@article {RN115, title = {The Impact of Student Learning Outcomes Assessment on Technical and Professional Communication Programs}, journal = {Technical Communication Quarterly}, volume = {13}, number = {1}, year = {2004}, pages = {93-108}, doi = {10.1207/S15427625TCQ1301_9}, url = {http://www.tandfonline.com/doi/abs/10.1207/S15427625TCQ1301_9}, author = {Allen, Jo} } @book {607, title = {Internet Society: The Internet in Everyday Life}, year = {2005}, note = {+}, month = {2005}, publisher = {Sage}, organization = {Sage}, address = {London}, keywords = {agency, audience ethnography, Bakhtin, Feenberg, little behavior genre, Schutz, social construction of technology, use genre, user, Volosinov}, author = {Bakardjieva, Maria} } @article {612, title = {Introduction to the Special Issue on Genre}, journal = {Linguistics and the Human Sciences}, volume = {2}, year = {2007}, note = {+ pdf}, month = {2007}, pages = {177{\textendash}183}, keywords = {genre, linguistics, macrogenre, systemic-functional, texts}, author = {Bateman, John} } @article {RN52, title = {The Interplay Between Narrative, Education, and Exposition in an Emerging Science}, journal = {Journal of Technical Writing and Communication}, volume = {26}, number = {2}, year = {1996}, pages = {177-191}, doi = {10.2190/TANA-D8TK-5RN6-LY9G}, author = {Battali, John T.} } @article {RN139, title = {Introduction: Changing regularities of genre [commentary]}, journal = {IEEE Transactions on Professional Communication}, volume = {42}, number = {1}, year = {1999}, pages = {1/2/2015}, doi = {10.1109/TPC.1999.749361}, url = {http://ieeexplore.ieee.org/ielx4/47/16189/00749361.pdf?tp=\&arnumber=749361\&isnumber=16189}, author = {Bazerman, Charles} } @book {632, title = {The Ideology of Genre: A Comparative Study of Generic Instability}, year = {1994}, note = {+}, month = {1994}, publisher = {Pennsylvania State University Press}, organization = {Pennsylvania State University Press}, address = {University Park, PA}, keywords = {Althusser, ars dictaminis, Bakhtin, Derrida, evolution, genre, Jameson, literature, romance, speech act, Todorov, use-value, Western}, isbn = {0-271-02570-0}, author = {Beebee, Thomas O.} } @article {1766, title = {Illicit Genres: The Case of Threatening Communications}, journal = {Sakprosa}, volume = {12}, year = {2020}, pages = {1 - 53}, address = {Copenhagen, Denmark}, abstract = {

This study takes a novel approach to the study of threatening communications by arguing that they can be characterized as a genre {\textendash} a genre that generally carries strong connotations of intimidation, fear, aggression, power, and coercion. We combine the theoretical framework of Rhetorical Genre Studies (RGS) with results from theoretical and empirical analyses of threats to arrive at a more comprehensive perspective of threats. Since threats do not form part of any regular curriculum of genres, we designed a survey to test how recognizable they are. While scholars on threats describe threatening communications as remarkably varied in form and contextual features, the majority of our respondents categorized test items as threats without prompts of any kind, indicating that threats are a recognizable genre. We propose that threatening communications belong to a wider category of illicit genres: i.e. genres that generally disrupt and upset society and commonly affect their targets negatively. The uptakes of illicit genres are very different from those of other genres, as the users of the genres often actively avoid naming them, making uptake communities significant shapers of illicit genres. The present study contributes to research on threatening communications, since genre theory sheds light on important situational factors affecting the interpretation of a text as a threat {\textendash} this is a particularly contentious question when it comes to threats that are indirectly phrased. The study also contributes to genre theory by pointing to new territory for genre scholars to examine, namely illicit genres. Studies of illicit genres also have wider, societal benefits as they shed light on different kinds of problematic rhetorical behavior that are generally considered destructive or even dangerous.

