%0 Journal Article %J Information, Technology & People %D 2005 %T Digital Genres: A Challenge to Traditional Genre Theory %A Askehave, Inger %A Nielsen, Anne Ellerup %K digital %K genre %K internet %K media %K medium %K print %K Swales %B Information, Technology & People %V 18 %P 120–141 %8 2005 %G eng %0 Book Section %B The Dialogic Imagination: Four Essays %D 1981 %T Discourse in the Novel %A Bakhtin, M. M. %E Holquist, Michael %E Holquist, Michael %K centripetal %K genre %K heteroglossia %K ideology %B The Dialogic Imagination: Four Essays %I University of Texas Press %C Austin, TX %P 259–422 %8 1981 %G eng %0 Journal Article %J Journal of Business and Technical Communication %D 2004 %T Discourse Methods and Critical Practice in Professional Communication: The Front-Stage and Back-Stage Discourse of Prognosis in Medicine %A Barton, Ellen %B Journal of Business and Technical Communication %V 18 %P 67-111 %G eng %0 Journal Article %J ELT Journal %D 2003 %T Discourse community %A Borg, E. %B ELT Journal %V 57 %P 398 - 400 %8 Jan-10-2003 %G eng %U http://eltj.oupjournals.org/cgi/doi/10.1093/elt/57.4.398 %N 4 %! ELT Journal %R 10.1093/elt/57.4.398 %0 Book %D 1990 %T Deeds Done in Words: Presidential Rhetoric and the Genres of Governance %A Campbell, Karlyn Kohrs %A Jamieson, Kathleen Hall %K farewell %K genre %K impeachment %K inaugural %K institution %K president %K state of the union %K veto %K war %I University of Chicago Press %C Chicago %8 1990 %@ 0-226-09341-0 %G eng %0 Journal Article %J Genre %D 1987 %T Do Postmodern Genres Exist? %A Cohen, Ralph %K Barthes %K biological metaphor %K blurred genre %K essay %K family %K Geertz %K genre %K genre system %K intertextuality %K Jameson %K mixture %B Genre %V 20 %P 241–257 %8 1987 %G eng %0 Journal Article %J Science as Culture %D 2010 %T Doing Dialogue: Genre and Flexibility in Public Engagement with Science %A Davies, S R %K science %X

‘Public engagement with science’ is an increasingly important but contested practice. In this study of London's Dana Centre I look at dialogue events carried out there as a case study of public engagement, performing a detailed analysis in order to examine their nature and practice. The analysis suggests that event framings (as found in the discourse of events) are multiple, varying from lecture to open debate. Furthermore the genre of events is flexible, with participant involvement organised through the use of genres derived from education, talkshows and news interviewing as well as more traditional genres such as lectures. While it seems there is flexibility in the practice of these informal dialogue events, they are, however, not open to reinvention by all participants equally. The fluidity of practice observed may be due to the newness of these kinds of processes in most people's experiences. We are therefore observing, on the ground, the traces of contrasting discourses of the right relationship between science and society.

