@book {591,
	title = {Film/Genre},
	year = {1999},
	note = {+},
	month = {1999},
	publisher = {British Film Institute},
	organization = {British Film Institute},
	address = {London},
	keywords = {Aristotle, evolution, film, genre, literature, mixed, pragmatic, process, semantic, stability, syntactic, Todorov},
	isbn = {0-85170-717-3},
	author = {Altman, Rick}
}
@book {641,
	title = {The Pragmatic Turn},
	year = {2010},
	note = {+},
	month = {2010},
	publisher = {Polity},
	organization = {Polity},
	address = {Cambridge},
	keywords = {Dewey, Habermas, Hegel, Heidegger, James, Peirce, philosophy, pragmatic, pragmatism, Putnam, Rorty, Wittgenstein},
	isbn = {978-0-7456-4908-5},
	author = {Bernstein, Richard J.}
}
@book {921,
	title = {The Power of Genre},
	year = {1985},
	note = {+},
	month = {1985},
	publisher = {University of Minnesota Press},
	organization = {University of Minnesota Press},
	address = {Minneapolis, MN},
	keywords = {Crane, dramatic monologue, Frye, genre, Hirsch, Jauss, literary, lyric, mask lyric, pragmatic, Todorov},
	isbn = {0-8166-1396-6},
	author = {Rosmarin, Adena}
}
@article {982,
	title = {The Origin of Genres},
	journal = {New Literary History},
	volume = {8},
	year = {1976},
	note = {+ pdf},
	month = {1976},
	pages = {159{\textendash}170},
	keywords = {author, expectation, genre, institution, origin, pragmatic, reader, register, semantic, semiotic, speech act, style, syntactic},
	author = {Todorov, Tzvetan}
}
