@article {589,
	title = {The Verse-novel: A New Genre},
	journal = {Children{\textquoteright}s LIterature in Education},
	volume = {36},
	year = {2005},
	note = {+ pdf},
	month = {2005},
	pages = {269{\textendash}283},
	abstract = {This article examines the verse-novel, a genre that has gained someprominence in childrens fiction in the last ten years. Reasons why
this may be so are suggested and the chief evolving characteristics of
the genre in both content and style are discussed. Notable examples
of the verse-novel from Australia, the USA and the UK are analysed.
Criteria are proposed by which the form can be evaluated. It
appears to be a genre whose time has come.
},
	keywords = {children{\textquoteright}s fiction, evolution, literature, new genre, origin},
	author = {Alexander, Joy}
}
@article {593,
	title = {Questioning the Motives of Habituated Action: Burke and Bourdieu on Practice},
	journal = {Philosophy and Rhetoric},
	volume = {37},
	year = {2004},
	note = {+ pdf rhet},
	month = {2004},
	pages = {255{\textendash}274},
	keywords = {act, agency, agent, attitude, body, Burke, disposition, dramatism, habitus, motion, ontology, practice, [genre], [recurrence]},
	author = {Anderson, Dana}
}
@inbook {615,
	title = {Speech Genres in Cultural Practice},
	booktitle = {Encyclopedia of Language \& Linguistics},
	volume = {11},
	year = {2006},
	note = {+ pdf from Renato Cabral, ABRALIN 09http://www.indiana.edu/~alldrp/members/bauman.html
http://www.indiana.edu/~cmcl/faculty/bauman.shtml
},
	month = {2006},
	pages = {745{\textendash}758},
	publisher = {Elsevier},
	organization = {Elsevier},
	address = {Oxford},
	keywords = {Bakhtin, genre, Grimm, oral, Propp, speech, Swales},
	author = {Bauman, Richard},
	editor = {Brown, Keith}
}
@inbook {626,
	title = {Singular Utterances: Realizing Local Activities through Typified Forms in Typified Circumstances},
	booktitle = {Analysing Professional Genres},
	year = {2000},
	note = {+ au},
	month = {2000},
	pages = {25{\textendash}40},
	publisher = {John Benjamins},
	organization = {John Benjamins},
	address = {Amsterdam},
	keywords = {accountability, genre, Latour, novelty, objects, science, translation},
	author = {Bazerman, Charles},
	editor = {Trosborg, Anna}
}
@article {643,
	title = {The Power and Politics of Genre},
	journal = {World Englishes},
	volume = {16},
	year = {1997},
	note = {+ pdf},
	month = {1997},
	pages = {359{\textendash}371},
	keywords = {apprentice, community, experience, genre, outsider, power},
	author = {Bhatia, Vijay K.}
}
@inbook {653,
	title = {Theory and Practice in New Media Studies},
	booktitle = {Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains},
	year = {2004},
	note = {+ book+ pdf
},
	month = {2004},
	pages = {15{\textendash}33},
	publisher = {MIT Press},
	organization = {MIT Press},
	address = {Cambridge, MA},
	keywords = {composition, determinism, hypertext, innovation, McLuhan, new genre, new media, Ong, poststructuralism, practice, teaching, theory},
	author = {Bolter, Jay David},
	editor = {Liestol, Gunnar and Morrison, Andrew and Rasmussen, Terje}
}
@article {656,
	title = {Genre, Intertextuality, and Social Power},
	journal = {Journal of Linguistic Anthropology},
	volume = {2},
	year = {1992},
	note = {+ pdf},
	month = {1992},
	pages = {131{\textendash}172},
	keywords = {ambiguity, anthropology, classify, dynamism, genre, intertextuality, linguistics, order},