}, keywords = {threatening communications; illicit genres; genre studies; uptake; violent communication}, doi = {10.5617/sakprosa.7416}, url = {https://journals.uio.no/sakprosa/article/view/7416}, author = {Bojsen-M{\o}ller, Marie and Auken, Sune and Devitt, Amy J. and Christensen, Tanya Karoli} } @article {672, title = {In Praise of Carbon, In Praise of Science: The Epideictic Rhetoric of the 1996 Nobel Lectures in Chemistry}, journal = {Journal of Business and Technical Communication}, volume = {21}, year = {2007}, month = {2007}, pages = {303{\textendash}323}, abstract = {This article explores the nature of epideictic rhetoric in science through aclose textual analysis of three Nobel lectures. It examines the effects of the genre shift from original research reports to ceremonial speeches, revealing significant differences from Fahnestock{\textquoteright}s analysis of the genre shift from forensic research reports to epideictic articles in the popular press, especially a move toward greater candidness about the research process. Epideictic scientific rhetoric, therefore, can be said to celebrate the scientific method in general as much as it does the particular line of research at hand. }, keywords = {buckyball. Nobel, epideictic, genre, rhetoric of science, stasis}, author = {Casper, Christian F.} } @article {RN189, title = {In Praise of Carbon, In Praise of Science: The Epideictic Rhetoric of the 1996 Nobel Lectures in Chemistry}, journal = {Journal of Business and Technical Communication}, volume = {21}, number = {3}, year = {2007}, pages = {303-323}, author = {Casper, Christian F.} } @booklet {674, title = {An Introduction to Genre Theory}, volume = {2007}, year = {1997}, month = {1997}, publisher = {University of Wales, Aberystwyth}, keywords = {film, genre, television}, url = {http://www.aber.ac.uk/media/Documents/intgenre/intgenre.html}, author = {Chandler, Daniel} } @article {686, title = {Introduction}, journal = {New Literary History}, volume = {34}, year = {2003}, note = {introduction to special issue on Theorizing Genres I}, month = {2003}, pages = {v{\textendash}xv}, keywords = {anthology, Bakhtin, case history, film, folktale, genre, history, Wells}, author = {Cohen, Ralph} } @article {687, title = {Introduction: Notes toward a Generic Reconstitution of Literary Study}, journal = {New Literary History}, volume = {34}, year = {2003}, month = {2003}, keywords = {aphorism, Bakhtin, change, embedded genre, folktale, genre, Jameson, literature, maritime fiction, McGann, mixture, novel, ode, oratorical genre, origin, painting, pastiche, policing}, author = {Cohen, Ralph} } @article {696, title = {Icons and Genre: The Affordances of LiveJournal.com}, journal = {Reconstruction}, volume = {9}, year = {2009}, month = {2009}, pages = {http://reconstruction.eserver.org/093/cover_lockridge.shtml}, keywords = {affordance, blog, genre, internet, medium}, url = {http://reconstruction.eserver.org/093/cover_lockridge.shtml}, author = {Cover, Jennifer Grouling and Lockridge, Tim} } @article {1750, title = {Interactional Metadiscourse in Turkish Postgraduates Academic Texts: A Comparative Study of How They Introduce and Conclude}, journal = {i-manager{\textquoteright}s Journal on English Language Teaching}, volume = {2}, year = {2012}, pages = {35 - 42}, issn = {22313338}, doi = {10.26634/jelt.2.3.1964}, url = {http://www.imanagerpublications.com/article/1964http://www.imanagerpublications.com/article/1964}, author = {Akbas, Erdem} } @booklet {706, title = {Interactive Influence of Genre Familiarity, Star Power, and Critics{\textquoteright} Reviews in the Cultural Goods Industry: The Case of Motion Pictures}, howpublished = {Psychology and Marketing}, volume = {22}, year = {2005}, note = {+ pdf}, month = {2005}, pages = {203{\textendash}223}, abstract = {Academic research pertaining to the marketing of cultural productssuch as Broadway shows, books, music, and movies has identified a product{\textquoteright}s genre (or type), star pow^er, and critics{\textquoteright} reviews as important factors influencing the market performance of an individual product. Prior research, however, has not investigated the joint influences of these factors. The current study extends previous research by empirically investigating the managerially relevant interactive influences of these