00521nas a2200121 4500008004100000245010100041210006900142300001200211490000700223100001800230700002300248856012800271 2005 eng d00aPerceptions of Memo Quality: A Case Study of Engineering Practicioners, Professors, and Students0 aPerceptions of Memo Quality A Case Study of Engineering Practici a179-1900 v351 aAmare, Nicole1 aBrammer, Charlotte uhttps://genreacrossborders.org/biblio/perceptions-memo-quality-case-study-engineering-practicioners-professors-and-students00467nas a2200157 4500008004100000245003300041210002900074260004800103300001300151653001300164653001000177100001700187700001900204700002200223856006400245 1986 eng d00aThe Problem of Speech Genres0 aProblem of Speech Genres aAustin, TXbUniversity of Texas Pressc1986 a60–10210adialogue10agenre1 aBakhtin, M M1 aEmerson, Caryl1 aHolquist, Michael uhttps://genreacrossborders.org/biblio/problem-speech-genres00620nam a2200253 4500008004100000020002200041245002300063210001900086260002800105653001000133653001300143653001000156653001400166653001000180653001100190653001500201653001400216653001500230653001100245653001000256653001700266100002600283856005700309 2010 eng d a978-0-7456-4908-500aThe Pragmatic Turn0 aPragmatic Turn aCambridgebPolityc201010aDewey10aHabermas10aHegel10aHeidegger10aJames10aPeirce10aphilosophy10apragmatic10apragmatism10aPutnam10aRorty10aWittgenstein1 aBernstein, Richard, J uhttps://genreacrossborders.org/biblio/pragmatic-turn00498nas a2200193 4500008004100000245003600041210003200077260000900109300001400118490000700132653001500139653001400154653001500168653001000183653001300193653001000206100002100216856006700237 1997 eng d00aThe Power and Politics of Genre0 aPower and Politics of Genre c1997 a359–3710 v1610aapprentice10acommunity10aexperience10agenre10aoutsider10apower1 aBhatia, Vijay, K uhttps://genreacrossborders.org/biblio/power-and-politics-genre01467nas a2200133 4500008004100000245003600041210003200077260000900109300001200118490000700130520110500137100002201242856006901264 1997 eng d00aThe Power and Politics of Genre0 aPower and Politics of Genre c1997 a359-3710 v163 a
Generic knowledge plays an important role in the packing and unpacking of texts used in a
wide-ranging institutionalized socio-rhetorical context. If, on the one hand, it imposes constraints on an
uninitiated genre writer to conform to the conventions and rhetorical expectations of the relevant
professional community, on the other hand, it allows an experienced and established writer of the genre
to exploit conventions to create new forms to suit specific contexts. Unfortunately, however, this privilege
to exploit generic conventions to create new forms becomes available only to those few who enjoy a certain
degree of visibility in the relevant professional community; for a wide majority of others, it is more of a
matter of apprenticeship in accommodating the expectations of disciplinary cultures. This paper reviews
current research to investigate the way the power and the politics of genre is often exploited by the so-called
established membership of disciplinary communities to keep outsiders at a safe distance.
An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics, and sociopolitical contexts. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure.
1 aBorthwick, Stuart1 aMoy, Ron uhttps://genreacrossborders.org/biblio/popular-music-genres-introduction00426nas a2200133 4500008004100000245005200041210005200093260000900145490000700154653001600161653001000177100002000187856008500207 1984 eng d00aPremillennial Apocalyptic as a Rhetorical Genre0 aPremillennial Apocalyptic as a Rhetorical Genre c19840 v3510aapocalyptic10agenre1 aBrummett, Barry uhttps://genreacrossborders.org/biblio/premillennial-apocalyptic-rhetorical-genre01434nas a2200193 4500008004100000245004900041210004900090300001200139490000600151520088200157653001501039653001101054653001001065653001601075653002401091653002001115100002201135856008301157 2011 eng d00aPride and Prejudice and the adaptation genre0 aPride and Prejudice and the adaptation genre a227-2430 v33 aFollowing from the work of Thomas Leitch (2008) and Christine Geraghty (2009),
adaptations that position themselves as adaptations are considered in relation to
an evolving definition of an adaptation genre. In particular, Pride and Prejudice
is regarded as a template for such a genre, a genre signified by a period setting;
period music; a focus on intertitles, words, books and authors; the foregrounding of
‘new’ media; the inclusion of artwork in the sets or in the mise-en-scène; implicit or
explicit tributes to the author; and an appeal to a female audience through the insertion
of female-friendly episodes. The films Pride and Prejudice (1940), Pride and
Prejudice (2005) and Becoming Jane (2007) are examined in relation to this concept
of the genre ‘adaptation’.
