Vannevar Bush, Weblogs and the Google Galaxy0 aTrail of the Memex Vannevar Bush Weblogs and the Google Galaxy bdichtung-digital.dec20030 v200310ablog10agenre10aGoogle10alog1 aJerz, Dennis, G uhttp://www.dichtung-digital.org/2003/issue/1/jerz/index.htm00641nas a2200229 4500008004100000245005000041210004900091260003900140653001700179653001100196653000800207653000800215653000800223653000900231653001600240653001100256653001700267653001100284653001800295100001800313856008000331 2002 eng d00aGenre in the Classroom: Multiple Perspectives0 aGenre in the Classroom Multiple Perspectives aMahway, NJbLawrence Erlbaumc200210aBerkenkotter10aBhatia10aEAP10aESL10aESP10aHyon10alinguistics10aMartin10anew rhetoric10aSwales10aSydney school1 aJohns, Ann, M uhttps://genreacrossborders.org/biblio/genre-classroom-multiple-perspectives01344nas a2200193 4500008004100000245010200041210006900143260000900212300001400221490000700235520071600242653001200958653001800970653001000988653000900998653001001007100001701017856011601034 2008 eng d00aThe Modern Novel from a Sociological Perspective: Towards a Strategic Use of the Notion of Genres0 aModern Novel from a Sociological Perspective Towards a Strategic c2008 a378–3970 v383 aThe new literary form created by the English writers of that period strikes one as radically innovative both because of its literary qualities and because of its social function. Since the new genre was capable of recording the significant socio-cultural changes of the time, the novel, according to Watt, emerged not only as a literary genre, as one form of art among others, but as a privileged cultural product. Since the imaginary world created by the novel reflects and reproduces the modern social condition, that is, the image of personhood as a selfenclosed subjectivity, the question is what type of narrative literature would be capable of resisting the novel and providing a viable alternative to it.10aBahktin10aBildungsroman10anovel10aWatt10aWhite1 aJust, Daniel uhttps://genreacrossborders.org/biblio/modern-novel-sociological-perspective-towards-strategic-use-notion-genres00605nas a2200217 4500008004100000245005400041210005400095260000900149300001400158490000600172653001300178653001200191653001300203653001000216653001300226653001300239653001200252653001100264100002300275856008900298 1995 eng d00aGenre as Institutionally Informed Social Practice0 aGenre as Institutionally Informed Social Practice c1995 a115–1710 v610aargument10aBakhtin10aBourdieu10agenre10aideology10ametaphor10apremise10aschema1 aKamberelis, George uhttps://genreacrossborders.org/biblio/genre-institutionally-informed-social-practice00499nas a2200181 4500008004100000245003800041210003800079260001700117300001200134653001000146653002400156653001600180653001500196100001900211700002200230700002200252856004300274 1997 eng d00aAutomatic Detection of Text Genre0 aAutomatic Detection of Text Genre aMadridc1997 a32–3810aBiber10ainformation science10alinguistics10atext genre1 aKessler, Brett1 aNunberg, Geoffrey1 aSchuetze, Hinrich uhttp://xxx.lanl.gov/abs/cmp-lg/970700200654nas a2200193 4500008004100000245007700041210006900118260003900187300001400226653001000240653001000250653001100260653001100271100001700282700001700299700002100316700002200337856010100359 2002 eng d00aDisembodied Voices: The Problem of Context and Form in Theories of Genre0 aDisembodied Voices The Problem of Context and Form in Theories o aCresskill, NJbHampton Pressc2002 a275–29610aBurke10agenre10aMartin10aMiller1 aKnapp, Peter1 aCoe, Richard1 aLingard, Lorelei1 aTeslenko, Tatiana uhttps://genreacrossborders.org/biblio/disembodied-voices-problem-context-and-form-theories-genre00726nam a2200289 4500008004100000020001800041245003600059210003200095260003600127653001100163653001000174653001000184653001800194653001300212653001200225653001000237653001000247653001400257653001300271653001300284653001400297653001200311653001200323653001400335100002000349856006700369 2004 eng d a0-205-37141-800aThe art of rhetorical criticism0 aart of rhetorical criticism aNew YorkbAllyn and Baconc200410aBenoit10aBlack10aBurke10afantasy theme10afeminism10aframing10agenre10aHenry10aideograph10aMcKerrow10ametaphor10anarrative10aRowland10aRushing10asituation1 aKuypers, Jim, A uhttps://genreacrossborders.org/biblio/art-rhetorical-criticism00380nas a2200145 4500008004100000245002800041210002800069260002600097490000900123653000900132653001500141653001000156100001300166856005500179 2002 eng d00aBlogging about Blogging0 aBlogging about Blogging bEverything2.comc20020 v200410ablog10adefinition10agenre1 aLectrice uhttp://www.everything2.com/index.pl?node_id=38900101830nas a2200337 