@article {590, title = {A Semantic/Syntactic Approach to Film Genre}, journal = {Cinema Journal}, volume = {23}, year = {1984}, note = {+ pdf}, month = {1984}, pages = {6{\textendash}18}, keywords = {evolution, film, genre, history, Hollywood, interpretive community, semiotics}, author = {Altman, Rick} } @article {593, title = {Questioning the Motives of Habituated Action: Burke and Bourdieu on Practice}, journal = {Philosophy and Rhetoric}, volume = {37}, year = {2004}, note = {+ pdf rhet}, month = {2004}, pages = {255{\textendash}274}, keywords = {act, agency, agent, attitude, body, Burke, disposition, dramatism, habitus, motion, ontology, practice, [genre], [recurrence]}, author = {Anderson, Dana} } @article {1106, title = {Rhetorical Scarcity: Spatial and Economic Inflections on Genre Change}, journal = {College Composition and Communication}, volume = {63}, year = {2012}, month = {02/2012}, pages = {483}, chapter = {453}, abstract = {

This study examines how changes in a key scientific genre supported anthropology\’s early twentieth-century bid for scientific status. Combining spatial theories of genre with inflections from the register of economics, I develop the concept of rhetorical scarcity to characterize this genre change not as evolution but as manipulation that produces a manufactured situation of intense rhetorical constraint.