factors within the context of the motion-picture industry. For example, should producers of more familiar genre movies, such as dramas and comedies, feature popular, but expensive, stars? Real-world data from two distinct time periods are used to test the hypotheses. The findings are consistent across the two time periods and reveal that for more familiar genre movies, star power and the valence of critics{\textquoteright} reviews have less impact on the movie{\textquoteright}s performance in the market. In contrast, for the less familiar genre movies, stronger (vs. weaker) star power and more (vs. less) positive reviews have positive influence on the market performance. Further, for movies with less star power, the valence of critics{\textquoteright} reviews has no impact on the performance. In contrast, for movies {\textquoteright}with greater star power, more (less) positive reviews have positive (negative) influence on movie performance. Managerial and theoretical implications, along with limitations of the findings and directions for future research, are offered. }, keywords = {commodity, cultural product, film, genre, genre movie, product type}, author = {Desai, Kalpesh Kaushik and Basuroy, Suman} } @inbook {707, title = {Intertextuality in Tax Accounting: Generic, Referential, and Functional}, booktitle = {Textual Dynamics of the Professions: Historical and Contemporary Studies of Writing in Professional Communities}, year = {1991}, note = {+ book}, month = {1991}, pages = {336{\textendash}335}, publisher = {University of Wisconsin Press}, organization = {University of Wisconsin Press}, address = {Madison, WI}, keywords = {community, genre set, IRS, profession, tax accounting}, url = {http://wac.colostate.edu/books/textual_dynamics/}, author = {Devitt, Amy J}, editor = {Bazerman, Charles and Paradis, James} } @inbook {RN252, title = {Intertextuality in Tax Accounting: Generic, Referential, and Functional}, booktitle = {Textual Dynamics of the Professions: Historical and Contemporary Studies of Writing in Professional Communities}, year = {1991}, pages = {336{\textendash}355}, publisher = {University of Wisconsin Press}, organization = {University of Wisconsin Press}, address = {Madison, WI}, url = {http://wac.colostate.edu/books/textual_dynamics/}, author = {Devitt, Amy J.}, editor = {Bazerman, Charles and Paradis, James} } @article {1129, title = {Integrating Rhetorical and Literary Theories of Genre}, journal = {College English}, volume = {62}, year = {2000}, month = {07/2000}, chapter = {696}, keywords = {literary studies, rhetorical genre studies}, author = {Amy Devitt} } @article {713, title = {Introduction: Genres as Fields of Knowledge}, journal = {Publications of the Modern Language Association}, volume = {122}, year = {2007}, note = {+ j+ pdf }, month = {2007}, pages = {1377{\textendash}1388}, keywords = {Derrida, digital, drama, epic, fluidity, genre, kinship, lyric, media, taxonomy, virtual}, author = {Dimock, Wai Chee} } @article {RN23, title = {Illustration and Language in Technical Communication}, journal = {Journal of Technical Writing and Communication}, volume = {35}, number = {3}, year = {2005}, pages = {239-271}, doi = {10.2190/HY3L-WN98-QC5R-P3B3}, author = {Donnell, Jeffrey} } @article {733, title = {Introduction to the Special Issue on Genres and Social Ways of Being}, journal = {Linguistics and the Human Sciences}, volume = {3}, year = {2008}, note = {+ pdf}, month = {2008}, pages = {1-2}, keywords = {genre, SIGET IV}, author = {Figueiredo, D{\'e}bora and Bazerman, Charles and Bonini, Adair} } @article {764, title = {IText: Future Directions for Research on the Relationship between Information Technology and Writing}, journal = {Journal of Business and Technical Communication}, volume = {15}, year = {2001}, note = {+ jTimes Cited: 0 447RV J BUS TECH COMMUN }, month = {2001}, pages = {269{\textendash}308}, abstract = {Most people who use information technology (IT) every day use IT in text-centered interactions. In e-mail, we compose and read texts. On the Web, we read (and often compose) texts. And when we create and refer to the appointments and notes in our personal digital assistants, we use texts. Texts are deeply embedded in cultural, cognitive, and material arrangements that go back thousands of years. Information technologies with texts at their core are, by contrast, a relatively recent development. To participate with other information researchers in shaping the evolution of these ITexts, researchers and scholars must build on a knowledge base and articulate issues, a task undertaken in this article. The authors begin by reviewing the existing foundations for a research program in IText and then scope out issues for research over the next five to seven years. They direct particular attention to the evolving character of ITexts and to their impact on society. By undertaking this research, the authors urge the continuing evolution of technologies of text.