00945nas a2200193 4500008004100000245003300041210002700074260000900101300001400110490000700124520045700131653002300588653001400611653001500625653001400640653001100654100001900665856006700684 2005 eng d00aThe Verse-novel: A New Genre0 aVersenovel A New Genre c2005 a269–2830 v363 aThis article examines the verse-novel, a genre that has gained someprominence in childrens fiction in the last ten years. Reasons why this may be so are suggested and the chief evolving characteristics of the genre in both content and style are discussed. Notable examples of the verse-novel from Australia, the USA and the UK are analysed. Criteria are proposed by which the form can be evaluated. It appears to be a genre whose time has come. 10achildren's fiction10aevolution10aliterature10anew genre10aorigin1 aAlexander, Joy uhttps://genreacrossborders.org/pt/biblio/verse-novel-new-genre00632nas a2200205 4500008004100000245006200041210006200103260003600165300001200201653001200213653001000225653000800235653001100243653000900254653001100263100002200274700001800296700001600314856009600330 2000 eng d00aLetters and the Social Grounding of Differentiated Genres0 aLetters and the Social Grounding of Differentiated Genres aAmsterdambJohn Benjaminsc2000 a15–2910abanking10agenre10alaw10aletter10anews10anovels1 aBazerman, Charles1 aBarton, David1 aHall, Nigel uhttps://genreacrossborders.org/pt/biblio/letters-and-social-grounding-differentiated-genres00736nas a2200205 4500008004100000245010100041210006900142260003600211300001200247653001900259653001000278653001100288653001200299653001200311653001200323653001600335100002200351700001900373856013800392 2000 eng d00aSingular Utterances: Realizing Local Activities through Typified Forms in Typified Circumstances0 aSingular Utterances Realizing Local Activities through Typified aAmsterdambJohn Benjaminsc2000 a25–4010aaccountability10agenre10aLatour10anovelty10aobjects10ascience10atranslation1 aBazerman, Charles1 aTrosborg, Anna uhttps://genreacrossborders.org/pt/biblio/singular-utterances-realizing-local-activities-through-typified-forms-typified-circumstances00573nas a2200181 4500008004100000245005200041210005200093260002800145300001400173653001000187653001100197653001400208653001600222100002300238700002100261700001900282856009000301 1994 eng d00aReconstructive Genres of Everyday Communication0 aReconstructive Genres of Everyday Communication aBerlinbDeGruyterc1994 a289–30410agenre10agossip10anarrative10asocial life1 aBergmann, Jörg, R1 aLuckmann, Thomas1 aQuasthoff, Uta uhttps://genreacrossborders.org/pt/biblio/reconstructive-genres-everyday-communication00560nam a2200145 4500008004100000245007500041210006900116260004200185653001000227653000900237653001200246100002400258700002200282856011000304 1995 eng d00aGenre Knowledge in Disciplinary Communication: Cognition/Culture/Power0 aGenre Knowledge in Disciplinary Communication CognitionCulturePo aHillsdale, NJbLawrence Erlbaumc199510agenre10anews10anovelty1 aBerkenkotter, Carol1 aHuckin, Thomas, N uhttps://genreacrossborders.org/pt/biblio/genre-knowledge-disciplinary-communication-cognitionculturepower00567nas a2200181 4500008004100000245004600041210004600087260005300133300001200186653001400198653001000212653000900222653001200231653001200243100002400255700002200279856008400301 1995 eng d00aNews Value in Scientific Journal Articles0 aNews Value in Scientific Journal Articles aHillsdale, NJbLawrence Erlbaum Associatesc1995 a27–4410aevolution10agenre10anews10areading10ascience1 aBerkenkotter, Carol1 aHuckin, Thomas, N uhttps://genreacrossborders.org/pt/biblio/news-value-scientific-journal-articles00682nam a2200241 4500008004100000245004400041210004300085260005300128653001100181653001500192653001400207653001200221653001600233653001000249653001300259653001100272653001000283653001300293653002400306653001400330100001700344856007900361 1978 eng d00aRhetorical Criticism: A Study in Method0 aRhetorical Criticism A Study in Method aMadison, WIbUniversity of Wisconsin Pressc197810abelief10aconviction10acriticism10aemotion10aexhortation10agenre10ajudgment10akrisis10alogic10amovement10aneo-Aristotelianism10asituation1 aBlack, Edwin uhttps://genreacrossborders.org/pt/biblio/rhetorical-criticism-study-method00803nas a2200289 4500008004100000245004500041210004500086260003500131300001200166653001600178653001600194653001400210653001500224653001200239653001400251653001400265653000800279653002200287653001300309653001300322653001100335100002200346700002000368700002100388700002100409856008300430 