}, keywords = {genre, history, professional, rhetoric, science}, author = {Risa Applegarth} } @article {606, title = {Hybrid Genres and the Cognitive Positioning of Audiences in the Political Discourse of Hizbollah}, journal = {Critical Discourse Studies}, volume = {7}, year = {2010}, month = {2010}, pages = {191{\textendash}201}, abstract = {This paper aims at providing a better understanding of the workings of political rhetoric in the discourse of Hizbollah by examining relatively underexplored socio-cognitive dimensions in production and reception of political speeches. It argues for the centrality of the macro-linguistic textual notion of hybrid genres to the understanding of the socio-cultural makeup of speaker-audience relations and dynamics. The adequateness and uniqueness of the Lebanese, and by extension, the Middle-Eastern context are more clearly evident in the overwhelming dominance of dogmatic discourses which, I argue, both trigger and aid the perpetual construction and reconstruction of ideologically susceptible audiences. Elements of these discourses such as religious, political, military and even literary blend in a unique way in public, normally political, speeches to produce a type of hybrid genre which helps construct constantly shifting audience roles with varying effective power. A pragmatic-stylistic analysis of the discourse of conflict, I propose, can help provide a starting point for understanding the complexity of the rhetorical situation in the region especially in the context of continuously rising extremism.}, keywords = {genre, hybrid genre, ideology, pragmatics, rhetoric, stylistics}, author = {Badran, Dany} } @inbook {608, title = {Discourse in the Novel}, booktitle = {The Dialogic Imagination: Four Essays}, year = {1981}, note = {+ b}, month = {1981}, pages = {259{\textendash}422}, publisher = {University of Texas Press}, organization = {University of Texas Press}, address = {Austin, TX}, keywords = {centripetal, genre, heteroglossia, ideology}, author = {Bakhtin, M. M.}, editor = {Holquist, Michael and Holquist, Michael} } @booklet {628, title = {What Writing Does and How It Does It: An Introduction to Analyzing Texts and Textual Practices}, year = {2004}, note = {+}, month = {2004}, publisher = {Lawrence Erlbaum Associates}, address = {Mahway, NJ}, keywords = {activity, Barton, content analysis, discourse analysis, genres, Huckin, intertextuality, multiple media, process tracing, rhetorical analysis, Selzer, speech acts, Wysocki}, isbn = {0-8058-3806-6}, author = {Bazerman, Charles and Prior, Paul} } @article {631, title = {Learning the Trade: A Social Apprenticeship Model for Gaining Writing Expertise}, journal = {Written Communication}, volume = {17}, year = {2000}, note = {+ pdf}, month = {2000}, pages = {185{\textendash}223}, abstract = {Taking a social constructionist point of view and drawing on the work in cognitive psychologyon situated cognition and expert performances, this study reports on a segment of an ethnography of writing in a workplace setting that reveals the interconnections of discourse community goals, writers{\textquoteright} roles, and the socialization process for writers new to a given discourse community. Specifically, the data reveal 15 different writing roles assumed by members of the discourse community that depict a continuum from novice to expert writing behaviors. Writing roles were defined in relation to both the importance to community goals of the text to be written and to the amount of context-specific writing knowledge required to accomplish the task. The study applies the notion of legitimate peripheral participation in a discourse community and creates a framework for conceptualizing a social apprenticeship in writing either in school or nonschool settings. }, keywords = {discourse community, genre, genre system, hierarchy, role, social apprenticeship, socialization, writing}, author = {Beaufort, Anne} } @book {641, title = {The Pragmatic Turn}, year = {2010}, note = {+}, month = {2010}, publisher = {Polity}, organization = {Polity}, address = {Cambridge}, keywords = {Dewey, Habermas, Hegel, Heidegger, James, Peirce, philosophy, pragmatic, pragmatism, Putnam, Rorty, Wittgenstein}, isbn = {978-0-7456-4908-5}, author = {Bernstein, Richard J.} } @article {1217, title = {Terror in Horror Genres: The Global Media and the Millennial Zombie}, journal = {The Journal of Popular Culture}, volume = {45}, year = {2012}, pages = {1137-1151}, chapter = {1137}, keywords = {global media, horror, popular culture, terror}, author = {Nicole Birch-Bayley} } @inbook {653, title = {Theory and Practice in New Media Studies}, booktitle = {Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains}, year = {2004}, note = {+ book+ pdf }, month = {2004}, pages = {15{\textendash}33}, publisher = {MIT Press}, organization = {MIT Press}, address = {Cambridge, MA}, keywords = {composition, determinism, hypertext, innovation, McLuhan, new genre, new media, Ong, poststructuralism, practice, teaching, theory}, author = {Bolter, Jay David}, editor = {Liestol, Gunnar and Morrison, Andrew and Rasmussen, Terje} } @article {1245, title = {Engendering genre: what creates a new genre, particularly in so relatively young an artistic form as film? The same thing that creates a new genre in other art forms--a combination of social perception and aesthetic revision, or social change and}, journal = {CineAction}, year = {2012}, chapter = {25}, keywords = {analysis, Cinematography, Film genres, history, Social change}, url = {http://go.galegroup.com/ps/i.do?id=GALE\%7CA284222739\&v=2.1\&u=unc_main\&it=r\&p=AONE\&sw=w\&asid=9f8dd83e9f1aab6f0e79639a0995e01b}, author = {Cardullo, R.J} } @article {673, title = {Press Releases as a Hybrid Genre: Addressing the Informative/Promotional Conundrum}, journal = {Pragmatics}, volume = {18}, year = {2008}, note = {+ pdf}, month = {2008}, pages = {9{\textendash}31}, abstract = {Press releases are short pieces of writing issued by companies or institutions to communicate newsworthy information to the journalist community on the one hand, and to the general public (indirectly through newspaper reporting, or, increasingly, directly by making press releases available on corporate websites) on the other. While ostensibly informative, press releases also carry an implicitly self-promotional purpose, in so far as the information they contain comes from a source internal to the organization which is the object of the release itself.This paper explores the generic features of press releases and investigates the way in which they codify the different communicative purposes and multiple receiver roles which distinguish the genre. Drawing on Bhatia{\textquoteright}s work on genre (Bhatia 1993, 2004), and building on Jacobs{\textquoteright}s preformulating features (Jacobs 1999a), which can be seen as linguistic strategies aimed at achieving the primary and most ostensible purpose of the press release (i.e. getting the story in the news with as little manipulation as possible on the part of journalists), the paper identifies a set of moves and strategies common to the genre, and links them to communicative purposes on the one hand, and to envisioned audiences on the other. It is argued that the press release occupies a hybrid position along the informative-promotional continuum, and that identification of its communicative purpose relies as much on core as on peripheral textual features. }, keywords = {genre, hybrid, press release, Swales}, url = {http://elanguage.net/journals/index.php/pragmatics/issue/view/129}, author = {Catenaccio, Paola} } @booklet {675, title = {Personal Home Pages and the Construction of Identities on the Web}, volume = {2004}, year = {1998}, note = {+ htmloriginally prepared for a conference on Linking Theory and Practice: Issues in the Politics of Identity, University of Wales, Aberystwyth, 9{\textendash}11 September 1998 }, month = {1998}, publisher = {University of Wales, Aberystwyth}, keywords = {genre, home page, identity, private, public, web}, url = {http://www.aber.ac.uk/media/Documents/short/webident.html}, author = {Chandler, Daniel} } @article {686, title = {Introduction}, journal = {New Literary History}, volume = {34}, year = {2003}, note = {introduction to special issue on Theorizing Genres I}, month = {2003}, pages = {v{\textendash}xv}, keywords = {anthology, Bakhtin, case history, film, folktale, genre, history, Wells}, author = {Cohen, Ralph} } @inbook {691, title = {Genre Theory in Literature}, booktitle = {Form, Genre, and the Study of Political Discourse}, series = {Studies in Rhetoric/Communication}, year = {1986}, note = {+ b}, month = {1986}, pages = {25{\textendash}44}, publisher = {University of South Carolina Press}, organization = {University of South Carolina Press}, address = {Columbia, SC}, keywords = {Aristotle, genre, Horace, literature, Longinus, Poetics, tragedy}, author = {Connors, Robert J.}, editor = {Simons, Herbert W. and Aghazarian, Aram A.} } @inbook {694, title = {Bibliographic Essay: Developing the Theory and Practice of Genre-based Literacy}, booktitle = {The Powers of Literacy: A Genre Approach to Teaching Writing}, series = {Pittsburgh Series in Composition, Literacy, and Culture}, year = {1993}, month = {1993}, pages = {231{\textendash}247}, publisher = {University of Pittsburgh}, organization = {University of Pittsburgh}, address = {Pittsburgh}, keywords = {Australia, genre, Halliday, history, systemic functional linguistics}, author = {Cope, Bill and Kalantzis, Mary and Kress, Gunther and Martin, Jim}, editor = {Cope, Bill and Kalantzis, Mary and Carr, Jean Ferguson} } @booklet {693, title = {The Powers of Literacy: A Genre Approach to Teaching Writing}, howpublished = {Pittsburgh Series in Composition, Literacy, and Culture}, year = {1993}, note = {+PE 1404 .P65 1993 }, month = {1993}, publisher = {University of Pittsburgh Press}, address = {Pittsburgh, PA}, abstract = {