}, keywords = {ethos, world-wide-web; genre; communication; literacy; systems}, url = {://000169587000002}, author = {Geisler, C. and Bazerman, C. and Doheny-Farina, S. and Gurak, L. and Haas, C. and Johnson-Eilola, J. and Kaufer, D. S. and Lunsford, A. and Miller, CR and Winsor, D. and Yates, J} } @article {RN212, title = {IText: Future Directions for Research on the Relationship between Information Technology and Writing}, journal = {Journal of Business and Technical Communication}, volume = {15}, number = {3}, year = {2001}, pages = {269-308}, author = {Geisler, Cheryl and Bazerman, Charles and Doheny-Farina, Stephen and Gurak, Laura and Haas, Christina and Johnson-Eilola, Johndan and Kaufer, David S. and Lunsford, Andrea and Miller, Carolyn R. and Winsor, Dorothy and Yates, JoAnne} } @article {769, title = {Identifying Graphic Conventions for Genre Definition in Web Sites}, journal = {Digital Creativity}, volume = {13}, year = {2002}, note = {+ pdf rhet}, month = {2002}, pages = {165{\textendash}181}, keywords = {convention, emerge, genre, graphic, information structure, navigation}, author = {Gonz{\'a}lez de Cos{\'\i}o, Maria and Dyson, Mary C.} } @article {773, title = {Introduction to Special Issue on The Forms of Power and the Power of Forms in the Renaissance}, journal = {Genre}, volume = {15}, year = {1982}, note = {+}, month = {1982}, pages = {3{\textendash}6}, keywords = {culture, form, genre*}, author = {Greenblatt, Stephen} } @inbook {792, title = {The Idea of Genre in Theory and Practice: An Overview of the Work in Genre in the Fields of Composition and Rhetoric and New Genre Studies}, booktitle = {Genre across the Curriculum}, year = {2005}, note = {+ b}, month = {2005}, pages = {1{\textendash}18}, publisher = {Utah State University Press}, organization = {Utah State University Press}, address = {Logan, UT}, keywords = {classroom, genre, Sydney school, teaching, WAC}, author = {Herrington, Anne and Moran, Charles}, editor = {Herrington, Anne and Moran, Charles} } @article {1300, title = {Indie: The institutional politics and aesthetics of a popular music genre}, journal = {Cultural Studies}, volume = {13}, year = {1999}, pages = {34-61}, chapter = {34}, abstract = {

This article is concerned with the complex relations between institutional politics and aesthetics in oppositional forms of popular culture. Indie is a contemporary genre which has its roots in punk\&$\#$39;s institutional and aesthetic challenge to the popular music industry but which, in the 1990s, has become part of the \‘mainstream\’ of British pop. Case studies of two important \‘independents\’, Creation and One Little Indian, are presented, and the aesthetic and institutional politics of these record companies are analysed in order to explore two related questions. First, what forces lead \‘alternative\’ independent record companies towards practices of professionalization and of partnership/collaboration with major corporations? Second, what are the institutional and political-aesthetic consequences of such professionalization and partnership? In response to the first question, the article argues that pressures towards professionalization and partnership should be understood not only as an abandonment of previously held idealistic positions (a \‘sell-out\’) and that deals with major record companies are not necessarily, in themselves, a source of aesthetic compromise. On the second question, it argues that collaboration with major record companies entails a relinquishing of autonomy for alternative independent record companies; but perspectives which ascribe negative aesthetic consequences directly to such problematic institutional arrangements may well be flawed.

