@article {1255, title = {Representing Musical Genre: A State of the Art}, journal = {Journal of New Music Research}, volume = {32}, year = {2003}, month = {2003}, pages = {1-12}, chapter = {1}, author = {J.J. Aucouturier and F. Pachet} } @article {1252, title = {The End(s) of Genre}, journal = {Journal of Music Theory}, volume = {57}, year = {2013}, month = {Spring 2013}, pages = {1-45}, chapter = {1}, abstract = {

This article presents a critique of the commonplace trope that holds genre to have declined in relevance under modernism. Contrary to the widespread notion that composers\’ repudiation of received tradi- tion rendered the very idea of genre categories obsolete, this article argues that such categories have never ceased playing a decisive role in the production, circulation, and reception of post-1945 art music. In interrogat- ing the assumptions that underpin the \“decline-of-genre\” thesis, this article underlines the utility that renewed attention to genre and its framing effects may have for the analysis of this repertoire. To this end, an alterna- tive to standard theories of genre is advanced, one that draws on actor-network theory to destabilize catego- ries too often conceived as fixed, solid, and binding. This revised theory of genre is applied to G\érard Grisey\’s six-part cycle, Les espaces acoustiques (1974\–85). Habitually regarded as an exemplar of spectral music, Grisey\’s cycle may be understood as participating in a number of additional generic contexts at the same time. Taking such generic overdetermination into account not only sheds light on the range of conflicting interpreta- tions that Les espaces acoustiques affords but also suggests how music analysis might better address the heterogeneous contexts and multiple listener competences that this and other musics engage.\ 

}, author = {Eric Drott} } @article {1251, title = {The Future of Rock: Discourses That Struggle to Define a Genre}, volume = {14}, year = {1995}, month = {01/1995}, pages = {111-125}, chapter = {111}, url = {http://www.diva-portal.org/smash/get/diva2:126766/FULLTEXT01.pdf}, author = {Johan Forn{\"a}s} } @book {1256, title = {Women, Fire, and Dangerous Things: What Categories Reveal About the Mind}, year = {1987}, pages = {632}, publisher = {University of Chicago Press}, organization = {University of Chicago Press}, author = {G. Lakoff} } @article {1254, title = {Birds of a Feather Sing Together}, journal = {Social Forces}, volume = {77}, year = {1998}, month = {12/1998}, pages = {453-485}, chapter = {453}, author = {Noah Mark} } @article {1253, title = {Genre Emergence in Amateur Flash.}, journal = {Genres on the Web: Computational Models and Empirical Studies}, volume = {42}, year = {2011}, month = {2011}, pages = {277-302}, chapter = {277}, author = {John C. Paolillo and Jonathan Warren} }