@book {1240, title = {Los g{\'e}neros cinematogr{\'a}ficos}, year = {2000}, pages = {336}, publisher = {Paid{\'o}s Iberica}, organization = {Paid{\'o}s Iberica}, address = {Barcelona, Espa{\~n}a}, isbn = {9788449309793}, author = {Altman, Rick} } @article {1233, title = {G{\'e}nero discursivo, discursividad y argumentaci{\'o}n}, journal = {Enunciaci{\'o}n}, volume = {8}, year = {2003}, pages = {44-56}, author = {Calder{\'o}n, D. I} } @article {1245, title = {Engendering genre: what creates a new genre, particularly in so relatively young an artistic form as film? The same thing that creates a new genre in other art forms--a combination of social perception and aesthetic revision, or social change and}, journal = {CineAction}, year = {2012}, chapter = {25}, keywords = {analysis, Cinematography, Film genres, history, Social change}, url = {http://go.galegroup.com/ps/i.do?id=GALE\%7CA284222739\&v=2.1\&u=unc_main\&it=r\&p=AONE\&sw=w\&asid=9f8dd83e9f1aab6f0e79639a0995e01b}, author = {Cardullo, R.J} } @article {1232, title = {La poes{\'\i}a como g{\'e}nero h{\'\i}brido: Experimentaci{\'o}n literaria y heteroglosia en el Per{\'u}}, journal = {Revista de Cr{\'\i}tica Literaria Latinoamericana }, volume = {25}, year = {1999}, pages = {235-245}, author = {Cerna-Baz{\'a}n, Jos{\'e}} } @inbook {1235, title = {G{\'e}nero y canon literario}, booktitle = {Teor{\'\i}a de los g{\'e}neros literarios}, year = {1988}, pages = {95-128}, publisher = {Arco Libros}, organization = {Arco Libros}, chapter = {II}, address = {Madrid, Espa{\~n}a}, issn = {84-7635-033-3}, author = {Fowler, Alastair} } @book {1241, title = {Teor{\'\i}a de los g{\'e}neros literarios}, year = {1988}, pages = {388}, publisher = {Arco Libros}, organization = {Arco Libros}, address = {Madrid, Espa{\~n}a}, isbn = {9788476350331}, author = {Garrido-Gallardo, M.A.} } @conference {1230, title = {La aplicaci{\'o}n del an{\'a}lisis de g{\'e}nero a la ense{\~n}anza del espa{\~n}ol para fines espec{\'\i}ficos: el caso de la correspondencia comercial }, booktitle = {XLIII Congreso Acortando distancias: la diseminaci{\'o}n del espa{\~n}ol en el mundo }, year = {2008}, publisher = {Asociaci{\'o}n Europea de Profesores de Espa{\~n}ol}, organization = {Asociaci{\'o}n Europea de Profesores de Espa{\~n}ol}, address = {Madrid, Espa{\~n}a}, url = {http://cvc.cervantes.es/ensenanza/biblioteca_ele/aepe/pdf/congreso_43/congreso_43_49.pdf}, author = {Hsu, Tsai-Wen} } @article {1229, title = {La cuesti{\'o}n del g{\'e}nero literario: El {\textquotedblleft}Ortega vanguardista{\textquotedblright} y los formalistas rusos}, journal = {Anales de la literatura espa{\~n}ola contempor{\'a}nea}, volume = {23}, year = {1998}, pages = {197-216}, author = {Larubia-Prado, Francisco} } @article {1243, title = {Adaptation, the genre}, journal = {Adaptation}, volume = {1}, year = {2008}, pages = {106-120}, abstract = {

Instead of considering film and television adaptations in the context of the source texts they are adapting, this essay proposes another context for their reception and analysis: the genre of adaptation itself. Focusing on the Hollywood traditions of masculine adventure and feminine romance associated respectively with adaptations of Alexandre Dumas p\ère and fils, it identifies four genre markers common to both traditions that make it more likely a given adaptation will be perceived as an adaptation even by an audience that does not know its source, and one anti-marker associated with adaptations in the tradition of the younger Dumas but not the elder. The essay concludes by proposing adaptation as a model for all Hollywood genres.

}, keywords = {adaptation, adventure, Dumas, film, genre, romance}, author = {Leitch, Thomas} } @article {1242, title = {Problemas genol{\'o}gicos del discurso ensay{\'\i}stico: Origen y configuraci{\'o}n de un g{\'e}nero}, journal = {Acta Literaria}, volume = {28}, year = {2003}, pages = {79-105}, author = {Ma{\'\i}z, Claudio} } @article {1228, title = {Family: A Study in Genre Adaptation}, journal = {The Australian Journal of Chinese Affairs}, year = {1984}, month = {07/1984}, pages = {35-57}, doi = {10.2307/2158987}, author = {Robinson, Lewis} } @article {1244, title = {Team Films in Adaptation: Remembered Stories and Forgotten Books}, journal = {Adaptation}, volume = {1}, year = {2008}, pages = {44-57}, abstract = {

This article identifies common features of a neglected formula, the team film, in which the films invariably overtake the sourcetexts as the dominant form. Surveying adaptations, such as\ The Great Escape,\ The Italian Job, The Professionals\ and\ The First Great Train Robbery, the article demonstrates how in the team film, particular textual elements are consistently used, re-used and modified in a fashion akin to\ genre

}, keywords = {formula, genre, team}, author = {Strong, Jeremy} } @inbook {1234, title = {El origen de los g{\'e}neros}, booktitle = {Teor{\'\i}a de los g{\'e}neros literarios}, year = {1988}, pages = {31-48}, publisher = {Arco Libros}, organization = {Arco Libros}, chapter = {II}, address = {Madrid, Espa{\~n}a}, issn = {84-7635-033-3}, author = {Todorov, T} } @article {1231, title = {El paneg{\'\i}rico y el problema de los g{\'e}neros en la ret{\'o}rica sacra del mundo hisp{\'a}nico. Acercamiento metodol{\'o}gico}, year = {2012}, pages = {219-247}, abstract = {

Este trabajo analiza tres de los principales criterios mediante los cuales se ha buscado clasificar la predicaci\ón hisp\ánica en g\éneros, entre los que se ha incluido el paneg\írico. Se revisa la tradici\ón ret\órica cl\ásica y se establecen diferencias con la oratoria sagrada, con el fin de determinar en qu\é medida es posible clasificar g\éneros del serm\ón. Adem\ás, se busca determinar cu\ál ser\ía el lugar del paneg\írico dentro de la ret\órica sacra. Palabras clave: ret\órica sagrada, paneg\írico, discurso, Nueva Espa\ña, siglos XVII-XVIII.

This work is based on a review of three of the main criteria used to classify Hispanic preaching in genres (types of sermons). These criteria have also been used to classify panegyric as a genre of sacred oratory. Establishing differences between classical rhetoric and sacred oratory, this paper will try to define the place of the panegyric in preaching, thus determining in which ways it is possible to speak about genres of the sermon. Key words: sacred oratory, panegyric, discourse, New Spain, 16th and 17th centuries.

}, keywords = {16th and 17th centuries, discourse, discurso, New Spain, Nueva Espa{\~n}a, paneg{\'\i}rico, panegyric, ret{\'o}rica sagrada, siglos XVII-XVIII, words: sacred oratory}, author = {Urrejola, Bernarda} }