@inbook {653,
	title = {Theory and Practice in New Media Studies},
	booktitle = {Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains},
	year = {2004},
	note = {+ book+ pdf
},
	month = {2004},
	pages = {15{\textendash}33},
	publisher = {MIT Press},
	organization = {MIT Press},
	address = {Cambridge, MA},
	keywords = {composition, determinism, hypertext, innovation, McLuhan, new genre, new media, Ong, poststructuralism, practice, teaching, theory},
	author = {Bolter, Jay David},
	editor = {Liestol, Gunnar and Morrison, Andrew and Rasmussen, Terje}
}
@article {779,
	title = {Discourse Genres in a Theory of Practice},
	journal = {American Ethnologist},
	volume = {14},
	year = {1987},
	note = {+ genre+ pdf rhet
},
	month = {1987},
	pages = {668{\textendash}692},
	keywords = {Bakhtin, Bourdieu, change, habitus, hybrid, innovation, Maya, new genre, Spanish},
	author = {Hanks, William F.}
}
@inbook {796,
	title = {Innovation and Hybrid Genres: Disturbing Social Rhythm in Legal Practice},
	booktitle = {Proceedings of the Twelfth European Conference on Information Systems},
	year = {2004},
	note = {+ pdf},
	month = {2004},
	pages = {742{\textendash}752},
	publisher = {Turku School of Economics and Business Administration},
	organization = {Turku School of Economics and Business Administration},
	address = {Turku, Finland},
	abstract = {<p>This paper explores the non-adoption of an innovation via the concept of hybrid genres, that is digitalgenres that emerge from a non-digital material precedent. As instances of innovation these are often resisted because they disturb the order of activity and balance of power relations in a given situation, or require users to make conceptual and physical adaptation efforts that they consider too costly. The authors investigate such issues with a case study of the introduction of a hybrid digital genre, ODR or online dispute resolution, in legal practice.</p>
},
	keywords = {genre, hybrid, innovation, legal practice, power},
	isbn = {951-564-192-6},
	url = {http://is2.lse.ac.uk/asp/aspecis/default5.asp},
	author = {Horton, K. and Davenport, E.},
	editor = {Leino, T. and Saarinen, T. and Klein, S.}
}
@inbook {845,
	title = {{\textquoteright}Gameplay{\textquoteright}: From Synthesis to Analysis (and Vice Versa)},
	booktitle = {Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains},
	year = {2003},
	note = {+ b},
	month = {2003},
	pages = {389{\textendash}413},
	publisher = {MIT Press},
	organization = {MIT Press},
	address = {Cambridge, MA},
	keywords = {analysis, concept, game, genre, humanities, innovation, synthesis},
	author = {Liest{\o}l, Gunnar},
	editor = {Liest{\o}l, Gunnar and Morrison, Andrew and Rasmussen, Terje}
}
@article {846,
	title = {Conducting Genre Convergence for Learning},
	journal = {International Journal of Continuing Engineering Education and Lifelong Learning},
	volume = {16},
	year = {2006},
	note = {+ pdf},
	month = {2006},
	pages = {255{\textendash}270},
	keywords = {convergence, detective story, digital media, genre, innovation, invention, learning, Poe, topos},
	author = {Liest{\o}l, Gunnar}
}
@article {855,
	title = {Emerging Personal Media Genres},
	journal = {New Media \& Society},
	volume = {12},
	year = {2010},
	note = {+ pdf},
	month = {2010},
	pages = {947{\textendash}963},
	abstract = {In this article we argue that the concept of genre has a valuable function within sociological theory, particularly for understanding emerging communicative practices within social and personal media. Genres span the whole range of recognizable forms of communication, play a crucial role in overcoming contingency and facilitate communication. Their function is to enhance composing and understanding of communication by offering interpretative, recognizable and flexible frames of reference. As such, genres generate a sense of stability in modern complex societies. Genres ought to be seen as an intermediary level between the levels of media and text, however influenced by both. They operate as interaction between two interdependent dimensions, conventions and expectations, both of which are afforded by media and specific texts. In this article these relationships are illustrated through two cases of emerging personal media genres: the online diary and the camphone self-portrait.},
	keywords = {affordance, blog, camphone, camphone self-portrait, digital, emerging genre, genre, innovation, medium, online diary, personal media, self-portrait, social media, stability, text},
	author = {L{\"u}ders, Marika and Pr{\o}itz, Lin and Rasmussen, Terje}
}