This paper reports on an approach to the analysis of
genre recognition using eye-tracking. The researchers
focused on eight different types of e-mail, such as
calls for papers, newsletters and spam, which were
chosen to represent different genres. The study involved
the collection of oculographic behaviour data
metrics, such as fixations and saccades to highlight
the ways in which people view the features of genres.
We found that genre analysis based on purpose and
form (layout features, etc) was an effective means of
identifying the characteristics of these e-mails. The
research, carried out on a group of 24 participants,
highlighted their interaction with the e-mail texts
and the visual cues or features perceived as well as
the strategies they employed for the processing of the
texts. The results showed that readers can determine
the purpose and form of genres, that form and content
can occasionally be separable, that some features
cause fixations and that some readers are prompted to respond by using saccadic behaviour (e.g. regressive
saccades) over the shape of the e-mails (form).
ntroduction: How a Genre Approach to Literacy Can Transform the Way Writing Is Taught / Bill Cope and Mary Kalantzis -- Ch. 1. Genre as Social Process / Gunther Kress -- Ch. 2. Histories of Pedagogy, Cultures of Schooling / Mary Kalantzis and Bill Cope -- Ch. 3. The Power of Literacy and the Literacy of Power / Bill Cope and Mary Kalantzis -- Ch. 4. Gender and Genre: Feminist Subversion of Genre Fiction and Its Implications for Critical Literacy / Anne Cranny-Francis -- Ch. 5. A Contextual Theory of Language / J.R. Martin -- Ch. 6. Grammar: Making Meaning in Writing / J.R. Martin and Joan Rothery -- Ch. 7. Curriculum Genres: Planning for Effective Teaching / Frances Christie -- Ch. 8. Genre in Practice / Mike Callaghan, Peter Knapp and Greg Noble -- Ch. 9. Assessment: A Foundation for Effective Learning in the School Context / Mary Macken and Diana Slade -- Bibliographical Essay: Developing the Theory and Practice of Genre-based Literacy / Bill Cope, Mary Kalantzis, Gunther Kress and Jim Martin -- A Glossary of Terms / Gunther Kress.
10aAustralia10agenre10aHalliday10aKress10alinguistics10asystemic functional linguistics1 aCope, Bill1 aKalantzis, Mary1 aBartholomae, David1 aCarr, Jean Ferguson uhttps://genreacrossborders.org/biblio/powers-literacy-genre-approach-teaching-writing00605nas a2200205 4500008004100000245006100041210006000102260000900162300001400171490000700185653002200192653001500214653001100229653001000240653001000250653001400260653001200274100002200286856009100308 1994 eng d00aPresidential Concession Speeches: The Rhetoric of Defeat0 aPresidential Concession Speeches The Rhetoric of Defeat c1994 a109–1310 v1110acampaign rhetoric10aconcession10adefeat10agenre10amedia10apresident10avictory1 aCorcoran, Paul, E uhttps://genreacrossborders.org/biblio/presidential-concession-speeches-rhetoric-defeat00963nas a2200205 4500008004100000245003500041210003400076260000900110300001400119490000700133520044100140653001100581653001400592653001800606653001600624653001000640653001300650100002200663856007200685 2008 eng d00aPersonal Genres, Public Voices0 aPersonal Genres Public Voices c2008 a420–4500 v593 aWriting in personal genres, like autobiography, leads writers to public voices. Publicvoice is a discursive quality of a text that conveys the writer’s authority and position relative to others. To show how voice and authority depend on genre, I analyze the autobiographies of two writers who take opposing positions on the same topic. By producing texts in genres with recognizable social functions, student writers gain agency. 