}, keywords = {Aesthetics, Independent Record Companies, institutions, Music Industry}, issn = {0950-2386}, doi = {10.1080/095023899335365}, author = {David Hesmondhalgh} } @article {RN7, title = {The Impact of NSF and NIH Websites on Researcher Ethics}, journal = {Journal of Technical Writing and Communication}, volume = {40}, number = {4}, year = {2010}, pages = {403-427}, doi = {10.2190/TW.40.4.c}, author = {Hoover, R} } @inbook {796, title = {Innovation and Hybrid Genres: Disturbing Social Rhythm in Legal Practice}, booktitle = {Proceedings of the Twelfth European Conference on Information Systems}, year = {2004}, note = {+ pdf}, month = {2004}, pages = {742{\textendash}752}, publisher = {Turku School of Economics and Business Administration}, organization = {Turku School of Economics and Business Administration}, address = {Turku, Finland}, abstract = {

This paper explores the non-adoption of an innovation via the concept of hybrid genres, that is digitalgenres that emerge from a non-digital material precedent. As instances of innovation these are often resisted because they disturb the order of activity and balance of power relations in a given situation, or require users to make conceptual and physical adaptation efforts that they consider too costly. The authors investigate such issues with a case study of the introduction of a hybrid digital genre, ODR or online dispute resolution, in legal practice.

}, keywords = {genre, hybrid, innovation, legal practice, power}, isbn = {951-564-192-6}, url = {http://is2.lse.ac.uk/asp/aspecis/default5.asp}, author = {Horton, K. and Davenport, E.}, editor = {Leino, T. and Saarinen, T. and Klein, S.} } @article {798, title = {{\textquoteright}I Would Like to Thank My Supervisor{\textquoteright}. Acknowledgements in Graduate Dissertations}, journal = {International Journal of Applied Linguistics}, volume = {14}, year = {2004}, note = {+ pdf rhet}, month = {2004}, pages = {259{\textendash}275}, keywords = {acknowledgement, collaboration, EAP, ESP, genre, moves}, author = {Hyland, Ken and Tse, Polly} } @inbook {1185, title = {Introduction: On the pleasures of not belonging}, booktitle = {Interfictions 2: An Anthology of Interstitial Writing}, year = {2009}, publisher = {Small Beer Press}, organization = {Small Beer Press}, chapter = {Introduction}, address = {Easthampton, MA}, author = {Henry Jenkins and Delia Sherman and Christopher Barzak} } @article {820, title = {Interpretation and Genre Perception}, journal = {Semiotica}, volume = {56}, year = {1985}, note = {+ genre-literature}, month = {1985}, pages = {133{\textendash}146}, keywords = {genre}, author = {Kent, Thomas L.} } @article {833, title = {Identifying Document Genre to Improve Web Search Effectiveness}, journal = {Bulletin of the American Society for Information Science and Technology}, volume = {27}, year = {2001}, note = {+ pdf rhet}, month = {2001}, pages = {http://www.asis.org/Bulletin/Dec-01/kwasnikartic.html}, keywords = {automated, digital, form, genre, search, web}, url = {http://www.asis.org/Bulletin/Dec-01/kwasnikartic.html}, author = {Kwasnik, Barbara H. and Crowston, Kevin and Nilan, Michael and Roussinov, Dmitri} } @article {832, title = {Introduction to the Special Issue: Genres of Digital Documents}, journal = {Information, Technology \& People}, volume = {18}, year = {2005}, note = {+ pdf}, month = {2005}, pages = {76{\textendash}88}, keywords = {digital, genre}, author = {Kwasnik, Barbara H. and Crowston, Kevin} } @article {848, title = {Introducing Students to Disciplinary Genres: The Role of the General Composition Course}, journal = {Language and Learning Across the Disciplines}, volume = {1}, year = {1994}, note = {+ genre}, month = {1994}, pages = {63{\textendash}78}, keywords = {classroom, composition, genre}, author = {Linton, Patricia and Madigan, Robert and Johnson, Susan} } @article {RN88, title = {Implications of Professional Writing Experiences of Academic Veterinary Scientists for Technical Writing Pedagogy}, journal = {Technical Communication Quarterly}, volume = {5}, number = {2}, year = {1996}, pages = {169-181}, doi = {10.1207/s15427625tcq0502_3}, url = {http://www.tandfonline.com/doi/abs/10.1207/s15427625tcq0502_3}, author = {Lott, Heidi M. and Barrett-O{\textquoteright}Leary, Marilyn} } @article {RN3, title = {An Interactive Genre Within the University Textbook: The Preface}, journal = {Journal of Technical Writing and Communication}, volume = {29}, number = {4}, year = {1999}, pages = {409-429}, doi = {10.2190/105D-FD18-G6KK-UYT2}, author = {Luz{\'o}n, Mar{\'\i}a Jos{\'e}} } @article {RN151, title = {Integrating Online Informative Videos into Technical Communication Service Courses}, journal = {IEEE Transactions on Professional Communication}, volume = {57}, number = {4}, year = {2014}, pages = {340-363}, doi = {10.1109/TPC.2014.2373931}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=6979777}, author = {Mogull, S.A} } @article {RN53, title = {The Influence of the Purpose of a Business Document on Its Syntax and Rhetorical Schemes}, journal = {Journal of Technical Writing and Communication}, volume = {29}, number = {4}, year = {1999}, pages = {401-408}, doi = {10.2190/RQDT-BCEM-52R8-NQ6P}, author = {Myers, Marshall} } @article {RN228, title = {In Citing Chaos: A Study of the Rhetorical Use of Citations}, journal = {Journal of Business and Technical Communication}, volume = {14}, number = {2}, year = {2000}, pages = {185-222}, author = {Paul, Danette} } @article {928, title = {Introduction: On the Why, What and How of Generic Taxonomy}, journal = {Poetics}, volume = {10}, year = {1981}, note = {cited in Devitt in Bazerman and Paradis, p 357also cited in Devitt 2004 }, month = {1981}, pages = {109{\textendash}26}, keywords = {genre}, author = {Ryan, Marie-Laure} } @inbook {945, title = {Intentionality in the Rhetorical Process}, booktitle = {Rhetoric in Transition: Sutdies in the Nature and Uses of Rhetoric}, year = {1980}, note = {+}, month = {1980}, pages = {39{\textendash}60}, publisher = {Pennsylvania State University Press}, organization = {Pennsylvania State University Press}, address = {University Park, PA}, keywords = {genre, situation}, author = {Scott, Robert L.}, editor = {White, Eugene E.} } @article {RN118, title = {Incompatible Rhetorical Expectations: Julia W. Carpenter{\textquoteright}s Medical Society Papers, {\~n}}, journal = {Technical Communication Quarterly}, volume = {21}, number = {4}, year = {2012}, pages = {307-324}, doi = {10.1080/10572252.2012.686847}, url = {http://www.tandfonline.com/doi/abs/10.1080/10572252.2012.686847}, author = {Skinner, Carolyn} } @article {957, title = {The Introduction, Methods, Results, and Discussion (IMRAD) Structure: A Fifty-Year Survey}, journal = {Journal of the Medical Library Association}, volume = {92}, year = {2004}, note = {+ pdf}, month = {2004}, pages = {364{\textendash}371}, abstract = {Background: The scientific article in the health sciences evolved from the letter form and purely descriptive style in the seventeenth century to a very standardized structure in the twentieth century known as introduction, methods, results, and discussion (IMRAD). The pace in which this structure began to be used and when it became the most used standard of today{\textquoteright}s scientific discourse in the health sciences is not well