00469nas a2200097 4500008004100000245009100041210006900132260003600201100001600237856011800253 2011 eng d00aNot Another Adult Movie: Some Platitudes on Genericity and the Use of Literary Studies0 aNot Another Adult Movie Some Platitudes on Genericity and the Us aAarhusbAarhus University Press1 aAuken, Sune uhttps://genreacrossborders.org/biblio/not-another-adult-movie-some-platitudes-genericity-and-use-literary-studies00564nas a2200181 4500008004100000245004600041210004600087260005300133300001200186653001400198653001000212653000900222653001200231653001200243100002400255700002200279856008100301 1995 eng d00aNews Value in Scientific Journal Articles0 aNews Value in Scientific Journal Articles aHillsdale, NJbLawrence Erlbaum Associatesc1995 a27–4410aevolution10agenre10anews10areading10ascience1 aBerkenkotter, Carol1 aHuckin, Thomas, N uhttps://genreacrossborders.org/biblio/news-value-scientific-journal-articles00529nas a2200121 4500008004100000022001300041245009700054210006900151300001400220490000700234100002200241856014400263 2014 eng d a0047281600aNew Perspectives on the Technical Communication Internship: Professionalism in the Workplace0 aNew Perspectives on the Technical Communication Internship Profe a171–1890 v441 aBourelle, Tiffany uhttp://proxying.lib.ncsu.edu/index.php?url=http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=96965214&site=ehost-live&scope=site01281nam a2200133 4500008004100000245003800041210003400079250001000113260003200123300000800155520089400163100002101057856006901078 2013 eng d00aThe Norton Field Guide to Writing0 aNorton Field Guide to Writing athird aNew YorkbW.W. Norton & Co. a6163 a
From the publisher's website:
"Flexible, easy to use, just enough detail—and now the number-one best seller.
With just enough detail — and color-coded links that send students to more detail if they need it — this is the rhetoric that tells students what they need to know and resists the temptation to tell them everything there is to know. Designed for easy reference — with menus, directories, and a combined glossary/index. The Third Edition has new chapters on academic writing, choosing genres, writing online, and choosing media, as well as new attention to multimodal writing.
The Norton Field Guide to Writing is available with a handbook, an anthology, or both — and all versions are now available as low-cost ebooks and in mobile-compatible formats for iPhones, Droids, and iPads."
Like navigating a ship (Hutchins, 1993), conducting monetary policy involves complex processes of distributed cognition. The difference is that, in a governmental financial institution like the Bank of Canada, much of the cognitive work and its distribution are accomplished by means of interweaving webs of genres of discourse. The genres of the Bank enable both the forming and reforming of policy as well as the constant reflexive self-monitoring necessary for maintaining the robustness of the institution and for achieving its goals. The genres operate as sites for the communal construction of and negotiation over knowledge; paradoxically, as institutionalized artifacts, they both channel and codify thinking at the same time that they function as sites for change.
1 aFreedman, Aviva1 aSmart, Graham uhttps://genreacrossborders.org/biblio/navigating-current-economic-policy-written-genres-and-distribution-cognitive-work-financial00450nas a2200109 4500008004100000245008400041210006900125300001000194490000700204100001500211856011400226 2007 eng d00aNon-Rule Environmental Policy: A Case Study of a Foundry Sand Land Disposal NPD0 aNonRule Environmental Policy A Case Study of a Foundry Sand Land a17-360 v371 aGriggs, K. uhttps://genreacrossborders.org/biblio/non-rule-environmental-policy-case-study-foundry-sand-land-disposal-npd02402nas a2200133 4500008004100000245010400041210006900145300001200214490000700226520185700233100002402090700002002114856013402134 2016 eng d00aNetworks, Genres, and Complex Wholes: Citizen Science and How We Act Together through Typified Text0 aNetworks Genres and Complex Wholes Citizen Science and How We Ac a287-3040 v413 aThis article explores the intersection of Rhetorical Genre Studies (RGS) and Actor-Network Theory (ANT). These two traditions are particularly important in the Canadian research context. We examine genre and ANT to uncover what we believe is a complementary relationship that promises much to the study of science, especially in the age of the internet. Specifically, we see RGS as a way to account for how objects come to “be” as complex wholes and so act across/among levels of network configurations. Moreover, the nature of these objects’ (instruments’) action is such that we may attribute them to a kind of rhetorical agency. We look to the InFORM Network’s grassroots, citizen science-oriented response to the Fukushima Daiichi nuclear disaster as a case that exemplifies how a combined RGS and ANT perspective can articulate the complex wholes of material/rhetorical networks.
Cet article examine Rhetorical Genre Studies (RGS) et Actor-Network Theory (ANT). Ces deux modes d’étude sont importants dans les contextes de la recherche Canadienne. Nous prennons genre et ANT, pour retrouver une perspective que nous croyons puisse contribuer beaucoup aux études de la science dans l’âge de l’internet. On comprend les genres de textes comme une moyenne de rendre compte de la façon dont les objets deviennent des ensembles complexes et donc agir entre les différents niveaux de configuration réseau. En plus, la nature des actions de ces objets (ou instruments scientifique) est telle qu’on puisse attribuer a eux une sorte d’agence rhétorique. Nous voyons le citizen science reponse de l’InFORM Network a la disastre au Fukushima Daiichi comme une example de la puissance d’un perspectif RGS/ANT pour articuler les “entieres-complexes” des networks qui sont material/rhetorical au meme temps.