ntroduction: How a Genre Approach to Literacy Can Transform the Way Writing Is Taught / Bill Cope and Mary Kalantzis -- Ch. 1. Genre as Social Process / Gunther Kress -- Ch. 2. Histories of Pedagogy, Cultures of Schooling / Mary Kalantzis and Bill Cope -- Ch. 3. The Power of Literacy and the Literacy of Power / Bill Cope and Mary Kalantzis -- Ch. 4. Gender and Genre: Feminist Subversion of Genre Fiction and Its Implications for Critical Literacy / Anne Cranny-Francis -- Ch. 5. A Contextual Theory of Language / J.R. Martin -- Ch. 6. Grammar: Making Meaning in Writing / J.R. Martin and Joan Rothery -- Ch. 7. Curriculum Genres: Planning for Effective Teaching / Frances Christie -- Ch. 8. Genre in Practice / Mike Callaghan, Peter Knapp and Greg Noble -- Ch. 9. Assessment: A Foundation for Effective Learning in the School Context / Mary Macken and Diana Slade -- Bibliographical Essay: Developing the Theory and Practice of Genre-based Literacy / Bill Cope, Mary Kalantzis, Gunther Kress and Jim Martin -- A Glossary of Terms / Gunther Kress.

}, keywords = {Australia, genre, Halliday, Kress, linguistics, systemic functional linguistics}, isbn = {0-8229-6104-0}, author = {Cope, Bill and Kalantzis, Mary}, editor = {Bartholomae, David and Carr, Jean Ferguson} } @article {703, title = {Evaluating Environmental Impact Statements as Communicative Action}, journal = {Journal of Technical and Business Communication}, volume = {16}, year = {2002}, note = {+ j}, month = {2002}, pages = {355{\textendash}405}, keywords = {democratic decision making, EIS, environmental impact, genre, Habermas, Killingsworth, Miller}, author = {Dayton, David} } @book {1238, title = {Genre theory: Teaching, writing, and being}, year = {2008}, publisher = {National Council of Teachers of English}, organization = {National Council of Teachers of English}, address = {Urbana, Ill}, abstract = {

Contemporary genre theory is probably not what you learned in college. Its dynamic focus on writing as a social activity in response to a particular situation makes it a powerful tool for teaching practical skills and preparing students to write beyond the classroom.

Although genre is often viewed as simply a method for labeling different types of writing, Deborah Dean argues that exploring genre theory can help teachers energize their classroom practices.

Genre Theory synthesizes theory and research about genres and provides applications that help teachers artfully address the challenges of teaching high school writing.

Knowledge of genre theory helps teachers:

Because genre theory connects writing and life, Dean\’s applications provide detailed suggestions for class projects\—such as examining want ads, reading fairy tales, and critiquing introductions\—that build on students\’ lived experience with genres. These wide-ranging activities can be modified for a broad variety of grade levels and student interests.

119 pp. 2008. Grades 9\–12. ISBN 978-0-8141-1841-2.