	author = {Briggs, Charles L. and Bauman, Richard}
}
@article {687,
	title = {Introduction: Notes toward a Generic Reconstitution of Literary Study},
	journal = {New Literary History},
	volume = {34},
	year = {2003},
	month = {2003},
	keywords = {aphorism, Bakhtin, change, embedded genre, folktale, genre, Jameson, literature, maritime fiction, McGann, mixture, novel, ode, oratorical genre, origin, painting, pastiche, policing},
	author = {Cohen, Ralph}
}
@article {699,
	title = {Reproduced and Emergent Genres of Communication on the World Wide Web},
	journal = {The Information Society},
	volume = {16},
	year = {2000},
	note = {+ pdf rhet+ pdf 702 (HICSS version 97)
},
	month = {2000},
	pages = {201{\textendash}215},
	keywords = {genre, medium, novel, Orlikowski, structuration, web, Yates},
	author = {Crowston, Kevin and Williams, Marie}
}
@article {701,
	title = {Performing tribal rituals: A genre analysis of {\textquoteright}crits{\textquoteright} in design studios},
	journal = {Communication Education},
	volume = {54},
	year = {2005},
	note = {+ pdf rhet},
	month = {2005},
	pages = {136{\textendash}160},
	keywords = {communication across the curriculum, communication in the disciplines, design, ethnography, oral genre},
	author = {Dannels, Deanna P.}
}
@article {702,
	title = {Critiquing Critiques: A Genre Analysis of Feedback Across Novice to Expert Design Studios},
	journal = {Journal of Business \& Technical Communication},
	volume = {22},
	year = {2008},
	note = {+ pdf},
	month = {2008},
	pages = {135{\textendash}159},
	abstract = {In the discipline of design, the most common presentation genre is the critique,and the most central aspect of this genre is the feedback. Using a qualitative
framework, this article identifies a typology of feedback, compares the frequencies
of feedback types between different levels of design studios ranging
from novice to expert, and explores what the feedback reflects about the social
and educational context of these design studios. Results suggest that the
feedback socialized students into egalitarian relationships and autonomous
decision-making identities that were perhaps more reflective of academic
developmental stages or idealized workplace contexts than of actual professional
settings{\textemdash}therefore potentially complicating the preprofessional goals
of the critique.
},
	keywords = {communication across the curriculum, communication in the disciplines, genre instruction, oral genre, preprofessional genre},
	author = {Dannels, Deanna P. and Norris, Martin Kelly}
}
@article {741,
	title = {Television Before Television Genre: The Case of Popular Music},
	journal = {Journal of Popular Film and Television},
	volume = {31},
	year = {2003},
	note = {+ pdf},
	month = {2003},
	pages = {5{\textendash}16},
	abstract = {The author argues the valueof a historical approach to televi sion
genre research and the need to reconsider
lhe terms in which COntemporary
genre theory addresses television
in its nascent stage. Primary analytical
emphasis is placed on emergent rechnical
practices and industrial discourses
that preceded the estab lishment
of consistent or regu huly deployed
television genre categories. By
specifically analyzing early popular
Illusic programmjng. the author seeks
to illuminate the processes through
which genre conventions were conceived
and formalized in what was
then, and remains. an essen tial facet
of television production.
