00942nas a2200193 4500008004100000245003300041210002700074260000900101300001400110490000700124520045700131653002300588653001400611653001500625653001400640653001100654100001900665856006400684 2005 eng d00aThe Verse-novel: A New Genre0 aVersenovel A New Genre c2005 a269–2830 v363 aThis article examines the verse-novel, a genre that has gained someprominence in childrens fiction in the last ten years. Reasons why this may be so are suggested and the chief evolving characteristics of the genre in both content and style are discussed. Notable examples of the verse-novel from Australia, the USA and the UK are analysed. Criteria are proposed by which the form can be evaluated. It appears to be a genre whose time has come. 10achildren's fiction10aevolution10aliterature10anew genre10aorigin1 aAlexander, Joy uhttps://genreacrossborders.org/biblio/verse-novel-new-genre00807nas a2200289 4500008004100000245008100041210006900122260000900191300001400200490000700214653000800221653001100229653001000240653001300250653000900263653001000272653001600282653001400298653001200312653001100324653001300335653001300348653001200361653001700373100001900390856010800409 2004 eng d00aQuestioning the Motives of Habituated Action: Burke and Bourdieu on Practice0 aQuestioning the Motives of Habituated Action Burke and Bourdieu c2004 a255–2740 v3710aact10aagency10aagent10aattitude10abody10aBurke10adisposition10adramatism10ahabitus10amotion10aontology10apractice10a[genre]10a[recurrence]1 aAnderson, Dana uhttps://genreacrossborders.org/biblio/questioning-motives-habituated-action-burke-and-bourdieu-practice00569nas a2200217 4500008004100000245003900041210003900080260002700119300001400146490000700160653001200167653001000179653001000189653000900199653001000208653001100218653001100229100002000240700001700260856007400277 2006 eng d00aSpeech Genres in Cultural Practice0 aSpeech Genres in Cultural Practice aOxfordbElsevierc2006 a745–7580 v1110aBakhtin10agenre10aGrimm10aoral10aPropp10aspeech10aSwales1 aBauman, Richard1 aBrown, Keith uhttps://genreacrossborders.org/biblio/speech-genres-cultural-practice00733nas a2200205 4500008004100000245010100041210006900142260003600211300001200247653001900259653001000278653001100288653001200299653001200311653001200323653001600335100002200351700001900373856013500392 2000 eng d00aSingular Utterances: Realizing Local Activities through Typified Forms in Typified Circumstances0 aSingular Utterances Realizing Local Activities through Typified aAmsterdambJohn Benjaminsc2000 a25–4010aaccountability10agenre10aLatour10anovelty10aobjects10ascience10atranslation1 aBazerman, Charles1 aTrosborg, Anna uhttps://genreacrossborders.org/biblio/singular-utterances-realizing-local-activities-through-typified-forms-typified-circumstances00498nas a2200193 4500008004100000245003600041210003200077260000900109300001400118490000700132653001500139653001400154653001500168653001000183653001300193653001000206100002100216856006700237 1997 eng d00aThe Power and Politics of Genre0 aPower and Politics of Genre c1997 a359–3710 v1610aapprentice10acommunity10aexperience10agenre10aoutsider10apower1 aBhatia, Vijay, K uhttps://genreacrossborders.org/biblio/power-and-politics-genre00800nas a2200289 4500008004100000245004500041210004500086260003500131300001200166653001600178653001600194653001400210653001500224653001200239653001400251653001400265653000800279653002200287653001300309653001300322653001100335100002200346700002000368700002100388700002100409856008000430 2004 eng d00aTheory and Practice in New Media Studies0 aTheory and Practice in New Media Studies aCambridge, MAbMIT Pressc2004 a15–3310acomposition10adeterminism10ahypertext10ainnovation10aMcLuhan10anew genre10anew media10aOng10apoststructuralism10apractice10ateaching10atheory1 aBolter, Jay David1 aLiestol, Gunnar1 aMorrison, Andrew1 aRasmussen, Terje uhttps://genreacrossborders.org/biblio/theory-and-practice-new-media-studies00625nas a2200229 4500008004100000245004500041210004300086260000900129300001400138490000600152653001400158653001700172653001300189653001300202653001000215653002000225653001600245653001000261100002300271700002000294856008100314 1992 eng d00aGenre, Intertextuality, and Social Power0 aGenre Intertextuality and Social Power