1 aKelly, Ashley, Rose1 aMaddalena, Kate uhttps://genreacrossborders.org/biblio/networks-genres-and-complex-wholes-citizen-science-and-how-we-act-together-through-typified01306nas a2200121 4500008004100000245007700041210006900118300001000187490000700197520085200204100002101056856010701077 2004 eng d00aNegotiating Claims to Journalism: Webloggers' Orientation to News Genres0 aNegotiating Claims to Journalism Webloggers Orientation to News a33-540 v103 aAbstract: This paper explores how writers of online diaries, or weblogs,
about public affairs negotiate their relationship with the genres and
social position of news journalism. Although often labelled radical
journalists, this paper finds, through interviews with seven webloggers,
that such writers orient themselves in complex ways towards news
journalism, at times drawing upon its modes of knowledge, at times
setting themselves in opposition to it and at times seeking to cross
discursive spaces. The paper concludes that, rather than emerging as a
new public communicative form or genre in relation to journalism, the
distinctiveness of the form is in its generic heterogeneity and ability to
traverse the boundaries of news and other institutional discourses.
Media forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and analyses two sub-genres which demonstrate different approaches to an altered socio-economic climate: the recessionary ‘chick flick’ and the corporate melodrama. Amid the financial crisis these sub-genres shift emphasis to respond to changing circumstances, notably in relation to the once-ubiquitous trope of choice central to post-feminist media culture; neoliberal choice rhetoric is now considerably harder to maintain. The two case studies contrast the different ways in which female-centred chick flicks and male-centred corporate melodramas address unemployment, downward mobility and the challenges of work–life balance.
10afilm10agender10aneoliberalism1 aNegra, Diane1 aTasker, Yvonne uhttps://genreacrossborders.org/biblio/neoliberal-frames-and-genre-inequality-recession-era-chick-flicks-and-male-centered-corporate00488nas a2200205 4500008004100000245002300041210002300064260000900087300001200096490000700108653001800115653001400133653001200147653001000159653001400169653000900183100001700192700001600209856005700225 1996 eng d00aNarrating the Self0 aNarrating the Self c1996 a19–430 v2510acollaboration10acommunity10aemotion10agenre10anarration10aself1 aOchs, Elinor1 aCapps, Lisa uhttps://genreacrossborders.org/biblio/narrating-self00467nas a2200109 4500008004100000245008000041210006900121260002100190300001600211100002100227856010900248 2013 eng d00aNarrative inquiry and the researching of academic and professional genres. 0 aNarrative inquiry and the researching of academic and profession aBernbPeter Lang app. 497-5011 aPaltridge, Brian uhttps://genreacrossborders.org/biblio/narrative-inquiry-and-researching-academic-and-professional-genres00417nam a2200109 4500008004100000245005000041210004500091260004700136100002100183700002500204856007800229 1969 eng d00aThe new rhetoric: A treatise on argumentation0 anew rhetoric A treatise on argumentation aSouth BendbUniversity of Notre Dame Press1 aPerelman, C., H.1 aOlbrechts-Tyteca, L. uhttps://genreacrossborders.org/biblio/new-rhetoric-treatise-argumentation00348nas a2200109 4500008004100000245004300041210004100084300001200125490000700137100001500144856007900159 2009 eng d00aNetworked Exchanges, Identity, Writing0 aNetworked Exchanges Identity Writing a294-3170 v231 aRice, Jeff uhttps://genreacrossborders.org/biblio/networked-exchanges-identity-writing01455nas a2200121 4500008004100000245007600041210006900117300001200186490000700198520106500205100002201270856004101292 1992 eng d00aThe "Nueva Canción" Movement and Its Mass-Mediated Performance Context0 aNueva Canción Movement and Its MassMediated Performance Context a139-1570 v133 aThere is a movement coming out of Latin America identified rather broadly as nueva cancion, or "new song," which combines the musics of different Latin American folk cultural traditions with new renditions of old favorites from urban and mass media venues. Through the mass media these songs of Chile, Brazil, Cuba, and the Hispanic U.S. community-to name the most prominent sources of nueva cancion-reach beyond the borders of the Latin American countries of South and Central America and cultivate audiences throughout the world, among Latino and non-Latino cultural groups alike (see Vigliette 1986). Despite the mass media performance context of nueva cancion, this music embodies more than commercial value for these musicians and critical Latin American scholars. For many of its practitioners nueva cancion symbolizes a search for political, economic, and cultural identity in order to counteract widespread cultural stereotyping, economic domination by transnational corporations, and political manipulation by North American policy.
1 aTumas-Serna, Jane uhttp://www.jstor.org/stable/948080 .