}, keywords = {composition, genre, grades 9-12, high school, resource, teaching, writing}, isbn = {978-0-8141-1841-2}, author = {Deborah Dean} } @book {709, title = {Writing Genres}, series = {Rhetorical Philosophy and Theory}, year = {2004}, note = {+}, month = {2004}, publisher = {Southern Illinois University Press}, organization = {Southern Illinois University Press}, address = {Carbondale, IL}, keywords = {context, genre, history, literary, rhetorical, teaching}, isbn = {0-8093-2553-5}, author = {Devitt, Amy J}, editor = {Blakesley, David} } @article {988, title = {Composing the Self: Of Diaries and Lifelogs}, journal = {Fibreculture: Internet Theory, Criticism, Research}, year = {2004}, note = {+ pdf rhet}, month = {2004}, pages = {http://journal.fibreculture.org/issue3/issue3_vandijck.html}, keywords = {blog, diary, genre, Herring, private, public, remediation, self}, url = {http://journal.fibreculture.org/issue3/issue3_vandijck.html}, author = {van Dijck, Jos{\'e}} } @article {711, title = {Genres and the Web: Is the Personal Home Page the First Uniquely Digital Genre?}, journal = {Journal of the American Society for Information Science}, volume = {51}, year = {2000}, note = {+ pdf+ digital genre }, month = {2000}, pages = {202{\textendash}205}, abstract = {Genre conventions emerge across discourse communities over time to support the communication of ideas and information in socially and cognitively compatible forms. Digital genres frequently borrow heavily from the paper world even though the media optimally support different forms, structures, and interactions. This research sought to determine the existence and form of a truly digital genre. Results from a survey of user perceptions of the form and content of web home pages reveal a significant correlation between commonly found elements of home pages and user preferences and expectations of type. These data support the argument that the personal home page has rapidly evolved into a recognizable form with stable, user-preferred elements and thus may be considered the first truly digital genre.}, keywords = {digital, evolution, genre, home page}, url = {://000084513300010}, author = {Dillon, A. and Gushrowski, B. A.} } @article {742, title = {The Life and Death of Literary Forms}, journal = {New Literary History}, volume = {2}, year = {1971}, note = {+ pdf rhet}, month = {1971}, pages = {199{\textendash}206}, keywords = {change, evolution, form, genre, Hirsch, history, literature, mode, variation}, author = {Fowler, Alastair} } @book {743, title = {Kinds of Literature: An Introduction to the Theory of Genres and Modes}, year = {1982}, note = {+}, month = {1982}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, keywords = {emerge, family resemblance, genre, hierarchy, literary, modulation, repertoire, transformation}, isbn = {0-674-50355-4}, author = {Fowler, Alastair} } @inbook {754, title = {Locating Genre Studies: Antecedents and Prospects}, booktitle = {Genre and the New Rhetoric}, year = {1994}, note = {+ b}, month = {1994}, pages = {1{\textendash}?}, keywords = {Australia, Bakhtin, genre, Halliday, North American, Sydney}, author = {Freedman, Aviva and Medway, Peter}, editor = {Freedman, Aviva and Medway, Peter} } @article {755, title = {The Symbolic Capital of Social Identities: The Genre of Bargaining in an Urban Guatemalan Market}, journal = {Journal of Linguistic Anthropology}, volume = {10}, year = {2000}, month = {2000}, pages = {155{\textendash}189}, abstract = {This article examines bartering speech in a Guatemalan market as a particulartype of discourse, the genre of bargaining. It also investigates marketers{\textquoteright} uses of that discourse as facilitating a process of negotiating their identities as social actors. The article examines, first, how the invocation of the genre of bargaining orders marketers{\textquoteright} speech into a stable and coherent discourse; second, how the genre{\textquoteright}s connections with social, ideological, and political-economic relations invest marketers{\textquoteright} speech with pre-established associations; and third, how marketers may manipulate social and ideological associations established by past conventions in order to negotiate the social value of their identities at present. }, keywords = {bargaining, Barktin, Bourdieu, change, genre, Guatemala, hegemony, identity, ideology, market, social capital, social value}, author = {French, Brigittine M.} } @article {756, title = {Language-Action: A Paradigm for Communication}, journal = {Quarterly Journal of Speech}, volume = {62}, year = {1976}, note = {QJS}, month = {1976}, pages = {333{\textendash}349}, keywords = {genre, hierarchy, rules}, author = {Frentz, Thomas S. and Farrell, Thomas B.} } @inbook {770, title = {Death of a Genre}, booktitle = {What Was History? The Art of History in Early Modern Europe}, year = {2007}, month = {2007}, pages = {189{\textendash}254}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge}, keywords = {genre, history}, author = {Grafton, Anthony} } @article {772, title = {Mode, Medium, and Genre: A Case Study of Decisions in New-Media Design}, journal = {Journal of Business \& Technical Communication}, volume = {22}, year = {2008}, note = {+ pdf}, month = {2008}, pages = {65{\textendash}91}, abstract = {Recently, scholars of new media have been exploring the relationshipsbetween genre theory and new media. While these scholars have provided a great deal of insight into the nature of e-genres and how they function in professional contexts, few address the relationship between genre and newmedia theories from a designer{\textquoteright}s perspective. This article presents the results of an ethnographic-style case study exploring the practice of a professional new-media designer. These results (a) confirm the role of dynamic rhetorical situations and hybridity during the new-media design process; (b) suggest that current genre and new-media theories underestimate the complexity of the relationships between mode, medium, genre, and rhetorical exigencies; and (c) indicate that a previously unrecognized form of hybridity exists in contemporary e-genres. }, keywords = {case study, e-genre, genre, hybrid, medium, mode, new media, web design}, author = {Graham, S. Scott and Whalen, Brandon} } @article {779, title = {Discourse Genres in a Theory of Practice}, journal = {American Ethnologist}, volume = {14}, year = {1987}, note = {+ genre+ pdf rhet }, month = {1987}, pages = {668{\textendash}692}, keywords = {Bakhtin, Bourdieu, change, habitus, hybrid, innovation, Maya, new genre, Spanish}, author = {Hanks, William F.} } @article {791, title = {Weblogs as a Bridging Genre}, journal = {Information, Technology \& People}, volume = {18}, year = {2005}, note = {+ pdf rhetsame as Herring et al 2004 }, month = {2005}, pages = {142{\textendash}171}, keywords = {antecedents, blog, content analysis, corpus, genre, genre ecology, hybrid, impact, linguistics, new genre, technology}, author = {Herring, Susan C. and Scheidt, Lois Ann and Bonus, Sabrina and Wright, Elijah} } @inbook {794, title = {A Model for Describing {\textquoteright}New{\textquoteright} and {\textquoteright}Old{\textquoteright} Properties of CMC Genres: The Case of Digital Folklore}, booktitle = {Genres in the Internet: Issues in the Theory of Genre}, year = {2009}, note = {+ b+pdf scanned }, month = {2009}, pages = {239{\textendash}262}, publisher = {John Benjamins}, organization = {John Benjamins}, address = {Amsterdam}, keywords = {ecology, function, genre, hybrid, internet, Swales}, author = {Heyd, Theresa}, editor = {Giltrow, Janet and Stein, Dieter} } @inbook {796, title = {Innovation and Hybrid Genres: Disturbing Social Rhythm in Legal Practice}, booktitle = {Proceedings of the Twelfth European Conference on Information Systems}, year = {2004}, note = {+ pdf}, month = {2004}, pages = {742{\textendash}752}, publisher = {Turku School of Economics and Business Administration}, organization = {Turku School of Economics and Business Administration}, address = {Turku, Finland}, abstract = {