c1992 a131–1720 v210aambiguity10aanthropology10aclassify10adynamism10agenre10aintertextuality10alinguistics10aorder1 aBriggs, Charles, L1 aBauman, Richard uhttps://genreacrossborders.org/biblio/genre-intertextuality-and-social-power00887nas a2200325 4500008004100000245007400041210006900115260000900184490000700193653001300200653001200213653001100225653001900236653001300255653001000268653001200278653001500290653002100305653001100326653001200337653001000349653000800359653002100367653001100388653001300399653001300412653001300425100001700438856010600455 2003 eng d00aIntroduction: Notes toward a Generic Reconstitution of Literary Study0 aIntroduction Notes toward a Generic Reconstitution of Literary S c20030 v3410aaphorism10aBakhtin10achange10aembedded genre10afolktale10agenre10aJameson10aliterature10amaritime fiction10aMcGann10amixture10anovel10aode10aoratorical genre10aorigin10apainting10apastiche10apolicing1 aCohen, Ralph uhttps://genreacrossborders.org/biblio/introduction-notes-toward-generic-reconstitution-literary-study00656nas a2200217 4500008004100000245007400041210006900115260000900184300001400193490000700207653001000214653001100224653001000235653001500245653001800260653000800278653001000286100002000296700002000316856010200336 2000 eng d00aReproduced and Emergent Genres of Communication on the World Wide Web0 aReproduced and Emergent Genres of Communication on the World Wid c2000 a201–2150 v1610agenre10amedium10anovel10aOrlikowski10astructuration10aweb10aYates1 aCrowston, Kevin1 aWilliams, Marie uhttps://genreacrossborders.org/biblio/reproduced-and-emergent-genres-communication-world-wide-web00645nas a2200181 4500008004100000245007700041210006900118260000900187300001400196490000700210653004000217653003700257653001100294653001600305653001500321100002300336856010400359 2005 eng d00aPerforming tribal rituals: A genre analysis of 'crits' in design studios0 aPerforming tribal rituals A genre analysis of crits in design st c2005 a136–1600 v5410acommunication across the curriculum10acommunication in the disciplines10adesign10aethnography10aoral genre1 aDannels, Deanna, P uhttps://genreacrossborders.org/biblio/performing-tribal-rituals-genre-analysis-crits-design-studios01550nas a2200205 4500008004100000245009400041210006900135260000900204300001400213490000700227520079900234653004001033653003701073653002201110653001501132653002601147100002301173700002501196856012301221 2008 eng d00aCritiquing Critiques: A Genre Analysis of Feedback Across Novice to Expert Design Studios0 aCritiquing Critiques A Genre Analysis of Feedback Across Novice c2008 a135–1590 v223 aIn the discipline of design, the most common presentation genre is the critique,and the most central aspect of this genre is the feedback. Using a qualitative framework, this article identifies a typology of feedback, compares the frequencies of feedback types between different levels of design studios ranging from novice to expert, and explores what the feedback reflects about the social and educational context of these design studios. Results suggest that the feedback socialized students into egalitarian relationships and autonomous decision-making identities that were perhaps more reflective of academic developmental stages or idealized workplace contexts than of actual professional settings—therefore potentially complicating the preprofessional goals of the critique. 10acommunication across the curriculum10acommunication in the disciplines10agenre instruction10aoral genre10apreprofessional genre1 aDannels, Deanna, P1 aNorris, Martin Kelly uhttps://genreacrossborders.org/biblio/critiquing-critiques-genre-analysis-feedback-across-novice-expert-design-studios01297nas a2200229 4500008004100000245006600041210006500107260000900172300001100181490000700192520065800199653001300857653001000870653000800880653001100888653001500899653001600914653001400930653001500944100001900959856008900978 2003 eng d00aTelevision Before Television Genre: The Case of Popular Music0 aTelevision Before Television Genre The Case of Popular Music c2003 a5–160 v313 aThe author argues the valueof a historical approach to televi sion genre research and the need to reconsider lhe terms in which COntemporary genre theory addresses television in its nascent stage. Primary analytical emphasis is placed on emergent rechnical practices and industrial discourses that preceded the estab lishment of consistent or regu huly deployed television genre categories. By specifically analyzing early popular Illusic programmjng. the author seeks to illuminate the processes through which genre conventions were conceived and formalized in what was then, and remains. an essen tial facet of television production. 