4500008004100000245003500041210003500076260000900111300001400120490000700134520099500141653001501136653000901151653001301160653002701173653001201200653001901212653001001231653001501241653001101256653001701267653001901284653001801303653001701321653001401338653000901352100002001361700001701381700002101398856007301419 2010 eng d00aEmerging Personal Media Genres0 aEmerging Personal Media Genres c2010 a947–9630 v123 aIn this article we argue that the concept of genre has a valuable function within sociological theory, particularly for understanding emerging communicative practices within social and personal media. Genres span the whole range of recognizable forms of communication, play a crucial role in overcoming contingency and facilitate communication. Their function is to enhance composing and understanding of communication by offering interpretative, recognizable and flexible frames of reference. As such, genres generate a sense of stability in modern complex societies. Genres ought to be seen as an intermediary level between the levels of media and text, however influenced by both. They operate as interaction between two interdependent dimensions, conventions and expectations, both of which are afforded by media and specific texts. In this article these relationships are illustrated through two cases of emerging personal media genres: the online diary and the camphone self-portrait.10aaffordance10ablog10acamphone10acamphone self-portrait10adigital10aemerging genre10agenre10ainnovation10amedium10aonline diary10apersonal media10aself-portrait10asocial media10astability10atext1 aLüders, Marika1 aPrøitz, Lin1 aRasmussen, Terje uhttps://genreacrossborders.org/biblio/emerging-personal-media-genres00593nas a2200205 4500008004100000245006400041210006300105260000900168300001200177490000700189653000900196653001000205653001300215653001200228653001700240653001200257653001100269100002000280856008700300 2003 eng d00aTeaching an Old Genre New Tricks: The Diary on the Internet0 aTeaching an Old Genre New Tricks The Diary on the Internet c2003 a24–470 v2610ablog10adiary10ainternet10ajournal10alife writing10aprivate10apublic1 aMcNeill, Laurie uhttps://genreacrossborders.org/biblio/teaching-old-genre-new-tricks-diary-internet00700nas a2200241 4500008004100000245005400041210005300095260003700148300001200185653001200197653001400209653001200223653001000235653001400245653001200259653001400271653001000285653001800295100002300313700002000336700001800356856008400374 1994 eng d00aRhetorical Community: The Cultural Basis of Genre0 aRhetorical Community The Cultural Basis of Genre aLondonbTaylor and Francisc1994 a67–7810aBakhtin10acommunity10aculture10agenre10agenre set10aGiddens10anarration10apolis10astructuration1 aMiller, Carolyn, R1 aFreedman, Aviva1 aMedway, Peter uhttps://genreacrossborders.org/biblio/rhetorical-community-cultural-basis-genre00893nas a2200277 4500008004100000245006200041210006100103260012900164653000900293653001000302653001200312653001800324653001000342653001300352653000800365653001400373653001100387100002300398700001900421700001700440700002600457700002000483700002000503700002100523856007100544 2004 eng d00aBlogging as Social Action: A Genre Analysis of the Weblog0 aBlogging as Social Action A Genre Analysis of the Weblog aMinneapolis, MNbUniversity of Minnesota Libraries, http://blog.lib.umn.edu/blogosphere/blogging_as_social_action.htmlc200410ablog10adiary10adigital10aexhibitionism10agenre10ainternet10alog10avoyeurism10aweblog1 aMiller, Carolyn, R1 aShepherd, Dawn1 aGurak, Laura1 aAntonijevic, Smiljana1 aJohnson, Laurie1 aRatliff, Clancy1 aReymann, Jessica uhttp://blog.lib.umn.edu/blogosphere/blogging_as_social_action.html01580nas a2200277 4500008004100000245005200041210005200093260003600145300001400181520083400195653001401029653000901043653001101052653001201063653001301075653001001088653001001098653001101108653001301119653001401132100002301146700001901169700001801188700001901206856007701225 2009 eng d00aQuestions for Genre Theory from the Blogosphere0 aQuestions for Genre Theory from the Blogosphere aAmsterdambJohn Benjaminsc2009 a263–2903 aThe blog illustrates well the constant change that characterizes electronic media. With a rapidity equal to that of their initial adoption, blogs became not a single genre but a multiplicity. To explore the relationship between the centrifugal forces of change and the centripetal tendencies of recurrence and typification, we extend our earlier study of personal blogs with a contrasting study of the kairos, technological affordances, rhetorical features, and exigence for what we call public affairs blogs. At the same time, we explore the relationship between genre and medium, examining genre evolution in the context of changing technological affordances. We conclude that genre and medium must be distinguished and that the aesthetic satisfactions of genre help account for recurrence in an environment of change.