2004 eng d00aTheory and Practice in New Media Studies0 aTheory and Practice in New Media Studies aCambridge, MAbMIT Pressc2004 a15–3310acomposition10adeterminism10ahypertext10ainnovation10aMcLuhan10anew genre10anew media10aOng10apoststructuralism10apractice10ateaching10atheory1 aBolter, Jay David1 aLiestol, Gunnar1 aMorrison, Andrew1 aRasmussen, Terje uhttps://genreacrossborders.org/pt/biblio/theory-and-practice-new-media-studies00453nas a2200181 4500008004100000245002100041210002100062260000900083300001400092490000700106653001300113653001800126653002100144653001400165653001000179100002000189856006200209 2003 eng d00aTraveling Genres0 aTraveling Genres c2003 a481–4990 v3410aemerging10ainternational10amaritime fiction10anew genre10anovel1 aCohen, Margaret uhttps://genreacrossborders.org/pt/biblio/traveling-genres00890nas a2200325 4500008004100000245007400041210006900115260000900184490000700193653001300200653001200213653001100225653001900236653001300255653001000268653001200278653001500290653002100305653001100326653001200337653001000349653000800359653002100367653001100388653001300399653001300412653001300425100001700438856010900455 2003 eng d00aIntroduction: Notes toward a Generic Reconstitution of Literary Study0 aIntroduction Notes toward a Generic Reconstitution of Literary S c20030 v3410aaphorism10aBakhtin10achange10aembedded genre10afolktale10agenre10aJameson10aliterature10amaritime fiction10aMcGann10amixture10anovel10aode10aoratorical genre10aorigin10apainting10apastiche10apolicing1 aCohen, Ralph uhttps://genreacrossborders.org/pt/biblio/introduction-notes-toward-generic-reconstitution-literary-study00659nas a2200217 4500008004100000245007400041210006900115260000900184300001400193490000700207653001000214653001100224653001000235653001500245653001800260653000800278653001000286100002000296700002000316856010500336 2000 eng d00aReproduced and Emergent Genres of Communication on the World Wide Web0 aReproduced and Emergent Genres of Communication on the World Wid c2000 a201–2150 v1610agenre10amedium10anovel10aOrlikowski10astructuration10aweb10aYates1 aCrowston, Kevin1 aWilliams, Marie uhttps://genreacrossborders.org/pt/biblio/reproduced-and-emergent-genres-communication-world-wide-web00744nas a2200229 4500008004100000245009900041210006900140260000900209300001400218490000600232653001300238653001500251653001600266653001900282653001400301653001400315653001900329653000700348653001000355100001800365856013100383 2004 eng d00aTrading Private and Public Spaces @ HGTV and TLC: On New Genre Formations in Transformation TV0 aTrading Private and Public Spaces HGTV and TLC On New Genre Form c2004 a157–1810 v310aaudience10aconfession10aconsumerism10ainterpellation10anew genre10aspectacle10atransformation10aTV10awomen1 aEverett, Anna uhttps://genreacrossborders.org/pt/biblio/trading-private-and-public-spaces-hgtv-and-tlc-new-genre-formations-transformation-tv00549nas a2200193 4500008004100000020001400041245006500055210006000120260000900180490000600189653001400195653002300209653001600232653001300248653001100261653001600272100001800288856004900306 1997 eng d a1201-245900aThe Poetic Nocturne: From Ancient Motif to Renaissance Genre0 aPoetic Nocturne From Ancient Motif to Renaissance Genre c19970 v310a1500-169910aEnglish literature10agenre study10anocturne10apoetry10aRenaissance1 aFitter, Chris uhttp://purl.oclc.org/emls/03-2/fittnoct.html00613nas a2200217 4500008004100000245005900041210005800100260000900158300001600167490000800183653001200191653001300203653001000216653001300226653001400239653001400253653001200267653001200279100001500291856008900306 2007 eng d00aDatabase as Genre: The Epic Transformation of Archives0 aDatabase as Genre The Epic Transformation of Archives c2007 a1571–15790 v12210aarchive10adatabase10agenre10aManovich10anarrative10anew genre10arhizome10aWhitman1 aFolsom, Ed uhttps://genreacrossborders.org/pt/biblio/database-genre-epic-transformation-archives01300nas a2200229 4500008004100000245006600041210006500107260000900172300001100181490000700192520065800199653001300857653001000870653000800880653001100888653001500899653001600914653001400930653001500944100001900959856009200978 2003 eng d00aTelevision Before Television Genre: The Case of Popular Music0 aTelevision Before Television Genre The Case of Popular Music c2003 a5–160 v313 aThe author argues the valueof a historical approach to televi sion genre research and the need to reconsider lhe terms in which COntemporary genre theory addresses television in its nascent stage. Primary analytical emphasis is placed on emergent rechnical practices and industrial discourses that preceded the estab lishment of consistent or regu huly deployed television genre categories. By specifically analyzing early popular Illusic programmjng. the author seeks to illuminate the processes through which genre conventions were conceived and formalized in what was then, and remains. an essen tial facet of television production. 