10aemerging10agenre10anew10aorigin10aproduction10aprogramming10astandards10atelevision1 aForman, Murray uhttps://genreacrossborders.org/biblio/television-television-genre-case-popular-music00754nam a2200229 4500008004100000020002200041245008300063210007000146260004900216300000800265653001300273653001800286653001000304653000800314653001100322653001700333653001700350100002600367700001600393700002200409856009300431 2015 eng d a978-2-7605-4155-900aLes Genres de documents dans les organisations: analyse théorique et pratique0 aLes Genres de documents dans les organisations analyse théorique aQuébecbPresses de l'Université du Québec a21410aDocument10aGagnon-Arguin10agenre10aMas10aMaurel10aOrganisation10aorganization1 aGagnon-Arguin, Louise1 aMas, Sabine1 aMaurel, Dominique uhttp://www.puq.ca/catalogue/livres/les-genres-documents-dans-les-organisations-2405.html00598nas a2200193 4500008004100000245008000041210006900121260000900190300001400199490000700213653001000220653001100230653001200241653001100253653001000264653000800274100001800282856010400300 2004 eng d00aWriting for the Web Versus Writing for Print: Are They Really So Different?0 aWriting for the Web Versus Writing for Print Are They Really So c2004 a276–2850 v5110agenre10amedium10aNeilsen10aonline10aprint10aweb1 aGregory, Judy uhttps://genreacrossborders.org/biblio/writing-web-versus-writing-print-are-they-really-so-different00764nam a2200265 4500008004100000020001800041245004700059210004700106260005900153653001100212653001400223653001400237653001000251653001900261653001100280653001300291653001200304653001500316653001500331653001200346653001300358100002300371700002200394856008200416 2004 eng d a1-57003-526-100aLogos and Power in Isocrates and Aristotle0 aLogos and Power in Isocrates and Aristotle aColumbia, SCbUniversity of South Carolina Pressc200410achange10ademocracy10aeducation10agenre10aidentification10akairos10aliteracy10aorality10apermanence10apersuasion10aPoetics10arhetoric1 aHaskins, Ekaterina1 aBenson, Thomas, W uhttps://genreacrossborders.org/biblio/logos-and-power-isocrates-and-aristotle00456nas a2200145 4500008004600000245004100046210004100087300001400128653001000142653002600152653001400178653001700192100002200209856007900231 Submitted eng d 00aSemantics and Knowledge Organization0 aSemantics and Knowledge Organization a367–40510agenre10ainformation retrieval10aknowledge10aorganization1 aHjørland, Birger uhttps://genreacrossborders.org/biblio/semantics-and-knowledge-organization00612nas a2200145 4500008004100000245011900041210006900160300001400229490000700243653002100250653001900271653001100290100001600301856014900317 2008 eng d00aConvention and inventiveness in an occluded academic genre: A case study of retention–promotion–tenure reports0 aConvention and inventiveness in an occluded academic genre A cas a175–1920 v2710aacademic writing10aoccluded genre10auptake1 aHyon, Sunny uhttps://genreacrossborders.org/biblio/convention-and-inventiveness-occluded-academic-genre-case-study-retention%E2%80%93promotion%E2%80%93tenure00829nas a2200265 4500008004100000020003800041245006600079210006200145260000900207300001200216490000700228653001400235653001400249653001400263653002300277653001400300653002000314653001900334653001200353653003100365653001600396653004100412100002000453856009000473 1998 eng d a0026-79291527-1943 (electronic) 00aThe Emergence of Poetic Genre Theory in the Sixteenth Century0 aEmergence of Poetic Genre Theory in the Sixteenth Century c1998 a139-1690 v5910a1500-159910acriticism10aevolution10aItalian literature10aof poetry10aon genre theory10aPeri poietikes10aPoetics10arelationship to classicism10aRenaissance10asources in Aristotle (384-322 B.C.)1 aJavitch, Daniel uhttps://genreacrossborders.org/biblio/emergence-poetic-genre-theory-sixteenth-century00536nas