This paper explores the non-adoption of an innovation via the concept of hybrid genres, that is digitalgenres that emerge from a non-digital material precedent. As instances of innovation these are often resisted because they disturb the order of activity and balance of power relations in a given situation, or require users to make conceptual and physical adaptation efforts that they consider too costly. The authors investigate such issues with a case study of the introduction of a hybrid digital genre, ODR or online dispute resolution, in legal practice.

}, keywords = {genre, hybrid, innovation, legal practice, power}, isbn = {951-564-192-6}, url = {http://is2.lse.ac.uk/asp/aspecis/default5.asp}, author = {Horton, K. and Davenport, E.}, editor = {Leino, T. and Saarinen, T. and Klein, S.} } @article {802, title = {Rhetorical Hybrids: Fusions of Generic Elements}, journal = {Quarterly Journal of Speech}, volume = {69}, year = {1982}, note = {+ j+ pdf rhet }, month = {1982}, pages = {146{\textendash}157}, keywords = {eulogy, genre, hybrid, political discourse}, author = {Jamieson, Kathleen Hall and Campbell, Karlyn Kohrs} } @booklet {809, title = {Genre in the Classroom: Multiple Perspectives}, year = {2002}, month = {2002}, publisher = {Lawrence Erlbaum}, address = {Mahway, NJ}, keywords = {Berkenkotter, Bhatia, EAP, ESL, ESP, Hyon, linguistics, Martin, new rhetoric, Swales, Sydney school}, author = {Johns, Ann M.} } @inbook {817, title = {Textual Genre Analysis and Identification}, booktitle = {Ambient Intelligence for Scientific Discovery}, series = {Lecture Notes in Computer Science}, volume = {3345}, year = {2005}, note = {+ pdf rhet}, month = {2005}, pages = {129{\textendash}151}, publisher = {Springer-Verlag GmbH}, organization = {Springer-Verlag GmbH}, address = {Berlin}, keywords = {analysis, computer coding, DocuScope, genre, heurisitcs, rhetoric, text, visualization}, author = {Kaufer, David and Geisler, Cheryl and Ishizaki, Suguru and Vlachos, Pantelis}, editor = {Cai, Yang} } @article {819, title = {The Classification of Genres}, journal = {Genre}, volume = {16}, year = {1983}, note = {+ genre-literature}, month = {1983}, pages = {1{\textendash}20}, keywords = {formalism, genre, hybrid, literature}, author = {Kent, Thomas L.} } @article {824, title = {The Gnome in the Front Yard and Other Public Figurations of Self-Presentation on Personal Home Pages}, journal = {Biography}, volume = {26}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {66{\textendash}83}, abstract = {In light of empirical research showing that personal home pages are not as personal as their reputation suggests, this paper proposes that sustained selfpresentation on the Web by ordinary people has been hindered, in part, by the feeble legacy of suitable genres. Drawing on a sample of over one hundred personal home pages, this paper illustrates how, in the absence of generic precedents, public self-presentation is instead achieved through innovation with past genres.}, keywords = {cybergenre, genre, home page, self-presentation, website}, author = {Killoran, John B.} } @inbook {827, title = {Genre as Social Process}, booktitle = {The Powers of Literacy: A Genre Approach to Teaching Writing}, year = {1993}, note = {+ genre linguistics+ b }, month = {1993}, pages = {22{\textendash}37}, publisher = {University of Pittsburgh Press}, organization = {University of Pittsburgh Press}, address = {Pittsburgh, PA}, keywords = {Australia, context, genre, heteroglossia, linguistics, literacy, text}, author = {Kress, Gunther}, editor = {Cope, Bill and Kalantzis, Mary} } @book {830, title = {The art of rhetorical criticism}, year = {2004}, month = {2004}, publisher = {Allyn and Bacon}, organization = {Allyn and Bacon}, address = {New York}, keywords = {Benoit, Black, Burke, fantasy theme, feminism, framing, genre, Henry, ideograph, McKerrow, metaphor, narrative, Rowland, Rushing, situation}, isbn = {0-205-37141-8}, author = {Kuypers, Jim A.} } @book {834, title = {Film Genre: Hollywood and Beyond}, year = {2005}, note = {+}, month = {2005}, publisher = {Edinburgh University Press}, organization = {Edinburgh University Press}, address = {Edinburgh}, keywords = {film, genre, horror, melodrama, musical, noir, science ficion, transgenre, Western}, isbn = {0-7486-1903-8}, author = {Langford, Barry} } @inbook {843, title = {Hypermedia Communication and Academic Discourse: Some Speculations on a Future Genre}, booktitle = {The Computer as Medium}, year = {1993}, note = {+ digital genre}, month = {1993}, pages = {263{\textendash}283}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge}, keywords = {access, genre, hypertext, media}, author = {Liest{\o}l, Gunnar}, editor = {Andersen, Peter B{\o}gh and Holmqvist, Berit and Jense, Jens F.} } @inbook {845, title = {{\textquoteright}Gameplay{\textquoteright}: From Synthesis to Analysis (and Vice Versa)}, booktitle = {Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains}, year = {2003}, note = {+ b}, month = {2003}, pages = {389{\textendash}413}, publisher = {MIT Press}, organization = {MIT Press}, address = {Cambridge, MA}, keywords = {analysis, concept, game, genre, humanities, innovation, synthesis}, author = {Liest{\o}l, Gunnar}, editor = {Liest{\o}l, Gunnar and Morrison, Andrew and Rasmussen, Terje} } @book {883, title = {Genre and Television: From Cop Shows to Cartoons in American Culture}, year = {2004}, note = {+}, month = {2004}, publisher = {Routledge}, organization = {Routledge}, address = {New York}, keywords = {Altman, Foucault, genre, historiography, industry, media studies, parody, quiz show, television}, isbn = {0-415-96903-4}, author = {Mittell, Jason} } @book {887, title = {Graphs, Maps, Trees: Abstract Models for a Literary History}, year = {2005}, note = {+}, month = {2005}, publisher = {Verso}, organization = {Verso}, address = {London}, keywords = {chronology, fiction, genre, history, literature}, isbn = {978-1-84467-185-4}, author = {Moretti, Franco} } @article {1178, title = {"Hick-Hop Hooray? {\textquoteright}Honky Tonk Badonkadonk,{\textquoteright} Musical Genre, and the Misrecognitions of Hybridity."}, journal = {Critical Studies in Media Communication}, volume = {28}, year = {2011}, month = {2011}, type = {Research}, chapter = {466}, abstract = {