10aagency10aauthority10aautobiography10acomposition10agenre10apedagogy1 aDanielewicz, Jane uhttps://genreacrossborders.org/biblio/personal-genres-public-voices00645nas a2200181 4500008004100000245007700041210006900118260000900187300001400196490000700210653004000217653003700257653001100294653001600305653001500321100002300336856010400359 2005 eng d00aPerforming tribal rituals: A genre analysis of 'crits' in design studios0 aPerforming tribal rituals A genre analysis of crits in design st c2005 a136–1600 v5410acommunication across the curriculum10acommunication in the disciplines10adesign10aethnography10aoral genre1 aDannels, Deanna, P uhttps://genreacrossborders.org/biblio/performing-tribal-rituals-genre-analysis-crits-design-studios00507nas a2200145 4500008004100000245007700041210006900118260000900187300001000196490000700206653001000213653001100223100002000234856010700254 2008 eng d00aThe Persistence of Institutional Memory: Genre Uptake and Program Reform0 aPersistence of Institutional Memory Genre Uptake and Program Ref c2008 a32-510 v3`10agenre10auptake1 aDryer, Dylan, B uhttps://genreacrossborders.org/biblio/persistence-institutional-memory-genre-uptake-and-program-reform01567nas a2200133 4500008004100000245010200041210006900143260001200212300001200224490000800236520103300244100001801277856013801295 2007 eng d00aPoetry of Politics and Mourning: Mahmoud Darwish’s Genre-Transforming Tribute to Edward W. Said0 aPoetry of Politics and Mourning Mahmoud Darwish s GenreTransform c10/2007 a1447-620 v1223 aThis essay provides an analysis of “Tibaq,” an elegy written in Edward W. Said’s honor by the acclaimed Palestinian poet Mahmoud Darwish. Noting that the poem exhibits aspects of a number of genres and demonstrates Darwish’s generally innovative approach to traditional literary forms, I consider how he has transformed the marthiya, the elegiac genre that has been part of the Arabic literary tradition since the pre-Islamic era. I argue that Darwish used the elegy-writing occasion to comment on Said’s politics and to make respectful use of his critical methods, particularly his interdisciplinary borrowing of counterpoint, a concept typically used in music analysis. By reworking the conventionalmarthiya to represent Said’s life in exile and his diverse body of work and by putting his contrapuntal method into practice in the conversation depicted in the poem, Darwish elegizes a long-lasting friendship and shores up a shared political cause. (RD)
1 aDyer, Rebecca uhttps://genreacrossborders.org/biblio/poetry-politics-and-mourning-mahmoud-darwish%E2%80%99s-genre-transforming-tribute-edward-w-said00620nas a2200193 4500008004100000245008300041210006900124260000900193300001100202490000700213653001600220653001500236653001300251653001100264653001000275653001200285100002300297856010600320 2004 eng d00aPreserving the Figure: Consistency in the Presentation of Scientific Arguments0 aPreserving the Figure Consistency in the Presentation of Scienti c2004 a6–310 v2110aaccommodate10aantithesis10aaudience10afigure10agenre10ascience1 aFahnestock, Jeanne uhttps://genreacrossborders.org/biblio/preserving-figure-consistency-presentation-scientific-arguments00549nas a2200193 4500008004100000020001400041245006500055210006000120260000900180490000600189653001400195653002300209653001600232653001300248653001100261653001600272100001800288856004900306 1997 eng d a1201-245900aThe Poetic Nocturne: From Ancient Motif to Renaissance Genre0 aPoetic Nocturne From Ancient Motif to Renaissance Genre c19970 v310a1500-169910aEnglish literature10agenre study10anocturne10apoetry10aRenaissance1 aFitter, Chris uhttp://purl.oclc.org/emls/03-2/fittnoct.html00571nas a2200121 4500008004100000245014900041210006900190300001100259490000700270100001900277700001700296856013600313 2010 eng d00aProductive Tensions and the Regulatory Work of Genres in the Development of an Engineering Communication Workshop in a Transnational Corporation0 aProductive Tensions and the Regulatory Work of Genres in the Dev a358-380 v241 aGygi, Kathleen1 aZachry, Mark