00557nas a2200241 4500008004100000245002300041210002300064260000900087300001200096490000700108653001200115653001400127653001400141653000900155653001000164653001100174653001600185653001500201653001200216653001200228100001700240856005800257 1990 eng d00aQuestions of Genre0 aQuestions of Genre c1990 a45–660 v3110acapital10acommodity10aevolution10afilm10agenre10ahybrid10ainstitution10ajournalism10aprocess10aTodorov1 aNeale, Steve uhttps://genreacrossborders.org/biblio/questions-genre01749nas a2200169 4500008004100000245011300041210006900154300001200223490000700235520112700242653000901369653001101378653001801389100001701407700001901424856013601443 2013 eng d00aNeoliberal frames and genre of inequality: Recession-era chick flicks and male-centered corporate melodrama0 aNeoliberal frames and genre of inequality Recessionera chick fli a344-3610 v163 a
Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and analyses two sub-genres which demonstrate different approaches to an altered socio-economic climate: the recessionary ‘chick flick’ and the corporate melodrama. Amid the financial crisis these sub-genres shift emphasis to respond to changing circumstances, notably in relation to the once-ubiquitous trope of choice central to post-feminist media culture; neoliberal choice rhetoric is now considerably harder to maintain. The two case studies contrast the different ways in which female-centred chick flicks and male-centred corporate melodramas address unemployment, downward mobility and the challenges of work–life balance.
10afilm10agender10aneoliberalism1 aNegra, Diane1 aTasker, Yvonne uhttps://genreacrossborders.org/biblio/neoliberal-frames-and-genre-inequality-recession-era-chick-flicks-and-male-centered-corporate02096nam a2200133 4500008004100000020001900041245004000060210004000100260002200140300000800162520169700170100001701867856007801884 1999 eng d a978-041517400800aMusic Genres and Corporate Cultures0 aMusic Genres and Corporate Cultures aLondonbRoutledge a2243 aMusic Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.
From: www.amazon.com/Music-Genres-Corporate-Cultures-Keith/dp/0415174007
1 aNegus, Keith uhttps://genreacrossborders.org/biblio/music-genres-and-corporate-cultures00752nas a2200241 4500008004100000245005900041210005800100260004700158300001400205490000700219653003200226653001900258653001000277653001300287653001800300653000800318100001900326700002300345700002000368700002200388700002000410856008000430 2001 eng d00aGenres from the Bottom Up: What Has the Web Brought Us0 aGenres from the Bottom Up What Has the Web Brought Us aMedford, NJbInformation Today, Inc.c2001 a330–3390 v3810aautomated genre recognition10aclassification10agenre10ainternet10auser behavior10aweb1 aNilan, Michael1 aPomerantz, Jeffrey1 aPaling, Stephen1 aAversa, Elizabeth1 aManley, Cynthia uhttps://genreacrossborders.org/biblio/genres-bottom-what-has-web-brought-us01107nas a2200157 4500008004100000022001400041245005600055210005000111260001600161300002100177490000600198520063200204100001900836700001500855856007900870 2014 eng d a2054-270400aThe history of the case report: a selective review.0 ahistory of the case report a selective review c04/2014 Apr a20542704145234100 v53 aThe clinical case report is a popular genre in medical writing. While authors and editors have debated the justification for the clinical case report, few have attempted to examine the long history of this genre in medical literature. By reviewing selected literature and presenting and discussing excerpts of clinical case reports from Egyptian antiquity to the 20th century, we illustrate the presence of the genre in medical science and how its form developed. Central features of the clinical case report in different time periods are discussed, including its main components, structure, style and author presence.
1 aNissen, Trygve1 aWynn, Rolf uhttps://genreacrossborders.org/biblio/history-case-report-selective-review00540nas a2200109 4500008004100000245014100041210006900182300001200251490000700263100002600270856013400296 2007 eng d00aThe Relevance of Feenberg's Critical Theory of Technology to Critical Visual Literacy: The Case of Scientific and Technical Illustration0 aRelevance of Feenbergs Critical Theory of Technology to Critical a253-2660 v371 aNorthcut, Kathryn, M. uhttps://genreacrossborders.org/biblio/relevance-feenbergs-critical-theory-technology-critical-visual-literacy-case-scientific-and01498nas a2200145 4500008004100000245003400041210002800075300001200103490000600115520111400121653001901235100001601254700001901270856006301289 2010 eng d00aThe Sims: Real Life as Genre0 aSims Real Life as Genre a577-5920 v63 aThis article examines one of the most popular computer games The Sims to consider whether the shared understanding of the game's "rules' can be understood through the concept of genre. The main argument is that the genre being used is "real life'. The game's creators are assuming the players share with them, and with each other, an understanding of real life, which can be transposed into the game world. The article explores this notion of a real-life narrative that is shared, by considering the ways in which family and other relationships are both conceptualized and played out in the game. Whilst real life as genre is problematized here, the tensions and conflicts of contemporary real-world conceptualizations of family and other relationships do appear to be represented in the game. What is interesting then, given this, are the ways in which players negotiate the gameplay. The article concludes by suggesting that players are active agents negotiating both the game' s version of real life, and their own real-world experiences.
10acomputer games1 aNutt, Diane1 aRailton, Diane uhttps://genreacrossborders.org/biblio/sims-real-life-genre00478nam a2200109 4500008004100000020001800041245008100059210006900140260002900209100002100238856010900259 1982 eng d a0-12-523480-500aWhat Writers Know: the Language, Process, and Structure of Written Discourse0 aWhat Writers Know the Language Process and Structure of Written aNew YorkbAcademic Press1 aNystrand, Martin uhttps://genreacrossborders.org/biblio/what-writers-know-language-process-and-structure-written-discourse00554nam a2200121 4500008004100000020001800041245010000059210006900159260004300228100002100271700001600292856012400308 2003 eng d a0-299-18170-700aTowards a Rhetoric of Everyday Life: New Directions in Research on Writing, Text, and Discourse0 aTowards a Rhetoric of Everyday Life New Directions in Research o aMadisonbUniversity of Wisconsin Press1 aNystrand, Martin1 aDuffy, John uhttps://genreacrossborders.org/biblio/towards-rhetoric-everyday-life-new-directions-research-writing-text-and-discourse