%B Science as Culture %V 18 %P 397-416 %G eng %N 4 %& 397 %0 Journal Article %J Technical Communication Quarterly %D 2012 %T Demarcating Medicine's Boundaries: Constituting and Categorizing in the Journals of the American Medical Association %A Derkatch, Colleen %B Technical Communication Quarterly %V 21 %P 210-229 %G eng %U http://www.tandfonline.com/doi/abs/10.1080/10572252.2012.663744 %R 10.1080/10572252.2012.663744 %0 Journal Article %J European Journal of Communication %D 2009 %T A discursive approach to genre: Mobi news %A Erjavec, K. %A Kovacic, M. P. %B European Journal of Communication %V 24 %P 147-164 %G eng %N 2 %0 Book %D 2003 %T Discourse Analysis %A Fairclough, N. %I Routledge %C London %G eng %0 Book %D 1992 %T Discourse and Social Change %A Fairclough, Norman %K Bakhtin %K discourse analysis %K Foucault %K genre %K intertextuality %I Polity Press %C Cambridge %8 1992 %G eng %0 Journal Article %J Publications of the Modern Language Association %D 2007 %T Database as Genre: The Epic Transformation of Archives %A Folsom, Ed %K archive %K database %K genre %K Manovich %K narrative %K new genre %K rhizome %K Whitman %B Publications of the Modern Language Association %V 122 %P 1571–1579 %8 2007 %G eng %0 Journal Article %J Journal of Literary Semantics %D 1980 %T Discourse Genres %A Frow, John %K genre %B Journal of Literary Semantics %V 9 %P 73–81 %8 1980 %G eng %0 Book Section %B Rhetorics of Display %D 2006 %T Displaying Race: Cultural Projection and Commemoration %A Gallagher, Victoria J. %E Prelli, Lawrence J. %K cultural projection %K genre %K memorial %K race %B Rhetorics of Display %I University of South Carolina Press %C Columbia, SC %P 177–196 %8 2006 %G eng %0 Book Section %B What Was History? The Art of History in Early Modern Europe %D 2007 %T Death of a Genre %A Grafton, Anthony %K genre %K history %B What Was History? The Art of History in Early Modern Europe %I Cambridge University Press %C Cambridge %P 189–254 %8 2007 %G eng %0 Book Section %B Form and Genre: Shaping Rhetorical Action %D 1978 %T Doing Public Business in Public %A Halloran, Michael %E Campbell, Karlyn Kohrs %E Jamieson, Kathleen Hall %K genre %B Form and Genre: Shaping Rhetorical Action %I Speech Communication Association %C Falls Church, VA %P 118–138 %8 1978 %G eng %0 Journal Article %J American Ethnologist %D 1987 %T Discourse Genres in a Theory of Practice %A Hanks, William F. %K Bakhtin %K Bourdieu %K change %K habitus %K hybrid %K innovation %K Maya %K new genre %K Spanish %B American Ethnologist %V 14 %P 668–692 %8 1987 %G eng %0 Journal Article %J Renaissance and Reformation %D 1983 %T Defining the Genre of the Letter: Juan Luis Vives' De conscribendis epistolis %A Henderson, J. %K genre %K letter %B Renaissance and Reformation %V 7 %P 89–105 %8 1983 %G eng %0 Book Section %B The Rhetoric and Ideology of Genre: Strategies for Stability and for Change %D 2002 %T Disembodied Voices: The Problem of Context and Form in Theories of Genre %A Knapp, Peter %E Coe, Richard %E Lingard, Lorelei %E Teslenko, Tatiana %K Burke %K genre %K Martin %K Miller %B The Rhetoric and Ideology of Genre: Strategies for Stability and for Change %I Hampton Press %C Cresskill, NJ %P 275–296 %8 2002 %G eng %0 Journal Article %J Communication Quarterly %D 1997 %T The Discourse of Issues Management: A Genre of Organizational Communication %A Kuhn, T. %K genre %K organization %K workplace %B Communication Quarterly %V 45 %P 188–210 %8 1997 %G eng %0 Journal Article %J Journal of Discourse Studies %D 0 %T Discourse trajectories in a nexus of genres %A Inger Lassen %B Journal of Discourse Studies %V 18 %P 409-429 %G eng %N 4 %0 Journal Article %J College English %D 1995 %T Disciplinary Politics and the Institutionalization of the Generic Triad in Classical Rhetoric %A Liu, Yameng %K Aristotle %K Cicero %K genre %B College English %V 57 %P 9–26 %8 1995 %G eng %0 Journal Article %J Journal of Business and Technical Communication %D 1993 %T A Dialogical Model for Business Correspondence %A Mendelson, Michael %B Journal of Business and Technical Communication %V 7 %P 283-311 %G eng %0 Book Section %B Verbal Communication %D 2016 %T Discourse Genres %A Miller, Carolyn R. %A Kelly, Ashley R. %E A. Rocci %E L. de Saussure %K exigence %K formalism %K genre awareness %K genre system %K macrostructure %K move analysis %K rhetoric %K social action %K Text type %K uptake %K utterance %X

Genre marks large-scale repeated patterns of meaning in human symbolic production and interaction. Approaches to genre can be divided into the formalistthematic, attending to categories and discriminations based on linguistic or textual elements and drawing from cognitive theories; and the pragmatic, attending primarily to use-patterns drawing from social theories of function, action, and communal interaction. This overview draws from disciplines explicitly concerned with natural language, including literature, rhetoric, and several areas of linguistics. A distinction between rational and empirical approaches to genre affects both how genre is conceived and what methods are used for analysis. The rational approach grounds genre in a principle or theory determined by the theorist, yielding a relatively small, closed set of genres; the empirical grounds genre in the experience of those for whom genres are significant, yielding an historically changing, open set of genres. Genre analysis is applied in many discourse disciplines and for a variety of purposes, both descriptive and prescriptive.