a2200157 4500008004100000245008000041210006900121260000900190300001400199490000700213653001000220653001700230653001400247100001200261856010500273 1997 eng d00aThe Discourse of Issues Management: A Genre of Organizational Communication0 aDiscourse of Issues Management A Genre of Organizational Communi c1997 a188–2100 v4510agenre10aorganization10aworkplace1 aKuhn, T uhttps://genreacrossborders.org/biblio/discourse-issues-management-genre-organizational-communication00650nas a2200181 4500008004100000245011600041210006900157260000900226300001200235490000600247653001000253653001300263653001300276653001000289653001100299100002300310856013500333 2007 eng d00aOn the Material and the Symbolic: Silverstone's Double Articulation of Research Traditions in New Media Studies0 aMaterial and the Symbolic Silverstones Double Articulation of Re c2007 a16–240 v910agenre10aidentity10ainternet10amedia10aonline1 aLivingstone, Sonia uhttps://genreacrossborders.org/biblio/material-and-symbolic-silverstones-double-articulation-research-traditions-new-media-studies01830nas a2200337 4500008004100000245003500041210003500076260000900111300001400120490000700134520099500141653001501136653000901151653001301160653002701173653001201200653001901212653001001231653001501241653001101256653001701267653001901284653001801303653001701321653001401338653000901352100002001361700001701381700002101398856007301419 2010 eng d00aEmerging Personal Media Genres0 aEmerging Personal Media Genres c2010 a947–9630 v123 aIn this article we argue that the concept of genre has a valuable function within sociological theory, particularly for understanding emerging communicative practices within social and personal media. Genres span the whole range of recognizable forms of communication, play a crucial role in overcoming contingency and facilitate communication. Their function is to enhance composing and understanding of communication by offering interpretative, recognizable and flexible frames of reference. As such, genres generate a sense of stability in modern complex societies. Genres ought to be seen as an intermediary level between the levels of media and text, however influenced by both. They operate as interaction between two interdependent dimensions, conventions and expectations, both of which are afforded by media and specific texts. In this article these relationships are illustrated through two cases of emerging personal media genres: the online diary and the camphone self-portrait.10aaffordance10ablog10acamphone10acamphone self-portrait10adigital10aemerging genre10agenre10ainnovation10amedium10aonline diary10apersonal media10aself-portrait10asocial media10astability10atext1 aLüders, Marika1 aPrøitz, Lin1 aRasmussen, Terje uhttps://genreacrossborders.org/biblio/emerging-personal-media-genres00651nas a2200193 4500008004100000245008200041210006900123260000900192300001400201490000700215653001400222653001100236653001000247653003300257653001500290100002500305700001800330856010900348 1994 eng d00aGenre Repertoire: The Structuring of Communicative Practices in Organizations0 aGenre Repertoire The Structuring of Communicative Practices in O c1994 a541–5740 v3910acommunity10ae-mail10agenre10aorganizational communication10arepertoire1 aOrlikowski, Wanda, J1 aYates, JoAnne uhttps://genreacrossborders.org/biblio/genre-repertoire-structuring-communicative-practices-organizations00556nas a2200193 4500008004100000245006100041210005900102260000900161300001400170490000700184653001300191653001000204653000800214653001000222653001300232653001100245100001900256856008700275 2006 eng d00aCommentary: Why Opera? The Politics of an Emerging Genre0 aCommentary Why Opera The Politics of an Emerging Genre c2006 a401–4090 v3610aemerging10agenre10anew10aopera10apolitics10aVenice1 aRomano, Dennis uhttps://genreacrossborders.org/biblio/commentary-why-opera-politics-emerging-genre00575nam a2200181 4500008004100000245006500041210006300106260005500169653001100224653001300235653001000248653001000258653000800268653001100276653001100287100001800298856007700316 1991 eng d00aOpera in Seventeenth-Century Venice: The Creation of a Genre0 aOpera in SeventeenthCentury Venice The Creation of a Genre aBerkeley, CAbUniversity of California Pressc199110acreate10aemerging10agenre10amusic10anew10aorigin10asource1 aRosand, Ellen uhttp://www.escholarship.org/editions/view?docId=ft3199n7sm;brand=ucpress02267nas a2200181 4500008004100000022001400041245012000055210006900175300001600244490000700260520146000267653001801727653002201745653003301767653001501800100002401815856024601839 2013 eng d a0170-840600aThe Pervasive Power of PowerPoint: How a Genre of Professional Communication Permeates Organizational Communication0 aPervasive Power of PowerPoint How a Genre of Professional Commun a1777 - 18010 v343 a