},
	keywords = {emerging, genre, new, origin, production, programming, standards, television},
	author = {Forman, Murray}
}
@book {1343,
	title = {Les Genres de documents dans les organisations: analyse th{\'e}orique et pratique},
	series = {Gestion de l{\textquoteright}information},
	year = {2015},
	pages = {214},
	publisher = {Presses de l{\textquoteright}Universit{\'e} du Qu{\'e}bec},
	organization = {Presses de l{\textquoteright}Universit{\'e} du Qu{\'e}bec},
	address = {Qu{\'e}bec},
	keywords = {Document, Gagnon-Arguin, genre, Mas, Maurel, Organisation, organization},
	isbn = {978-2-7605-4155-9},
	url = {http://www.puq.ca/catalogue/livres/les-genres-documents-dans-les-organisations-2405.html},
	author = {Gagnon-Arguin, Louise and Mas, Sabine and Maurel, Dominique}
}
@article {775,
	title = {Writing for the Web Versus Writing for Print: Are They Really So Different?},
	journal = {Technical Communication},
	volume = {51},
	year = {2004},
	note = {+ pdf rhet},
	month = {2004},
	pages = {276{\textendash}285},
	keywords = {genre, medium, Neilsen, online, print, web},
	author = {Gregory, Judy}
}
@book {784,
	title = {Logos and Power in Isocrates and Aristotle},
	series = {Studies in Rhetoric/Communication},
	year = {2004},
	note = {+},
	month = {2004},
	publisher = {University of South Carolina Press},
	organization = {University of South Carolina Press},
	address = {Columbia, SC},
	keywords = {change, democracy, education, genre, identification, kairos, literacy, orality, permanence, persuasion, Poetics, rhetoric},
	isbn = {1-57003-526-1},
	author = {Haskins, Ekaterina},
	editor = {Benson, Thomas W.}
}
@inbook {795,
	title = {Semantics and Knowledge Organization},
	booktitle = {Annual Review of Information Science and Technology},
	year = {Submitted},
	note = {+ pdf},
	pages = {367{\textendash}405},
	keywords = {genre, information retrieval, knowledge, organization},
	author = {Hj{\o}rland, Birger}
}
@article {1037,
	title = {Convention and inventiveness in an occluded academic genre: A case study of retention{\textendash}promotion{\textendash}tenure reports},
	journal = {English for Specific Purposes},
	volume = {27},
	year = {2008},
	pages = {175{\textendash}192},
	keywords = {academic writing, occluded genre, uptake},
	author = {Hyon, Sunny}
}
@article {807,
	title = {The Emergence of Poetic Genre Theory in the Sixteenth Century},
	journal = {Modern Language Quarterly: A Journal of Literary History},
	volume = {59},
	year = {1998},
	note = {Accession Number: 1998066037. Peer Reviewed: Yes. Publication Type: journal article. Language: English. Update Code: 199801. Sequence No: 1998-2-10999.+ pdf
},
	month = {1998},
	pages = {139-169},
	keywords = {1500-1599, criticism, evolution, Italian literature, of poetry, on genre theory, Peri poietikes, Poetics, relationship to classicism, Renaissance, sources in Aristotle (384-322~B.C.)},
	isbn = {0026-79291527-1943 (electronic)
},
	author = {Javitch, Daniel}
}
@article {829,
	title = {The Discourse of Issues Management: A Genre of Organizational Communication},
	journal = {Communication Quarterly},
	volume = {45},
	year = {1997},
	note = {Turnage 798 paper S 08},
	month = {1997},
	pages = {188{\textendash}210},
	keywords = {genre, organization, workplace},
	author = {Kuhn, T.}
}
@article {850,
	title = {On the Material and the Symbolic: Silverstone{\textquoteright}s Double Articulation of Research Traditions in New Media Studies},
	journal = {New Media \& Society},
	volume = {9},
	year = {2007},
	month = {2007},
	pages = {16{\textendash}24},
	keywords = {genre, identity, internet, media, online},
	author = {Livingstone, Sonia}
}
@article {855,
	title = {Emerging Personal Media Genres},
	journal = {New Media \& Society},
	volume = {12},
	year = {2010},
	note = {+ pdf},
	month = {2010},
	pages = {947{\textendash}963},
	abstract = {In this article we argue that the concept of genre has a valuable function within sociological theory, particularly for understanding emerging communicative practices within social and personal media. Genres span the whole range of recognizable forms of communication, play a crucial role in overcoming contingency and facilitate communication. Their function is to enhance composing and understanding of communication by offering interpretative, recognizable and flexible frames of reference. As such, genres generate a sense of stability in modern complex societies. Genres ought to be seen as an intermediary level between the levels of media and text, however influenced by both. They operate as interaction between two interdependent dimensions, conventions and expectations, both of which are afforded by media and specific texts. In this article these relationships are illustrated through two cases of emerging personal media genres: the online diary and the camphone self-portrait.},