10aaesthetic10ablog10achange10adigital10aexigence10agenre10amedia10amedium10arhetoric10astability1 aMiller, Carolyn, R1 aGiltrow, Janet1 aStein, Dieter1 aShepherd, Dawn uhttps://genreacrossborders.org/biblio/questions-genre-theory-blogosphere01046nas a2200229 4500008004100000245007600041210006900117260000900186300001200195490000700207520036300214653001300577653001300590653002100603653001000624653001100634653001400645653001000659653001500669100001900684856011300703 2003 eng d00aAudiences Talking Genre: Television Talk Shows and Cultural Hierarchies0 aAudiences Talking Genre Television Talk Shows and Cultural Hiera c2003 a36–460 v313 aThe author explores howaudience members make sense of the
talk show genre-from daytime issueoriented
programs to late-night entertainment
shows-through a qualitative
survey of television viewers. He argues
that the genre is linked to assumed
notions of identity and hierarchies of
cultural value that help explain the
genre's controversial history.
10aaudience10aBourdieu10acultural studies10agenre10asurvey10atalk show10ataste10atelevision1 aMittell, Jason uhttps://genreacrossborders.org/biblio/audiences-talking-genre-television-talk-shows-and-cultural-hierarchies01772nas a2200205 4500008004100000020001400041245005400055210005400109260006600163300001400229520111200243653001201355653001001367653001401377100001601391700001801407700003301425700002401458856008401482 2007 eng d a1808-765500aFrom Bakhtin to Mediated Multimodal Genre Systems0 aFrom Bakhtin to Mediated Multimodal Genre Systems aTubarão, BrazilbUniversity of Southern Santa Catarinac2007 a277–2863 aVoloshinov and Bakhtin’s expansive view of genres as concrete, historical phenomena, theirlinkage of dialogic semiotics (discourse) to the formation of individuals and societies (development), has been taken up in North American genre theory as an invitation to explore relations between genre and sociocultural theories (e.g., of Vygotsky, Schutz, Latour, Bourdieu), to see genres not as isolated texts/events but as forged within systems and chains of discourse woven into mediated activity (e.g., Bazerman; Berkenkotter; Prior; Russell), and to challenge the privileging of public texts by identifying genres that are occluded (Swales) or designed to mediate activity (Spinuzzi). Research has focused on semiotic dimensions of genres (e.g. Kress, Lemke), and situated analyses (e.g., Berkenkotter; Kamberelis; Prior) have investigated ways that literate activity involves laminated, multimodal chains of talk, visual representations, gestures, actions, artifacts, and writing. This presentation argues for the notion of mediated multimodal genre systems both theoretically and empirically.
10aBakhtin10agenre10aVolosinov1 aPrior, Paul1 aBonini, Adair1 aDarvalho Figueiredo, Débora1 aRauen, Fábio José uhttps://genreacrossborders.org/biblio/bakhtin-mediated-multimodal-genre-systems00536nas a2200205 4500008004100000245003700041210003600078260002100114490000900135653001300144653001000157653001500167653001100182653001000193653000900203653001000212653001000222100001500232856008300247 2005 eng d00aBloggers vs. Journalists Is Over0 aBloggers vs Journalists Is Over bPressThinkc20050 v200610ablogging10agenre10ajournalism10akairos10amedia10anews10apress10atrust1 aRosen, Jay uhttp://journalism.nyu.edu/pubzone/weblogs/pressthink/2005/01/21/berk_essy.html00510nam a2200169 4500008004100000020002200041245004400063210003900107250000600146260007400152490000700226653000900233653001900242653001800261100002300279856003800302 2016 eng d a 978365396758600aThe Personal Blog: A Linguistic History0 aPersonal Blog A Linguistic History a1 aFrankfurtbPeter Lang GmbH, Internationaler Verlag der Wissenschaften0 v1410ablog10agenre analysis10agenre history1 aSchildhauer, Peter uhttp://www.peterlang.com/?266274E01374nas a2200229 4500008004100000245004800041210004700089260000900136300001600145490000700161520078300168653000900951653000900960653001400969653001000983653001200993653001301005653000901018653001801027100001701045856008201062 2007 eng d00aBlogging Practices: An Analytical Framework0 aBlogging Practices An Analytical Framework c2007 a1409–14270 v123 aThis article proposes a general model to analyze and compare different uses of theblog format. Based on ideas from sociological structuration theory, as well as on
existing blog research, it argues that individual usage episodes are framed by three
structural dimensions of rules, relations, and code, which in turn are constantly
(re)produced in social action. As a result, ‘‘communities of blogging practices’’
emerge-that is, groups of people who share certain routines and expectations about
the use of blogs as a tool for information, identity, and relationship management.