This paper takes the country music song and video \‘\‘Honky Tonk Badonkadonk\’\’ as a case study of the deeply ambivalent potentials of hybridity in contemporary culture. \‘\‘Badonkadonk\’\’ was celebrated by some as joining hip hop and country music to create a \‘\‘hybrid,\’\’ a type of cultural text valorized in various intellectual and popular discourses as both embodying and advancing progressive social values such as antiracism and antiemperialism. This essay, however, uses close reading and an account of \‘\‘Badonkadonk\’s\’\’context within country music\’s generic selfconstruction to expose the conflicted nature of the text\’s hybridity, which includes substantial reactionary and essentialist elements. \‘\‘Badonkadonk\’\’ caters to American culture\’s growing embrace of hybridity while continuing twentieth century efforts to downplay country music\’s racially hybrid roots.

This instance highlights problems in concepts such as hybridity and cosmopolitanism. This includes the crucial distinction between consciously hybrid works of art or culture, and the less consciously hybrid objects that emerge \‘\‘naturally\’\’ from the mixing of cultures. The rise of selfconsciously hybrid culture and the celebration of hybridity have been partially enabled by contemporary academic theories of hybridity\’s progressivism. The essay concludes by highlighting some of the strategic and philosophical shortcomings of such selfconscious hybridism.

