@article {654,
	title = {Classification},
	journal = {Theory, Culture, \& Society},
	volume = {23},
	year = {2006},
	note = {+ pdf},
	month = {2006},
	pages = {21{\textendash}50},
	keywords = {classification, identity, representation, subjectivity, universals},
	author = {Boyne, Roy}
}
@article {712,
	title = {Classification in Art},
	journal = {American Sociological Review},
	volume = {52},
	year = {1987},
	note = {+ genre literary},
	month = {1987},
	pages = {440{\textendash}455},
	keywords = {administrative, art, classification, commerce, education, emergence, form, gene, industry, profession, ritual},
	author = {DiMaggio, Paul}
}
@article {746,
	title = {Untitled: (On Genre)},
	journal = {Cultural Studies},
	volume = {2},
	year = {1988},
	note = {+ genre aesthetic/lit},
	month = {1988},
	pages = {67{\textendash}99},
	keywords = {ceremonial, classification, game, genre, metagenre},
	author = {Freadman, Anne}
}
@article {801,
	title = {Classification and Categorization: A Difference that Makes a Difference},
	journal = {Library Trends},
	volume = {52},
	year = {2004},
	note = {+ pdf},
	month = {2004},
	pages = {515{\textendash}540},
	abstract = {Examination of the systemic properties and forms of interactionthat characterize classification and categorization reveals fundamental syntactic
differences between the structure of classification systems and the
structure of categorization systems. These distinctions lead to meaningful
differences in the contexts within which information can be apprehended
and influence the semantic information available to the individual. Structural
and semantic differences between classification and categorization are
differences that make a difference in the information environment by influencing
the functional activities of an information system and by contributing
to its constitution as an information environment.
},
	keywords = {categorization, category, class, classification},
	url = {https://www.ideals.illinois.edu/handle/2142/1686},
	author = {Jacob, Elin K.}
}
@article {1180,
	title = {"Classification as Culture:  Types and Trajectories of Music Genres." },
	journal = {American Sociological Review},
	volume = {73},
	year = {2008},
	month = {2008},
	type = {Research},
	chapter = {697},
	abstract = {<p>Questions of symbolic classification have been central to sociology since its earliest days, given the relevance of distinctions for both affiliation and conflict. Music and its genres are no exception, organizing people and songs within a system of symbolic classification. Numerous studies chronicle the history of specific genres of music, but none document recurrent processes of development and change across musics. In this article, we analyze 60 musics in the United States, delineating between 12 social, organizational, and symbolic attributes. We find four distinct genre types\&mdash;Avant-garde, Scene-based, Industry-based, and Traditionalist. We also find that these genre types combine to form three distinct trajectories. Two-thirds originate in an Avant-garde genre, and the rest originate as a scene or, to our surprise, in an Industry-based genre. We conclude by discussing a number of questions raised by our findings, including the implications for understanding symbolic classification in fields other than music.</p>
},
	keywords = {classification, music},
	author = {Lena, Jennifer C. and Peterson, Richard A.}
}
@inbook {892,
	title = {Genres from the Bottom Up: What Has the Web Brought Us},
	booktitle = {Information in a Networked World: Proceedings of the 64th Annual Meeting of the American Society for Information Science and Technology},
	volume = {38},
	year = {2001},
	note = {+ genre information science},
	month = {2001},
	pages = {330{\textendash}339},
	publisher = {Information Today, Inc.},
	organization = {Information Today, Inc.},
	address = {Medford, NJ},
	keywords = {automated genre recognition, classification, genre, internet, user behavior, web},
	author = {Nilan, Michael and Pomerantz, Jeffrey and Paling, Stephen},
	editor = {Aversa, Elizabeth and Manley, Cynthia}
}
@conference {913,
	title = {Towards Automatic Web Genre Identification},
	booktitle = {35th Annual Hawaii International Conference on System Sciences},
	year = {2002},
	note = {+ pdf},
	month = {2002},
	pages = {1143{\textendash}1152},
	abstract = {We argue for a systematic analysis of one particular, well structureddomain{\textemdash}academic Web pages{\textemdash}with regard to a special class of digital
genres: Web genres. For this purpose, we have developed a database-driven
system that will ultimately consist of more than 3 000 000 HTML documents,
written in German, which are the empirical basis for our research.
We introduce the notions of Web genre type which constitutes the basic
framework for a certain Web genre, and compulsory and optional Web
genre modules. These act as building blocks which go together to make up
the structure characterised by theWeb genre type and furthermore, operate
as modifiers for the default <content, form, function> assignment involved.
The analysis of a 200 document sample illustrates our notion of Web genre
hierarchy, into which Web genre types and modules are embedded. The
analysis of four different documents of theWeb genre Academic{\textquoteright}s Personal
Homepage, not only illustrates our approach, but also our long-term goal
of automatically extracting the contents of Web genre modules in order
to build up structured XML documents of groups of unstructured HTML
documents.
},
	keywords = {automatic detection, classification, corpus, genre, personal  homepage, web},
	author = {Rehm, Georg}
}