%B Verbal Communication %S Handbooks of Communication Science %I De Gruyter %C Berlin %P 269–286 %@ 9783110255478 %G eng %U http://www.degruyter.com/view/books/9783110255478/9783110255478-015/9783110255478-015.xml %R 10.1515/9783110255478-015 %0 Journal Article %J Southern Speech Communication Journal %D 1986 %T Discourse Classifications in Nineteenth-Century Rhetorical Pedagogy %A Miller, Carolyn R. %A Jolliffe, David A. %K composition %K genre %K pedagogy %B Southern Speech Communication Journal %V 51 %P 371–384 %8 1986 %G eng %0 Journal Article %J Australian Journal of Cultural Studies %D 1983 %T Discourse, History, Fiction: Language and Aboriginal History %A Muecke, Stephen %K cultural studies %K genre %K historical genres %B Australian Journal of Cultural Studies %V 1 %P 71-79 %8 01/1983 %G eng %N 1 %& 71 %0 Journal Article %J Journal of Technical Writing and Communication %D 1995 %T The DoD Tailhook Report: Unanswered Questions %A Orbel, Brenda %B Journal of Technical Writing and Communication %V 25 %P 201-213 %G eng %R 10.2190/M8E6-0E0C-7VYB-BA51 %0 Journal Article %J IEEE Transactions on Professional Communication %D 2006 %T .., Is Different From ,.. : A Corpus-Based Study of Evaluative Adjectives in Economics Discourse %A Samson, C. %B IEEE Transactions on Professional Communication %V 49 %P 236-245 %G eng %U http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=1684205 %R 10.1109/TPC.2006.880741 %0 Journal Article %J Journal of Technical Writing and Communication %D 2002 %T Does Being Technical Matter? XML, Single Source, and Technical Communication %A Sapienza, Filipp %B Journal of Technical Writing and Communication %V 32 %P 155-170 %G eng %R 10.2190/PCK7-MX24-X113-V9DC %0 Journal Article %J Convergence: The International Journal of Research into New Media Technologies %D 2013 %T Dismantling the guitar hero? A case of prodused parody and disarmed subversion %A Skageby, Jorgen %K Audiences %K critical intertextuality %K genre analysis %K parody %K produsage %K shreds %K YouTube %K [gender] %X

A ‘shreds’ video combines existing live music concert footage, predominantly including a famous
male rock guitarist or guitar based rock group, with a self-produced overdubbed soundtrack. The
result is a musical parody that exists in an intersection between production and consumption and
works as a within-genre evolution. The shred is controversial and its most popular instalments
have been pulled from YouTube on claims of copyright infringement. This paper examines shreds
as a form of multimodal intertextual critique by engaging with the videos themselves, as well as
audience responses to them. As such, the applied method is genre analysis and multimodal semiotics
geared towards the analysis of intertextual elements. The paper shows how prodused parody
exists as a co-dependence between: (1) production and consumption; (2) homage and subversion;
(3) comprehension and miscomprehension; and (4) media synchronicity and socioeconomic dis/
harmony. The paper also discusses how shreds can be interpreted as tampered-with gender
performances. In conclusion, it becomes clear that the produsage of shred videos is part of ‘piracy
culture’ because it so carefully balances between the mainstream and counter-culture, between
the legal and the illegal, and between the commoditized artefact and networked production.