10aemerging10agenre10anew10aorigin10aproduction10aprogramming10astandards10atelevision1 aForman, Murray uhttps://genreacrossborders.org/pt/biblio/television-television-genre-case-popular-music01130nas a2200253 4500008004100000245005700041210005300098260000900151300001400160490000700174520046500181653001400646653001000660653001500670653001100685653001300696653001300709653001000722653001600732653001300748653001000761100002100771856008400792 2003 eng d00aThe Formation of Genres in the Renaissance and After0 aFormation of Genres in the Renaissance and After c2003 a185–2000 v343 aUpdating the concept of genres as associational complexes, this paper analyzes the key role in formation played by metaphors and other figures. These work to evoke the genre’s associational domain. The figures may be deployed by the writer even before the genre has become an explicit convention recognizable by name. Some such figures (like the reed of pastoral) are well known. But the paper shows that the main genres all have their characteristic tropes.10aemergence10agenre10aliterature10amedium10ametaphor10anew form10aprint10aRenaissance10asubgenre10atrope1 aFowler, Alastair uhttps://genreacrossborders.org/pt/biblio/formation-genres-renaissance-and-after00634nas a2200217 4500008004100000245005400041210005300095260000900148300001000157653001400167653001200181653001000193653001300203653001900216653001100235100002000246700001800266700002000284700001800304856009400322 1994 eng d00aLocating Genre Studies: Antecedents and Prospects0 aLocating Genre Studies Antecedents and Prospects c1994 a1–?10aAustralia10aBakhtin10agenre10aHalliday10aNorth American10aSydney1 aFreedman, Aviva1 aMedway, Peter1 aFreedman, Aviva1 aMedway, Peter uhttps://genreacrossborders.org/pt/biblio/locating-genre-studies-antecedents-and-prospects01684nas a2200229 4500008004100000022001400041245008900055210006900144260001700213300001200230490000800242520102500250653002601275653001001301653001801311653000901329653001601338653001601354653001801370100001801388856004801406 2007 eng d a0030-812900aRiding Off into the Sunrise: Genre Contingency and the Origin of the Chinese Western0 aRiding Off into the Sunrise Genre Contingency and the Origin of cOctober 2007 a1482-980 v1223 a
The paradoxical dependence of genre histories on historically accidental acts of naming and on transcendental critical imagination is demonstrated by the Chinese western, a little-understood genre that has become a major part of Chinese-language cinema over the past two decades. After the genre was proposed in 1984 by the Chinese film theorist Zhong Dianfei, as a realist reaction against the ideological excesses of the Cultural Revolution, its ambiguous status as a Hollywood import quickly became a proxy for larger cultural battles over China's place in an American-dominated international cultural system. Moreover, despite assurances by Zhong and other critics that the genre was not susceptible to Hollywood influence, the production history of the genre from the late 1980s to the present demonstrates a pattern of generic influence and eventual fusion that tracks Chinese state-owned studios' evolution from subsidized propaganda organs to participants in a globalized entertainment industry.