}, keywords = {Cosmopolitanism, Country music, Hip-Hop, Hybridity, parody, Whiteness}, author = {Morris, David} } @article {1307, title = {Discourse, History, Fiction: Language and Aboriginal History}, journal = { Australian Journal of Cultural Studies}, volume = {1}, year = {1983}, month = {01/1983}, pages = {71-79}, chapter = {71}, keywords = {cultural studies, genre, historical genres}, author = {Muecke, Stephen} } @article {891, title = {Questions of Genre}, journal = {Screen}, volume = {31}, year = {1990}, note = {+ pdf}, month = {1990}, pages = {45{\textendash}66}, keywords = {capital, commodity, evolution, film, genre, hybrid, institution, journalism, process, Todorov}, author = {Neale, Steve} } @article {897, title = {Genres in Motion}, journal = {Publications of the Modern Language Association}, volume = {122}, year = {2007}, note = {+ j+ pdf }, month = {2007}, pages = {1389{\textendash}1393}, keywords = {genre, history, hybrid, intercultural, style}, author = {Owen, Stephen} } @article {904, title = {A Model of Hierarchical Meanings in Coherent Conversation and a Study of Indirect Responses}, journal = {Communication Monographs}, volume = {46}, year = {1979}, note = {+ au}, month = {1979}, pages = {76{\textendash}87}, keywords = {conversation, genre, hierarchy}, author = {Pearce, W. Barnett and Conklin, Forrest} } @article {906, title = {A Critical-Historical Genre Analysis of Reality Television}, journal = {Communicatio}, volume = {33}, year = {2007}, note = {+ pdf}, month = {2007}, pages = {62{\textendash}76}, abstract = {The objective of this article is to investigate the criticism that reality television defies precise definitionbecause it shares generic conventions with genres such as game shows, talent shows, talk shows and documentaries. We started this investigation by using the historical genre approach to determine the historical roots of reality television. The historical approach also enabled us to identify four genre conventions associated with reality television, that is, the focus on ordinary people, voyeurism, audience participation, and the attempt to simulate real life. These characteristics furthermore explain the popularity of this genre with the viewing audience. To make provision for one genre {\textquoteleft}borrowing{\textquoteright} from another, we suggested the use of the hybrid mix (or generic mix) model which enables researchers to identify the content (e.g. the narrative) of reality programmes as well as its unique, formalistic characteristics. }, keywords = {audience, genre, hybrid, mass media, media, mix, panopticon, reality television, voyeurism}, author = {Penzhorn, Heidi and Pitout, Magriet} } @inbook {1305, title = {Theories of Genre}, booktitle = {The Cambridge History of Literary Criticism}, year = {2000}, pages = {226-249}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge}, keywords = {genre, Hegel, literature, Romanticism, Schiller, Schlegel}, author = {Rajan, Tilottama} } @inbook {917, title = {The Historiography of Philosophy: Four Genres}, booktitle = {Philosophy in History: Essays on the Historiography of Philosophy}, year = {1984}, note = {B 73 .O48 1984}, month = {1984}, pages = {49{\textendash}75}, publisher = {Cambridge University Press}, organization = {Cambridge University Press}, address = {Cambridge}, keywords = {dialogue, historiography, history}, author = {Rorty, Richard}, editor = {Rorty, Richard and Schneewind, J. B. and Skinner, Quentin} } @article {919, title = {TV Genres Re-Reviewed}, journal = {Journal of Popular Film and Television}, volume = {31}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {2{\textendash}4}, keywords = {hybrid, new genre, television}, author = {Rose, Brian} } @book {921, title = {The Power of Genre}, year = {1985}, note = {+}, month = {1985}, publisher = {University of Minnesota Press}, organization = {University of Minnesota Press}, address = {Minneapolis, MN}, keywords = {Crane, dramatic monologue, Frye, genre, Hirsch, Jauss, literary, lyric, mask lyric, pragmatic, Todorov}, isbn = {0-8166-1396-6}, author = {Rosmarin, Adena} } @article {929, title = {The Evolution of U.S. State Government Home Pages from 1997 to 2002}, journal = {International Journal of Human-Computer Studies}, volume = {59}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {403{\textendash}430}, abstract = {We examined the home pages of the 50 US states over the years 1997{\textendash}2002 to discover thedimensions underlying people{\textquoteright}s perceptions of state government home pages, to observe how those dimensions have changed over the years, to identify different types of state home pages, and to see how these types have changed. We found that three primary dimensions explain the variation in perceptions of home pages. These are the layout of the page, its navigation support, and its information density. Over the years, variation in navigation support declined and variation in information density increased. We discovered that four types of state government home page have existed continuously from 1997 to 2001. These are the {\textquoteleft}Long List of Text Links{\textquoteright}, the {\textquoteleft}Simple Rectangle{\textquoteright}, the {\textquoteleft}Short L{\textquoteright}, and the {\textquoteleft}High Density/Long L{\textquoteright}. To this taxonomy, two other page types can be added: the {\textquoteleft}Portal{\textquoteright} page and the {\textquoteleft}Boxes{\textquoteright} page. The taxonomy we have identified allows for a better understanding of the design of US state home pages, and may generalize to other categories of home pages. }, keywords = {evolution, genre, government, home page}, author = {Ryan, Terry and Field, Richard H. G. and Olfman, Lorne} } @conference {932, title = {Characterizing Genres of Web Pages: Genre Hybridism and Individualization}, booktitle = {40th Hawaii International Conference on System Sciences}, year = {2007}, month = {2007}, pages = {71{\textendash}81}, keywords = {genre, hybrid, information science}, author = {Santini, Marina} } @article {944, title = {Genre Theory, Health-Care Discourse, and Professional Identity Formation}, journal = {Journal of Business and Technical Communication}, volume = {19}, year = {2005}, note = {+ j}, month = {2005}, pages = {249{\textendash}278}, keywords = {genre, health care, identity, midwifery, rhetoric}, author = {Schryer, Catherine F. and Spoel, Philippa} } @inbook {941, title = {Regularized Practices: Genres, Improvisation, and Identity Formation in Health-Care Professions}, booktitle = {Communicative Practices in Workplaces and the Professions: Cultural Perspectives on the Regulation of Discourse and Organizations}, year = {2007}, month = {2007}, pages = {21{\textendash}44}, publisher = {Baywood}, organization = {Baywood}, address = {Amityville, NY}, keywords = {case study, genre, health-care communication, professional identity, regularized, regulated resource, techne}, author = {Schryer, Catherine F. and Lingard, Lorelei and Spafford, Marlee}, editor = {Thralls, Charlotte and Zachry, Mark} } @booklet {951, title = {A Companion to Digital Literary Studies}, year = {2007}, month = {2007}, publisher = {Blackwell}, address = {Malden, MA}, keywords = {Drucker, genre, hypertet, interactive fiction, new media, screen, text}, url = {http://digitalhumanities.org/companionDLS/}, author = {Siemens, Ray and Schreibman, Susan} } @book {958, title = {A Handbook to Sixteenth-Century Rhetoric}, year = {1968}, note = {+ ethos}, month = {1968}, publisher = {Barnes and Noble, Inc.}, organization = {Barnes and Noble, Inc.}, address = {New York}, keywords = {figures, genres, handbooks, Renaissance, tropes}, author = {Sonnino, Lee A.} } @article {967, title = {The Better Part of Pedagogy}, journal = {Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture}, volume = {1}, year = {2002}, note = {+ pdf rhetresponse to Bleich }, month = {2002}, pages = {373{\textendash}385}, keywords = {Barton, Berkenkotter, Bleich, Cooper, Devitt, genre, Heath, materiality, pedagogy}, author = {Stevens, Scott} } @article {1192, title = {Remapping Genre through Performance: From {\textquoteleft}American{\textquoteright} to {\textquoteleft}Hemispheric{\textquoteright} Studies}, journal = {PMLA}, volume = {122}, year = {2007}, month = {October 2007}, pages = {1416-30}, chapter = {1416}, abstract = {