%B Convergence: The International Journal of Research into New Media Technologies %V 19 %P 63-76 %8 02/2013 %G eng %N 1 %R 10.1177/1354856512456791 %0 Journal Article %J Convergence: The International Journal of Research into New Media Technologies %D 2012 %T Dismantling the Guitar Hero? A Case of Prodused Parody and Disarmed Subversion %A Jörgen Skågeby %X

A ‘shreds’ video combines existing live music concert footage, predominantly including a famous male rock guitarist or guitar based rock group, with a self-produced overdubbed soundtrack. The result is a musical parody that exists in an intersection between production and consumption and works as a within-genre evolution. The shred is controversial and its most popular instalments have been pulled from YouTube on claims of copyright infringement. This paper examines shreds as a form of multimodal intertextual critique by engaging with the videos themselves, as well as audience responses to them. As such, the applied method is genre analysis and multimodal semiotics geared towards the analysis of intertextual elements. The paper shows how prodused parody exists as a co-dependence between: (1) production and consumption; (2) homage and subversion; (3) comprehension and miscomprehension; and (4) media synchronicity and socioeconomic dis/harmony. The paper also discusses how shreds can be interpreted as tampered-with gender performances. In conclusion, it becomes clear that the produsage of shred videos is part of ‘piracy culture’ because it so carefully balances between the mainstream and counter-culture, between the legal and the illegal, and between the commoditized artefact and networked production.

%B Convergence: The International Journal of Research into New Media Technologies %V 19 %P 63-76 %G eng %N 1 %0 Book Section %B Rhetorical Genre Studies and Beyond %D 2008 %T Developing a 'Discursive Gaze'': Participatory Action Research with Student Interns Encountering New Genres in the Activity of the Workplace %A Smart, Graham %A Brown, Nicole %E Artemeva, Natasha %E Freedman, Aviva %B Rhetorical Genre Studies and Beyond %I Inkshed %C Winnipeg, Manitoba %P 241–279 %G eng %U http://http-server.carleton.ca/ nartemev/Artemeva%20&%20Freedman%20Rhetorical%20Genre%20Studies%20and%20beyond.pdf %0 Journal Article %J ESC: English Studies in Canada %D 2017 %T Do We Need New Method Names? Descriptions of Method in Scholarship on Canadian Literature %A Thieme, Katja %X

Literary studies are often seen as a discipline without method. Research articles in literature do not have method sections, nor do they list what type of evidence has been included in a particular project or by what procedures primary material was analyzed. Because of implicitness of questions of method and research design, writing in literary studies is difficult to teach and often relies on students’ abilities to infer their own strategies for reading and writing. I analyze a textual corpus of recent research articles from Canadian Literature and Studies in Canadian Literature in order to clarify typical discursive patterns that are used when discussing methods of literary scholarship. On the basis of these findings, we can ask: How can teaching in literary studies be adjusted in order to demystify the methodological practices of the discipline?

%B ESC: English Studies in Canada %V 44 %P 91 - 110 %G eng %U https://muse.jhu.edu/article/742449 %N 1 %! ESC %R 10.1353/esc.2017.0049 %0 Conference Paper %B 62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use %D 1999 %T Does Genre Define the Shape of Information? The Role of Form and Function in User Interaction with Digital Documents %A Toms, Elaine G. %A Campbell, D. Grant %A Blades, Ruth %K digital document %K discourse community %K form %K genre %K shape %B 62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use %I American Society for Information Science %C Washington, DC %P 693–704 %8 1999 %G eng %0 Journal Article %J Quarterly Journal of Speech %D 1972 %T The Diatribe: Last Resort for Protest %A Windt, Theodore Otto, Jr. %K genre %B Quarterly Journal of Speech %V 58 %P 1–14 %8 1972 %G eng %0 Conference Paper %B Thirtieth Annual Hawaii Conference on System Sciences %D 1997 %T Digital Genres and the New Burden of Fixity %A Yates, Simeon J. %A Sumner, Tamara R. %K change %K CMC %K community %K corpus %K evolution %K genre %K stability %B Thirtieth Annual Hawaii Conference on System Sciences %I IEEE Computer Society Press %P 3–12 %8 1997 %G eng %0 Journal Article %J Journal of Business and Technical Communication %D 2003 %T The Development of a Virtual Community of Practices Using Electronic Mail and Communicative Genres %A Zucchermaglio, Cristina %A Talamo, Alessndra %K community %K email %K genre %K repertoire %K Suchman %K Yates %B Journal of Business and Technical Communication %V 17 %P 259–284 %8 2003 %G eng %0 Journal Article %J Journal of Business and Technical Communication %D 2003 %T The Development of a Virtual Community of Practices Using Electronic Mail and Communicative Genres %A Zucchermaglio, Cristina %A Talamo, Alessandra %B Journal of Business and Technical Communication %V 17 %P 259-284 %G eng