established.Purpose: The purpose of this study is to point out the period in time during which the IMRAD structure was definitively and widely adopted in medical scientific writing. Methods: In a cross-sectional study, the frequency of articles written under the IMRAD structure was measured from 1935 to 1985 in a randomly selected sample of articles published in four leading journals in internal medicine: the British Medical Journal, JAMA, The Lancet, and the New England Journal of Medicine. Results: The IMRAD structure, in those journals, began to be used in the 1940s. In the 1970s, it reached 80\% and, in the 1980s, was the only pattern adopted in original papers. Conclusions: Although recommended since the beginning of the twentieth century, the IMRAD structure was adopted as a majority only in the 1970s. The influence of other disciplines and the recommendations of editors are among the facts that contributed to authors adhering to it. }, keywords = {evolution, genre, IMRAD, science}, url = {http://www.ncbi.nlm.nih.gov/pmc/articles/PMC442179/}, author = {Sollaci, Luciana B. and Pereira, Mauricio G.} } @article {RN13, title = {Information Technologies as Discursive Agents: Methodological Implications for the Empirical Study of Knowledge Work}, journal = {Journal of Technical Writing and Communication}, volume = {38}, number = {4}, year = {2008}, pages = {301-329}, doi = {10.2190/TW.38.4.b}, author = {Swarts, Jason} } @article {RN155, title = {Improving User Experience for Passenger Information Systems. Prototypes and Reference Objects}, journal = {IEEE Transactions on Professional Communication}, volume = {56}, number = {2}, year = {2013}, pages = {120-137}, doi = {10.1109/TPC.2013.2257211}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=6524067}, author = {Wirtz, S. and Jakobs, E.-M} } @article {1170, title = {Ideology, Genre, Auteur}, journal = {Film Comment}, volume = {13}, year = {1977}, month = {Jan/1977}, pages = {46-51}, chapter = {46}, abstract = {

Montage theory enthrones editing as the essential creative act at the expense of other aspects of film; Bazin\&$\#$39;s Realist theory, seeking to right the balance, merely substitutes its own imbalance, downgrading montage and artifice; the revolutionary theory centered in Britain on Screen (but today very widespread) rejects-or at any rate seeks to \"deconstruct\"-Realist art in favor of the so-called \"open text.\"\ Auteur\ theory, in its heyday, concentrated attention exclusively on the fingerprints, thematic or stylistic, of the individual artist; recent attempts to discuss the complete \"filmic text\" have tended to throw out ideas of personal authorship altogether.

}, author = {Wood, Robin} } @article {RN148, title = {Integrating Intercultural Communication into an Engineering Communication Service Class Tutorial}, journal = {IEEE Transactions on Professional Communication}, volume = {54}, number = {1}, year = {2011}, pages = {83-96}, doi = {10.1109/TPC.2010.2099830}, url = {http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=5669354}, author = {Yu, Han} } @article {RN222, title = {Integrating Technical Communication Into China{\textquoteright}s English Major Curriculum}, journal = {Journal of Business and Technical Communication}, volume = {25}, number = {1}, year = {2011}, pages = {68-94}, author = {Yu, Han} } @article {1021, title = {Interactive Fiction: A New Literary Genre?}, journal = {New Literary History}, volume = {20}, year = {1989}, note = {+ pdf}, month = {1989}, pages = {341{\textendash}372}, keywords = {author, fiction, form, genre, interaction, literature, medium, reader, sofware, technology}, author = {Ziegfield, Richard} }