This paper examines the pervasive role of Microsoft’s presentation software PowerPoint as a genre of professional and organizational communication. Frequently, PowerPoint is not only used for the primary function it was initially designed for, i.e., facilitating live presentations, but also for alternative purposes such as project documentation. Its application in a neighboring domain, however, poses a functional dilemma: does the PowerPoint genre preserve the features of its primary function, i.e., presentation, or rather adapt to the new function, i.e., documentation? By drawing on a communication-centered perspective, this paper examines PowerPoint’s role in the domain of project documentation as a clash between the constitutive affordances of professional and of organizational communication. To investigate this issue empirically, I conducted a case study at a multinational business consulting firm. The study allows identification of three distinct PowerPoint subgenres, which differ in how they adapt to the function of project documentation. This paper contributes to organization studies by specifying the boundary conditions under which a genre of professional communication such as PowerPoint can be expected to maintain its genre-inherent characteristics even in the face of contradictory organizational requirements and to impose these characteristics on a neighboring domain of organizational communication practices.
10adocumentation10aoral presentation10aorganizational communication10apowerpoint1 aSchoeneborn, Dennis uhttp://journals.sagepub.com/doi/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/pdf/10.1177/0170840613485843http://journals.sagepub.com/doi/full-xml/10.1177/017084061348584301654nas a2200241 4500008004100000245009300041210006900134260000900203300001400212490000700226520090100233653001601134653002101150653001801171653001201189653001001201653001601211653001401227653001101241100001901252700001701271856012401288 2000 eng d00aGenre Ecologies: An Open-System Approach to Understanding and Constructing Documentation0 aGenre Ecologies An OpenSystem Approach to Understanding and Cons c2000 a169–1810 v243 aArguing that current approaches to understanding and constructingcomputer documentation are based on the flawed assumption that documentation works as a closed system, the authors present an alternative way of thinking about the texts that make computer technologies usable for people. Using two historical case studies, the authors describe how a genre ecologies framework provides new insights into the complex ways that people use texts to make sense of computer technologies. The framework is designed to help researchers and documentors account for contingency, decentralization, and stability in the multiple texts the people use while working with computers. The authors conclude by proposing three heuristic tools to support the work of technical communicators engaged in developing documentation today: exploratory questions, genre ecology diagrams, and organic engineering. 