This analytical framework can be the basis for systematic comparative and longitudinal
studies that will further understanding of similarities and differences in blogging
practices.
10ablog10acode10acommunity10agenre10aGiddens10arelation10arule10astructuration1 aSchmidt, Jan uhttps://genreacrossborders.org/biblio/blogging-practices-analytical-framework00762nas a2200277 4500008004100000245004400041210004300085260003900128300001300167653001300180653001200193653001300205653002000218653000800238653001500246653001000261653001300271653001000284653000900294653001600303100002600319700001700345700002100362700002200383856007900405 2002 eng d00aGenre and Power: A Chronotopic Analysis0 aGenre and Power A Chronotopic Analysis aCresskill, NJbHampton Pressc2002 a73–10210abad news10aBakhtin10aBourdieu10abusiness letter10aCDA10achronotope10agenre10aideology10apower10atime10atransactive1 aSchryer, Catherine, F1 aCoe, Richard1 aLingard, Lorelei1 aTeslenko, Tatiana uhttps://genreacrossborders.org/biblio/genre-and-power-chronotopic-analysis00799nas a2200265 4500008004100000245005500041210005500096260008200151300001200233653002000245653001100265653001300276653001000289653001200299653000900311653001400320653001100334100002600345700002100371700002100392700001700413700002200430700001900452856006200471 2003 eng d00aStructure and Agency in Medical Case Presentations0 aStructure and Agency in Medical Case Presentations aFort Collins, CObThe WAC Clearinghouse and Mind, Culture, and Activityc2003 a62–9610aactivity theory10aagency10aBourdieu10agenre10aGiddens10aself10astructure10asystem1 aSchryer, Catherine, F1 aLingard, Lorelei1 aSpafford, Marlee1 aGarwood, Kim1 aBazerman, Charles1 aRussell, David uhttp://wac.colostate.edu/books/selves_societies/index.cfm01824nas a2200181 4500008004100000245008100041210006900122260000900191300001400200490000700214520123600221653001301457653002001470653000801490653001001498100002601508856010801534 2000 eng d00aWalking a Fine Line: Writing 'Negative News' Letters in an Insurance Company0 aWalking a Fine Line Writing Negative News Letters in an Insuranc c2000 a445–4970 v143 aThis limited case study examines the situated-language practices associated with the production of negative letters in an insurance company. Using genre and sociocultural theories, the study combines textual analyses of a set of negative letters together with writers' accounts of producing these letters to identify effective (as defined by the company) strategies for composing this correspondence. These letters are examples of generic action, and they demonstrate that genres function as constellations of regulated, improvisational strategies triggered by the interaction between individual socialization and an organization. Moreover, these constellations of resources express a particular chronotopic relation to space and time, and this relation is always axiological or value oriented. In other words, genres express space/time relations that reflect current social beliefs regarding the placement and actions of human individuals in space and time. The article identifies some of the strategies that characterize effective negative messages in this organization. It also critiques this text type for enacting a set of practices and related chronotopic orientation that is against the interests of its readers and writers.10aBourdieu10abusiness letter10aCDA10agenre1 aSchryer, Catherine, F uhttps://genreacrossborders.org/biblio/walking-fine-line-writing-negative-news-letters-insurance-company01676nas a2200181 4500008004100000245009500041210006900136260000900205300001100214490000600225520106600231653001801297653001001315653001401325653001401339100001901353856012201372 2007 eng d00aBreast Cancer Narratives as Public Rhetoric: Genre Itself and the Maintenance of Ignorance0 aBreast Cancer Narratives as Public Rhetoric Genre Itself and the c2007 a3–230 v33 aThis paper explores questions of the permissible and the impermissible in breastcancer narratives. It deploys (inter alia) a theory of discourse and counterdiscourse
to argue that the genre itself of the personal narrative performs a regulatory function
in public discourse on cancer. The paper is inspired by an idea introduced into science
studies by Schiebinger and Proctor – the idea of agnotology: the cultural production
of ignorance. The paper argues that ignorance about cancer is maintained, in part,
by the rehearsal of stories that have standard plots and features, and that suppress
or displace other stories. The paper turns on examples of both conventional and
unconventional stories. It focuses on Barbara Ehrenreich’s renegade cancer story
and its public reception, and Wendy Mesley’s renegade cancer documentary and the
public reception of that. The paper seeks to contribute to genre studies by analyzing
instances of a genre of public discourse, and suggesting the nature of the social action
performed by the genre itself.