uhttps://genreacrossborders.org/biblio/productive-tensions-and-regulatory-work-genres-development-engineering-communication-workshop00333nas a2200121 4500008004100000020001500041245002600056210002200082260002000104300001100124100001900135856005700154 2004 eng d a185984458800aThe Politics of Genre0 aPolitics of Genre aNew YorkbVerso a163-741 aHeath, Stephen uhttps://genreacrossborders.org/biblio/politics-genre00408nas a2200109 4500008004100000245007800041210006900119300001200188490000700200100002500207856006600232 2006 eng d00aPrediscursive Technical Communication in the Early American Iron Industry0 aPrediscursive Technical Communication in the Early American Iron a171-1890 v151 aJohnson, Carol, Siri uhttp://www.tandfonline.com/doi/abs/10.1207/s15427625tcq1502_300348nas a2200121 4500008004100000245002800041210002800069300001200097490000700109100002300116700002100139856006600160 1997 eng d00aPolicies and Procedures0 aPolicies and Procedures a147-1610 v271 aKlein, William, D.1 aMckenna, Bernard uhttps://genreacrossborders.org/biblio/policies-and-procedures00515nas a2200109 4500008004100000245013100041210006900172300001200241490000700253100002100260856012400281 2008 eng d00aPolice Reform, Task Force Rhetoric, and Traces of Dissent: Rethinking Consensus-as-Outcome in Collaborative Writing Situations0 aPolice Reform Task Force Rhetoric and Traces of Dissent Rethinki a331-3620 v381 aKnievel, Michael uhttps://genreacrossborders.org/biblio/police-reform-task-force-rhetoric-and-traces-dissent-rethinking-consensus-outcome00576nas a2200193 4500008004100000245006200041210005400103260000900157490000600166653002400172653001200196653001000208653002000218653001100238653001800249653001200267100001800279856008500297 2006 eng d00aIs the Press Release a Genre? A Study of Form and Content0 aPress Release a Genre A Study of Form and Content c20060 v810aapplied linguistics10acontext10agenre10aintertextuality10amedium10apress release10apurpose1 aLassen, Inger uhttps://genreacrossborders.org/biblio/press-release-genre-study-form-and-content00473nas a2200109 4500008004100000245009000041210006900131300001200200490000700212100001900219856012500238 2014 eng d00aProposal Pitfalls Plaguing Researchers: Can Technical Communicators Make a Difference0 aProposal Pitfalls Plaguing Researchers Can Technical Communicato a211-2220 v441 aLemansk, Steve uhttps://genreacrossborders.org/biblio/proposal-pitfalls-plaguing-researchers-can-technical-communicators-make-difference01284nas a2200169 4500008004100000245003800041210003700079300001200116490000700128520083100135653001100966653001000977653001300987100001701000700002101017856007601038 2011 eng d00aPolitically-Purposed Music Genres0 aPoliticallyPurposed Music Genres a574-5880 v553 aNew media are having a significant impact on science communication, both on the way scientists communicate with peers and on the dissemination of science to the lay public. Science blogs, in particular, provide an open space for science communication, where a diverse audience (with different degrees of expertise) may have access to science information intended both for nonspecialist readers and for experts. The purpose of this article is to analyze the strategies used by bloggers to communicate and recontextualize scientific discourse in the realm of science blogs. These strategies involve adjusting information to the readers’ knowledge and information needs, deploying linguistic features typical of personal, informal, and dialogic interaction to create intimacy and proximity, engaging in critical analysis of the recontextualized research and focusing on its relevance, and using explicit and personal expressions of evaluation. The article shows that, given the diverse audience of science posts, bloggers display a blending of discursive practices from different discourses and harness the affordances of new media to achieve their rhetorical purposes.