10aamerican western film10achina10adramatic arts10afilm10agenre study10anationalism10awestern china1 aFried, Daniel uhttps://genreacrossborders.org/pt/node/118800589nas a2200181 4500008004100000245007400041210006900115260000900184300001600193490000800209653001000217653001500227653001700242653001300259653001000272100001500282856011000297 2007 eng d00a'Reproducibles, Rubrics, and Everything You Need': Genre Theory Today0 aReproducibles Rubrics and Everything You Need Genre Theory Today c2007 a1626–16340 v12210agenre10aliterature10anew rhetoric10aregister10aworld1 aFrow, John uhttps://genreacrossborders.org/pt/biblio/reproducibles-rubrics-and-everything-you-need-genre-theory-today00659nas a2200205 4500008004100000245007000041210006900111260000900180300001400189490000700203653001500210653001100225653001000236653001200246653002600258653001500284100003100299700001900330856010400349 2002 eng d00aIdentifying Graphic Conventions for Genre Definition in Web Sites0 aIdentifying Graphic Conventions for Genre Definition in Web Site c2002 a165–1810 v1310aconvention10aemerge10agenre10agraphic10ainformation structure10anavigation1 aGonzález de Cosío, Maria1 aDyson, Mary, C uhttps://genreacrossborders.org/pt/biblio/identifying-graphic-conventions-genre-definition-web-sites01561nas a2200241 4500008004100000245007500041210006900116260000900185300001200194490000700206520086300213653001501076653001201091653001001103653001101113653001101124653000901135653001401144653001501158100002101173700002001194856010501214 2008 eng d00aMode, Medium, and Genre: A Case Study of Decisions in New-Media Design0 aMode Medium and Genre A Case Study of Decisions in NewMedia Desi c2008 a65–910 v223 aRecently, scholars of new media have been exploring the relationshipsbetween genre theory and new media. While these scholars have provided a great deal of insight into the nature of e-genres and how they function in professional contexts, few address the relationship between genre and newmedia theories from a designer’s perspective. This article presents the results of an ethnographic-style case study exploring the practice of a professional new-media designer. These results (a) confirm the role of dynamic rhetorical situations and hybridity during the new-media design process; (b) suggest that current genre and new-media theories underestimate the complexity of the relationships between mode, medium, genre, and rhetorical exigencies; and (c) indicate that a previously unrecognized form of hybridity exists in contemporary e-genres. 10acase study10ae-genre10agenre10ahybrid10amedium10amode10anew media10aweb design1 aGraham, Scott, S1 aWhalen, Brandon uhttps://genreacrossborders.org/pt/biblio/mode-medium-and-genre-case-study-decisions-new-media-design00601nas a2200193 4500008004100000245008000041210006900121260000900190300001400199490000700213653001000220653001100230653001200241653001100253653001000264653000800274100001800282856010700300 2004 eng d00aWriting for the Web Versus Writing for Print: Are They Really So Different?0 aWriting for the Web Versus Writing for Print Are They Really So c2004 a276–2850 v5110agenre10amedium10aNeilsen10aonline10aprint10aweb1 aGregory, Judy uhttps://genreacrossborders.org/pt/biblio/writing-web-versus-writing-print-are-they-really-so-different00600nas a2200229 4500008004100000245004500041210004500086260000900131300001400140490000700154653001200161653001300173653001100186653001200197653001100209653001500220653000900235653001400244653001200258100002200270856007800292 1987 eng d00aDiscourse Genres in a Theory of Practice0 aDiscourse Genres in a Theory of Practice c1987 a668–6920 v1410aBakhtin10aBourdieu10achange10ahabitus10ahybrid10ainnovation10aMaya10anew genre10aSpanish1 aHanks, William, F uhttps://genreacrossborders.org/pt/biblio/discourse-genres-theory-practice01600nas a2200229 4500008004100000245008200041210006900123260000900192300001400201490000700215520088100222653001401103653002601117653001301143653001501156653001401171653002101185653001201206653002201218100002001240856011001260 1979 eng d00aRenaissance Poverty and Lazarillo's Family: The Birth of the Picaresque Genre0 aRenaissance Poverty and Lazarillos Family The Birth of the Picar c1979 a876–8860 v943 aIn the history of literature the change from the idealized worlds of the shepherd and the knight to the world of the picaro; from arcadia and chivalry to the desolate urban landscape of misery and hunger; from romance to irony-in fact, the Copernican revolution that produced a new genre-could only have been born of an upheaval that affected men's lives and forced educated writers to see conditions they had so far ignored. This change stemmed from an increased awareness of human misery, which the urban growth of the Renaissance had made highly visible. The genius of the Spanish author of the Lazarillo consists in his having found the literary voice for such a profound transformation of European society. The Lazarillo, of course, did not annihilate the past, but it gave artistic form to the