10abreast cancer10agenre10aignorance10anarrative1 aSegal, Judy, Z uhttps://genreacrossborders.org/biblio/breast-cancer-narratives-public-rhetoric-genre-itself-and-maintenance-ignorance01363nas a2200193 4500008004100000245005300041210005200094260000900146300001200155490000600167520080900173653001800982653001301000653001701013653001301030653001101043100002801054856008701082 1996 eng d00aRhetorical Organization of Chairmen's Statements0 aRhetorical Organization of Chairmens Statements c1996 a43–630 v63 aJ. M. Swales's move-step approach (eg, 1981) to research article introductions is applied to the rhetorical organization of chairmen's statements in annual reports by British companies, drawing on 95 such documents obtained from 93 companies. The proposed relationships & confidence model suggests that these reports make three moves in their introductions: establishing relationships between the chairman, the company, & the readers; maintaining confidence; & reinforcing relationships already established. These moves are described as rhetorical strategies designed to achieve & enhance a particular image of the chairman & the company. It is suggested that the move-step method might be useful for raising the genre awareness of English for specific purpose (ESP) students & for improving ESP courses.10aannual report10abusiness10aintroduction10arhetoric10aSwales1 aSkulstad, Aud Solbjørd uhttps://genreacrossborders.org/biblio/rhetorical-organization-chairmens-statements00552nas a2200229 4500008004100000245003200041210002800073260000900101300001400110490000600124653001100130653001700141653001100158653001100169653001100180653001000191653001000201653001600211653001300227100001900240856006300259 2002 eng d00aThe Better Part of Pedagogy0 aBetter Part of Pedagogy c2002 a373–3850 v110aBarton10aBerkenkotter10aBleich10aCooper10aDevitt10agenre10aHeath10amateriality10apedagogy1 aStevens, Scott uhttps://genreacrossborders.org/biblio/better-part-pedagogy00403nam a2200133 4500008004100000245003400041210003400075260003600109653001300145653001000158653001000168100001900178856007200197 2000 eng d00aAnalysing Professional Genres0 aAnalysing Professional Genres aAmsterdambJohn Benjaminsc200010aBazerman10agenre10aMyers1 aTrosborg, Anna uhttps://genreacrossborders.org/biblio/analysing-professional-genres00505nas a2200157 4500008004100000245006400041210006000105260000900165300001400174490000700188653001300195653000800208653001100216100002200227856009800249 2005 eng d00aReview: Animated Categories: Genre, Action, and Composition0 aReview Animated Categories Genre Action and Composition c2005 a532–5450 v6710aBawarshi10aCoe10aDevitt1 aVandenberg, Peter uhttps://genreacrossborders.org/biblio/review-animated-categories-genre-action-and-composition00667nas a2200217 4500008004100000245006900041210006800110260000900178300001600187490000800203653001800211653001800229653001500247653001500262653000900277653001000286653001700296653001500313100001800328856010300346 2007 eng d00aPioneers of Inner Space: Drug Autobiography and Manifest Destiny0 aPioneers of Inner Space Drug Autobiography and Manifest Destiny c2007 a1531–15470 v12210aautobiography10abeat movement10aconfession10ade Quincey10adrug10agenre10amedical case10atemperance1 aZieger, Susan uhttps://genreacrossborders.org/biblio/pioneers-inner-space-drug-autobiography-and-manifest-destiny