1 aLuzón, María José uhttp://journals.sagepub.com/doi/10.1177/0741088313493610http://journals.sagepub.com/doi/pdf/10.1177/0741088313493610http://journals.sagepub.com/doi/pdf/10.1177/0741088313493610http://journals.sagepub.com/doi/full-xml/10.1177/074108831349361000616nas a2200169 4500008004100000245010500041210006900146260000900215300001400224490000700238653001000245653001400255653001100269653001300280100002600293856012700319 2007 eng d00aPoster Presentations as a Genre in Knowledge Communication: A Case Study of Forms, Norms, and Values0 aPoster Presentations as a Genre in Knowledge Communication A Cas c2007 a347–3760 v2810agenre10aknowledge10aposter10aresearch1 aMacIntosh-Murray, Anu uhttps://genreacrossborders.org/biblio/poster-presentations-genre-knowledge-communication-case-study-forms-norms-and-values00372nas a2200109 4500008004100000245005800041210005400099300001200153490000700165100002200172856006800194 2012 eng d00aThe Promise of Ecological Inquiry in Writing Research0 aPromise of Ecological Inquiry in Writing Research a346-3610 v211 aMacMillan, Stuart uhttp://www.tandfonline.com/doi/abs/10.1080/10572252.2012.67487300496nas a2200109 4500008004100000245009200041210007100133300001100204490000700215100001900222856014500241 2003 eng d00aProblemas genológicos del discurso ensayístico: Origen y configuración de un género0 aProblemas genológicos del discurso ensayístico Origen y configur a79-1050 v281 aMaíz, Claudio uhttps://genreacrossborders.org/biblio/problemas-genol%C3%B3gicos-del-discurso-ensay%C3%ADstico-origen-y-configuraci%C3%B3n-de-un-g%C3%A9nero00447nas a2200109 4500008004100000245012500041210006900166300001200235490000700247100001700254856006600271 2006 eng d00aPedagogical Approaches: Using Charettes to Perform Civic Engagement in Technical Communication Classrooms and Workplaces0 aPedagogical Approaches Using Charettes to Perform Civic Engageme a215-2360 v151 aMara, Andrew uhttp://www.tandfonline.com/doi/abs/10.1207/s15427625tcq1502_500570nas a2200133 4500008004100000245008400041210006900125260004700194300001400241100003300255700002200288700001900310856010700329 1991 eng d00aA psychiatrist using DSM-III: The influence of a charter document in psychiatry0 apsychiatrist using DSMIII The influence of a charter document in aMadison, WIbUniversity of Wisconsin Press a358–3781 aMcCarthy, Lucille, Parkinson1 aBazerman, Charles1 aParadis, James uhttps://genreacrossborders.org/biblio/psychiatrist-using-dsm-iii-influence-charter-document-psychiatry00506nas a2200145 4500008004100000245005900041210005600100260003600156300001400192653001000206653001500216100001600231700001900247856009400266 2000 eng d00aPowerpoints: Technology, Lectures, and Changing Genres0 aPowerpoints Technology Lectures and Changing Genres aAmsterdambJohn Benjaminsc2000 a177–19110agenre10apowerpoint1 aMyers, Greg1 aTrosborg, Anna uhttps://genreacrossborders.org/biblio/powerpoints-technology-lectures-and-changing-genres00310nam a2200097 4500008004100000245002200041210002200063260004500085100002200130856006000152 1989 eng d00aPostmodern Genres0 aPostmodern Genres aNorman, OK & LondonbU of Oklahoma Press1 aPerloff, Marjorie uhttps://genreacrossborders.org/biblio/postmodern-genres00395nam a2200097 4500008004100000245005200041210004700093260006400140100001400204856007900218 1987 eng d00aThe Place of Genre in Learning: Current Debates0 aPlace of Genre in Learning Current Debates aDeakin UniversitybCentre for Studies in Literary Education1 aReid, Ian uhttps://genreacrossborders.org/biblio/place-genre-learning-current-debates00611nam a2200241 4500008004100000020001800041245002300059210001900082260005700101653001000158653002300168653000900191653001000200653001100210653001000221653001300231653001000244653001500254653001400269653001200283100002000295856005400315 1985 eng d a0-8166-1396-600aThe Power of Genre0 aPower of Genre aMinneapolis, MNbUniversity of Minnesota Pressc198510aCrane10adramatic monologue10aFrye10agenre10aHirsch10aJauss10aliterary10alyric10amask