	keywords = {affordance, blog, camphone, camphone self-portrait, digital, emerging genre, genre, innovation, medium, online diary, personal media, self-portrait, social media, stability, text},
	author = {L{\"u}ders, Marika and Pr{\o}itz, Lin and Rasmussen, Terje}
}
@article {895,
	title = {Genre Repertoire: The Structuring of Communicative Practices in Organizations},
	journal = {Administrative Science Quarterly},
	volume = {39},
	year = {1994},
	note = {+},
	month = {1994},
	pages = {541{\textendash}574},
	keywords = {community, e-mail, genre, organizational communication, repertoire},
	author = {Orlikowski, Wanda J. and Yates, JoAnne}
}
@article {916,
	title = {Commentary: Why Opera? The Politics of an Emerging Genre},
	journal = {Journal of Interdisciplinary History},
	volume = {36},
	year = {2006},
	note = {+ pdf},
	month = {2006},
	pages = {401{\textendash}409},
	keywords = {emerging, genre, new, opera, politics, Venice},
	author = {Romano, Dennis}
}
@book {918,
	title = {Opera in Seventeenth-Century Venice: The Creation of a Genre},
	year = {1991},
	month = {1991},
	publisher = {University of California Press},
	organization = {University of California Press},
	address = {Berkeley, CA},
	keywords = {create, emerging, genre, music, new, origin, source},
	url = {http://www.escholarship.org/editions/view?docId=ft3199n7sm;brand=ucpress},
	author = {Rosand, Ellen}
}
@article {1763,
	title = {The Pervasive Power of PowerPoint: How a Genre of Professional Communication Permeates Organizational Communication},
	journal = {Organization Studies},
	volume = {34},
	year = {2013},
	pages = {1777 - 1801},
	abstract = {<p>This paper examines the pervasive role of Microsoft{\textquoteright}s presentation software PowerPoint as a genre of professional and organizational communication. Frequently, PowerPoint is not only used for the primary function it was initially designed for, i.e., facilitating live presentations, but also for alternative purposes such as project documentation. Its application in a neighboring domain, however, poses a functional dilemma: does the PowerPoint genre preserve the features of its primary function, i.e., presentation, or rather adapt to the new function, i.e., documentation? By drawing on a communication-centered perspective, this paper examines PowerPoint{\textquoteright}s role in the domain of project documentation as a clash between the constitutive affordances of professional and of organizational communication. To investigate this issue empirically, I conducted a case study at a multinational business consulting firm. The study allows identification of three distinct PowerPoint subgenres, which differ in how they adapt to the function of project documentation. This paper contributes to organization studies by specifying the boundary conditions under which a genre of professional communication such as PowerPoint can be expected to maintain its genre-inherent characteristics even in the face of contradictory organizational requirements and to impose these characteristics on a neighboring domain of organizational communication practices.</p>
},
	keywords = {documentation, oral presentation, organizational communication, powerpoint},
	issn = {0170-8406},
	doi = {10.1177/0170840613485843},
	url = {http://journals.sagepub.com/doi/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/full-xml/10.1177/0170840613485843},
	author = {Schoeneborn, Dennis}
}
@article {963,
	title = {Genre Ecologies: An Open-System Approach to Understanding and Constructing Documentation},
	journal = {ACM Journal of Computer Documentation},
	volume = {24},
	year = {2000},
	note = {+ pdf rhet+ pdf 702
},
	month = {2000},
	pages = {169{\textendash}181},
	abstract = {Arguing that current approaches to understanding and constructingcomputer documentation are based on the flawed assumption
that documentation works as a closed system, the authors present
an alternative way of thinking about the texts that make computer
technologies usable for people. Using two historical case studies,
the authors describe how a genre ecologies framework provides
new insights into the complex ways that people use texts to
make sense of computer technologies. The framework is designed
to help researchers and documentors account for contingency,
decentralization, and stability in the multiple texts the people use
while working with computers. The authors conclude by proposing
three heuristic tools to support the work of technical communicators engaged in developing documentation today: exploratory questions, genre
ecology diagrams, and organic engineering.