Performance as a genre allows for alternative mappings, providing a set of strategies and conventions that allow scholars to see practices that scripted genres might occlude. Like other genres, performance encompasses a broad range of rehearsed and codified behaviors, such as dance, theater, music recitals, sports events, and rituals. A performance lens allows scholars to look at acts, things, and ideas as performance. Looking at America as performance might explain why it is difficult to approach it as a disciplinary field of study. What might the shift in genres-from the scripted genres associated with the archive to the live, embodied behaviors that are the repertoire of cultural practices-enable? This essay proposes that an analysis of the performance of America might allow scholars to rethink not only their object of analysis but also their scholarly interactions.

}, keywords = {humanities; American studies; Latin America; genre}, issn = {0030-8129}, doi = {10.1632/pmla.2007.122.5.1416}, author = {Diana Taylor} } @article {1104, title = {Constitutive rhetoric as an aspect of audience design: The public texts of Canadian suffragists}, journal = {Written Communication}, volume = {27}, year = {2010}, pages = {36{\textendash}56}, abstract = {

This article offers a way of using the theory of audience design\—how speakers position different audience groups as main addressees, overhearers, or bystanders\—for written discourse. It focuses on main addressees, that is, those audience members who are expected to participate in and respond to a speaker\’s utterances. The text samples are articles, letters, and editorials on women\’s suffrage that were published between 1909 and 1912 in Canadian periodicals. In particular, the author analyzes noun phrases with which suffrageskeptical women are addressed, relying on the theory of constitutive rhetoric to highlight the interpellative force with which the audience design of this public political debate operates.

}, keywords = {addressee, Erving Goffman, Herbert C. Clark, interpellation, noun phrases, rhetorical situation, women{\textquoteright}s rights}, doi = {10.1177/0741088309353505}, url = {http://wcx.sagepub.com/content/27/1/36}, author = {Thieme, Katja} } @book {981, title = {The Fantastic: A Structural Approach to a Literary Genre}, year = {1975}, month = {1975}, publisher = {Cornell University Press}, organization = {Cornell University Press}, address = {Ithaca, NY}, keywords = {Frye, genre, historical genres, theoretical genres}, author = {Todorov, Tzvetan} } @article {992, title = {Seeing and Listening: A Visual and Social Analysis of Optometric Record-Keeping Practices}, journal = {Journal of Business and Technical Communication}, volume = {21}, year = {2007}, note = {+ pdf+ j }, month = {2007}, pages = {343{\textendash}375}, keywords = {genre, health care, medical case presentation, patient record, visual rhetoric}, author = {Varpio, Lara and Spafford, Marlee M and Schryer, Catherine F. and Lingard, Lorelei} } @article {996, title = {Style, Rhetoric, and Postmodern Culture}, journal = {Philosophy and Rhetoric}, volume = {35}, year = {2002}, note = {+ pdf rhet}, month = {2002}, pages = {223{\textendash}243}, keywords = {aesthetic, agency, communitarian, democratic, genre, Hariman, Maffesoli, rhetoric, self, sociopolitical, style}, author = {Vivian, Bradford} } @article {1004, title = {Anomalies of Genre: The Utility of Theory and History for the Study of Literary Genres}, journal = {New Literary History}, volume = {34}, year = {2003}, note = {+ pdf}, month = {2003}, pages = {597{\textendash}615}, keywords = {Cohen, genre, history, hybrid, Prince, theory}, author = {White, Hayden} } @article {1019, title = {Communicative Practices in the Workplace: A Historical Examination of Genre Development}, journal = {Journal of Technical Writing and Communication}, volume = {30}, year = {2000}, note = {+ pdf rhet+ genre-comp }, month = {2000}, pages = {57{\textendash}79}, keywords = {activity theory, evolution, genre, history, organizational communication, workplace}, author = {Zachry, Mark} }