10acontingency10adecentralization10adocumentation10aecology10agenre10aopen system10astability10asystem1 aSpinuzzi, Clay1 aZachry, Mark uhttps://genreacrossborders.org/biblio/genre-ecologies-open-system-approach-understanding-and-constructing-documentation00506nas a2200193 4500008004100000245003900041210003500080260000900115300001400124490000600138653001400144653000900158653001500167653001000182653001700192653001400209100001900223856007000242 1991 eng d00aThe Epideictic Rhetoric of Science0 aEpideictic Rhetoric of Science c1991 a229–2450 v510acriticism10adoxa10aepideictic10agenre10alegitimation10aorthodoxy1 aSullivan, Dale uhttps://genreacrossborders.org/biblio/epideictic-rhetoric-science00533nas a2200145 4500008004100000245007000041210006900111260003600180300001200216653001900228100002000247700001500267700001600282856008900298 1996 eng d00aOccluded Genres in the Academy: The Case of the Submission Letter0 aOccluded Genres in the Academy The Case of the Submission Letter aAmsterdambJohn Benjaminsc1996 a45–5810aoccluded genre1 aSwales, John, M1 aVantola, E1 aMauranen, A uhttps://genreacrossborders.org/biblio/occluded-genres-academy-case-submission-letter00968nam a2200265 4500008004100000020003300041245005100074210005000125260006300175300001600238653002500254653002200279653002500301653001800326653005000344653006700394653001000461653004500471653001900516653002100535653002600556653001200582100002000594856008800614 2004 eng d a05218259460521533341 (pb.) 00aResearch genres: explorations and applications0 aResearch genres explorations and applications aCambridge, UK ; New YorkbCambridge University Pressc2004 axii, 314 p.10aAcademic Authorship.10aAcademic writing.10adissertation defense10aDissertations10aEnglish language Rhetoric Study and teaching.10aEnglish language Study and teaching (Higher) Foreign speakers.10agenre10aInterdisciplinary approach in education.10aoccluded genre10aresearch article10aResearch Methodology.10ascience1 aSwales, John, M uhttps://genreacrossborders.org/biblio/research-genres-explorations-and-applications00638nas a2200277 4500008004100000245002500041210002100066260000900087300001400096490000600110653001100116653001600127653001000143653001600153653001100169653001400180653001100194653001300205653001300218653001300231653001500244653001000259653001400269100002100283856005600304 1976 eng d00aThe Origin of Genres0 aOrigin of Genres c1976 a159–1700 v810aauthor10aexpectation10agenre10ainstitution10aorigin10apragmatic10areader10aregister10asemantic10asemiotic10aspeech act10astyle10asyntactic1 aTodorov, Tzvetan uhttps://genreacrossborders.org/biblio/origin-genres01679nas a2200217 4500008004100000245012400041210006900165260000900234300001300243490000700256520092500263653002101188653001001209653001201219653001701231653001801248100001801266700002501284700001901309856013301328 1999 eng d00aExplicit and Implicit Structuring of Genres in Electronic Communication: Reinforcement and Change of Social Interaction0 aExplicit and Implicit Structuring of Genres in Electronic Commun c1999 a83–1030 v103 aIn a study of how an F&D group in a Japanese firm adopted and used a new electronic medium, we identified two contrasting patterns of use: the use of community-wide communication types, or genres, deliberately shaped by the action of a small, sanctioned group of mediators; and the use of local genres tacitly shaped by members within their own research teams. We suggest that these patterns reflect the more general processes of explicit and implicit structuring, resulting in both the reinforcement and change of social interaction within communities. Explicit structuring included the planned replication, planned modification, and opportunistic modification of existing genres, while implicit structuring inclided the migration and variation of existing genres. We believe that these two processes provide suggestive models for understanding the initial and ongoing use of new electronic media within a community.10aelectronic media10agenre10aGiddens10aorganization10astructuration1 aYates, JoAnne1 aOrlikowski, Wanda, J1 aOkamura, Kazuo uhttps://genreacrossborders.org/biblio/explicit-and-implicit-structuring-genres-electronic-communication-reinforcement-and-change00661nas a2200193 4500008004100000245009200041210006900133260000900202300001200211490000700223653002000230653001400250653001000264653001200274653003300286653001400319100001700333856011700350 2000 eng d00aCommunicative Practices in the Workplace: A Historical Examination of Genre Development0 aCommunicative Practices in the Workplace A Historical Examinatio c2000 a57–790 v3010aactivity theory10aevolution10agenre10ahistory10aorganizational communication10aworkplace1 aZachry, Mark uhttps://genreacrossborders.org/biblio/communicative-practices-workplace-historical-examination-genre-development