},
	keywords = {contingency, decentralization, documentation, ecology, genre, open system, stability, system},
	author = {Spinuzzi, Clay and Zachry, Mark}
}
@article {969,
	title = {The Epideictic Rhetoric of Science},
	journal = {Journal of Business and Technical Communication},
	volume = {5},
	year = {1991},
	note = {+ j+ au
},
	month = {1991},
	pages = {229{\textendash}245},
	keywords = {criticism, doxa, epideictic, genre, legitimation, orthodoxy},
	author = {Sullivan, Dale}
}
@inbook {973,
	title = {Occluded Genres in the Academy: The Case of the Submission Letter},
	booktitle = {Academic Writing: Intercultural and Textual Issues},
	year = {1996},
	month = {1996},
	pages = {45{\textendash}58},
	publisher = {John Benjamins},
	organization = {John Benjamins},
	address = {Amsterdam},
	keywords = {occluded genre},
	author = {Swales, John M.},
	editor = {Vantola, E. and Mauranen, A.}
}
@book {974,
	title = {Research genres: explorations and applications},
	series = {The Cambridge applied linguistics series},
	year = {2004},
	note = {+},
	month = {2004},
	pages = {xii, 314 p.},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Cambridge, UK ; New York},
	keywords = {Academic Authorship., Academic writing., dissertation defense, Dissertations, English language Rhetoric Study and teaching., English language Study and teaching (Higher) Foreign speakers., genre, Interdisciplinary approach in education., occluded genre, research article, Research Methodology., science},
	isbn = {05218259460521533341 (pb.)
},
	author = {Swales, John M.}
}
@article {982,
	title = {The Origin of Genres},
	journal = {New Literary History},
	volume = {8},
	year = {1976},
	note = {+ pdf},
	month = {1976},
	pages = {159{\textendash}170},
	keywords = {author, expectation, genre, institution, origin, pragmatic, reader, register, semantic, semiotic, speech act, style, syntactic},
	author = {Todorov, Tzvetan}
}
@article {1016,
	title = {Explicit and Implicit Structuring of Genres in Electronic Communication: Reinforcement and Change of Social Interaction},
	journal = {Organization Science},
	volume = {10},
	year = {1999},
	note = {+ pdf rhet},
	month = {1999},
	pages = {83{\textendash}103},
	abstract = {In a study of how an F\&D group in a Japanese firm adopted and used a new electronic medium, we identified two contrasting patterns of use: the use of community-wide communication types, or genres, deliberately shaped by the action of a small, sanctioned group of mediators; and the use of local genres tacitly shaped by members within their own research teams.  We suggest that these patterns reflect the more general processes of explicit and implicit structuring, resulting in both the reinforcement and change of social interaction within communities.  Explicit structuring included the planned replication, planned modification, and opportunistic modification of existing genres, while implicit structuring inclided the migration and variation of existing genres.  We believe that these two processes provide suggestive models for understanding the initial and ongoing use of new electronic media within a community.},
	keywords = {electronic media, genre, Giddens, organization, structuration},
	author = {Yates, JoAnne and Orlikowski, Wanda J. and Okamura, Kazuo}
}
@article {1019,
	title = {Communicative Practices in the Workplace: A Historical Examination of Genre Development},
	journal = {Journal of Technical Writing and Communication},
	volume = {30},
	year = {2000},
	note = {+ pdf rhet+ genre-comp
},
	month = {2000},
	pages = {57{\textendash}79},
	keywords = {activity theory, evolution, genre, history, organizational communication, workplace},
	author = {Zachry, Mark}
}