lyric10apragmatic10aTodorov1 aRosmarin, Adena uhttps://genreacrossborders.org/biblio/power-genre00526nas a2200193 4500008004100000245004900041210004500090260000900135300001600144490000800160653001300168653001100181653001000192653001100202653001000213653000900223100002000232856008000252 2007 eng d00aThe Polyvalent Discourse of Electronic Music0 aPolyvalent Discourse of Electronic Music c2007 a1613–16250 v12210aaudience10aauthor10acanon10amarket10amusic10atext1 aSaiber, Arielle uhttps://genreacrossborders.org/biblio/polyvalent-discourse-electronic-music00510nam a2200169 4500008004100000020002200041245004400063210003900107250000600146260007400152490000700226653000900233653001900242653001800261100002300279856003800302 2016 eng d a 978365396758600aThe Personal Blog: A Linguistic History0 aPersonal Blog A Linguistic History a1 aFrankfurtbPeter Lang GmbH, Internationaler Verlag der Wissenschaften0 v1410ablog10agenre analysis10agenre history1 aSchildhauer, Peter uhttp://www.peterlang.com/?266274E02267nas a2200181 4500008004100000022001400041245012000055210006900175300001600244490000700260520146000267653001801727653002201745653003301767653001501800100002401815856024601839 2013 eng d a0170-840600aThe Pervasive Power of PowerPoint: How a Genre of Professional Communication Permeates Organizational Communication0 aPervasive Power of PowerPoint How a Genre of Professional Commun a1777 - 18010 v343 aThis paper examines the pervasive role of Microsoft’s presentation software PowerPoint as a genre of professional and organizational communication. Frequently, PowerPoint is not only used for the primary function it was initially designed for, i.e., facilitating live presentations, but also for alternative purposes such as project documentation. Its application in a neighboring domain, however, poses a functional dilemma: does the PowerPoint genre preserve the features of its primary function, i.e., presentation, or rather adapt to the new function, i.e., documentation? By drawing on a communication-centered perspective, this paper examines PowerPoint’s role in the domain of project documentation as a clash between the constitutive affordances of professional and of organizational communication. To investigate this issue empirically, I conducted a case study at a multinational business consulting firm. The study allows identification of three distinct PowerPoint subgenres, which differ in how they adapt to the function of project documentation. This paper contributes to organization studies by specifying the boundary conditions under which a genre of professional communication such as PowerPoint can be expected to maintain its genre-inherent characteristics even in the face of contradictory organizational requirements and to impose these characteristics on a neighboring domain of organizational communication practices.
10adocumentation10aoral presentation10aorganizational communication10apowerpoint1 aSchoeneborn, Dennis uhttp://journals.sagepub.com/doi/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/full-xml/10.1177/017084061348584300693nas a2200193 4500008004100000245008700041210006900128260003900197300001400236653001700250653001300267653001600280653001500296100001900311700001700330700002100347700002200368856010900390 2002 eng d00aProblems of Generalization/Genrelization: The Case of the Doctor-Patient Interview0 aProblems of GeneralizationGenrelization The Case of the DoctorPa aCresskill, NJbHampton Pressc2002 a171–18410aconversation10amedicine10areification10asimilarity1 aSegal, Judy, Z1 aCoe, Richard1 aLingard, Lorelei1 aTeslenko, Tatiana uhttps://genreacrossborders.org/biblio/problems-generalizationgenrelization-case-doctor-patient-interview00564nas a2200181 4500008004100000245005800041210005700099260000900156300001200165490000700177653002100184653001000205653001400215653002600229653002300255100001800278856008600296 1996 eng d00aPresidential Inaugurals: The Modernization of a Genre0 aPresidential Inaugurals The Modernization of a Genre c1996 a81–920 v1310acontent analysis10agenre10ainaugural10apresidential rhetoric10aunification symbol1 aSigelman, Lee uhttps://genreacrossborders.org/biblio/presidential-inaugurals-modernization-genre00390nas a2200109 4500008004100000245005500041210005500096300001200151490000700163100002000170856009000190 2002 eng d00aPersuasive Techniques Used in Fundraising Messages0 aPersuasive Techniques Used in Fundraising Messages a245-2650 v321 aSpears, Lee, A. uhttps://genreacrossborders.org/biblio/persuasive-techniques-used-fundraising-messages00405nas a2200109 4500008004100000245008200041210006900123300001200192490000600204100001900210856006600229 1996 eng d00aPseudotransactionality, Activity Theory, and Professional Writing Instruction0 aPseudotransactionality Activity Theory and Professional Writing a295-3080 v51 aSpinuzzi, Clay uhttp://www.tandfonline.com/doi/abs/10.1207/s15427625tcq0503_300448nas a2200169 4500008004100000245003300041210003300074260000900107300001400116490000700130653001300137653001300150653001000163100002100173700002100194856006300215 1996 eng d00aPostings on a Genre of Email0 aPostings on a Genre of Email c1996 a252–2780 v4710acomputer10adialogue10agenre1 aSpooner, Michael1 aYancey, Kathleen uhttps://genreacrossborders.org/biblio/postings-genre-email01126nas a2200133 4500008004100000022001400041245007100055210006800126300001400194490001300208520061700221100001800838856013600856 2022 eng d a0735-019800aA Play on Occlusion: Uptake of Letters to the University President0 aPlay on Occlusion Uptake of Letters to the University President a226 - 2390 v411188333 aOcclusion is most commonly presented as an aspect of certain genres: occluded genres. Here, occlusion is proposed as a property of the processes by which genres are taken up. While routine use of genres creates expectations around when the genre’s uptake is commonly occluded, such expected practice can be subverted by deliberate disclosure. Occlusion and disclosure in the process of genre uptake thus become argumentative and powerful moves in communicative interaction. In three case studies, I analyze processes of occlusion in relationship to the genre of the letter to the university president.
1 aThieme, Katja uhttps://www.tandfonline.com/doi/full/10.1080/07350198.2022.2038510https://www.tandfonline.com/doi/pdf/10.1080/07350198.2022.203851000430nas a2200109 4500008004100000245010000041210006900141300001200210490000700222100002000229856007100249 2006 eng d00aThe Problem of Nuclear Waste: Ethos and Scientific Evidence in a High-Stakes Public Controversy0 aProblem of Nuclear Waste Ethos and Scientific Evidence in a High a325-3340 v491 aTillery, Denise uhttp://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=401627200762nas a2200205 4500008004100000245010800041210006900149260005300218300001200271653001400283653001000297653001200307653001500319653001800334100001800352700002200370700001700392700002300409856012400432 2007 eng d00aThe PowerPoint Presentation and Its Corollaries: How Genres Shape Communicative Action in Organizations0 aPowerPoint Presentation and Its Corollaries How Genres Shape Com aAmityville, NYbBaywood Publishing Companyc2007 a67–9110aevolution10agenre10aGiddens10apowerpoint10astructuration1 aYates, JoAnne1 aOrlikowski, Wanda1 aZachry, Mark1 aThralls, Charlotte uhttps://genreacrossborders.org/biblio/powerpoint-presentation-and-its-corollaries-how-genres-shape-communicative-action00667nas a2200217 4500008004100000245006900041210006800110260000900178300001600187490000800203653001800211653001800229653001500247653001500262653000900277653001000286653001700296653001500313100001800328856010300346 2007 eng d00aPioneers of Inner Space: Drug Autobiography and Manifest Destiny0 aPioneers of Inner Space Drug Autobiography and Manifest Destiny c2007 a1531–15470 v12210aautobiography10abeat movement10aconfession10ade Quincey10adrug10agenre10amedical case10atemperance1 aZieger, Susan uhttps://genreacrossborders.org/biblio/pioneers-inner-space-drug-autobiography-and-manifest-destiny