all-pervading crisis that was destroying the basis of the traditional order.10aCervantes10acopernican revolution10aliterary10aliterature10anew genre10apicaresque genre10apoverty10asocial conditions1 aHerrero, Javier uhttps://genreacrossborders.org/pt/biblio/renaissance-poverty-and-lazarillos-family-birth-picaresque-genre00727nas a2200289 4500008004100000245003200041210003200073260000900105300001400114490000700128653001600135653000900151653002100160653001100181653001000192653001800202653001100220653001100231653001600242653001400258653001500272100002200287700002200309700001900331700001900350856006800369 2005 eng d00aWeblogs as a Bridging Genre0 aWeblogs as a Bridging Genre c2005 a142–1710 v1810aantecedents10ablog10acontent analysis10acorpus10agenre10agenre ecology10ahybrid10aimpact10alinguistics10anew genre10atechnology1 aHerring, Susan, C1 aScheidt, Lois Ann1 aBonus, Sabrina1 aWright, Elijah uhttps://genreacrossborders.org/pt/biblio/weblogs-bridging-genre00644nas a2200229 4500008004100000245005000041210004900091260003900140653001700179653001100196653000800207653000800215653000800223653000900231653001600240653001100256653001700267653001100284653001800295100001800313856008300331 2002 eng d00aGenre in the Classroom: Multiple Perspectives0 aGenre in the Classroom Multiple Perspectives aMahway, NJbLawrence Erlbaumc200210aBerkenkotter10aBhatia10aEAP10aESL10aESP10aHyon10alinguistics10aMartin10anew rhetoric10aSwales10aSydney school1 aJohns, Ann, M uhttps://genreacrossborders.org/pt/biblio/genre-classroom-multiple-perspectives01347nas a2200193 4500008004100000245010200041210006900143260000900212300001400221490000700235520071600242653001200958653001800970653001000988653000900998653001001007100001701017856011901034 2008 eng d00aThe Modern Novel from a Sociological Perspective: Towards a Strategic Use of the Notion of Genres0 aModern Novel from a Sociological Perspective Towards a Strategic c2008 a378–3970 v383 aThe new literary form created by the English writers of that period strikes one as radically innovative both because of its literary qualities and because of its social function. Since the new genre was capable of recording the significant socio-cultural changes of the time, the novel, according to Watt, emerged not only as a literary genre, as one form of art among others, but as a privileged cultural product. Since the imaginary world created by the novel reflects and reproduces the modern social condition, that is, the image of personhood as a selfenclosed subjectivity, the question is what type of narrative literature would be capable of resisting the novel and providing a viable alternative to it.10aBahktin10aBildungsroman10anovel10aWatt10aWhite1 aJust, Daniel uhttps://genreacrossborders.org/pt/biblio/modern-novel-sociological-perspective-towards-strategic-use-notion-genres00729nam a2200289 4500008004100000020001800041245003600059210003200095260003600127653001100163653001000174653001000184653001800194653001300212653001200225653001000237653001000247653001400257653001300271653001300284653001400297653001200311653001200323653001400335100002000349856007000369 2004 eng d a0-205-37141-800aThe art of rhetorical criticism0 aart of rhetorical criticism aNew YorkbAllyn and Baconc200410aBenoit10aBlack10aBurke10afantasy theme10afeminism10aframing10agenre10aHenry10aideograph10aMcKerrow10ametaphor10anarrative10aRowland10aRushing10asituation1 aKuypers, Jim, A uhttps://genreacrossborders.org/pt/biblio/art-rhetorical-criticism00606nam a2200217 4500008004100000020001800041245003700059210003600096260004800132653000900180653001000189653001100199653001400210653001200224653000900236653001900245653001500264653001200279100002000291856007700311 2005 eng d a0-7486-1903-800aFilm Genre: Hollywood and Beyond0 aFilm Genre Hollywood and Beyond aEdinburghbEdinburgh University Pressc200510afilm10agenre10ahorror10amelodrama10amusical10anoir10ascience ficion10atransgenre10aWestern1 aLangford, Barry uhttps://genreacrossborders.org/pt/biblio/film-genre-hollywood-and-beyond00510nas a2200169 4500008004100000245005800041210005300099260000900152300001200161653002000173653001000193653001100203653001400214653000800228100001700236856008700253 2009 eng d00aThe Humbug: Edgar Allan Poe and the Economy of Horror0 aHumbug Edgar Allan Poe and the Economy of Horror c2009 a65–7110adetective story10agenre10akairos10anew genre10aPoe1 aLepore, Jill uhttps://genreacrossborders.org/pt/biblio/humbug-edgar-allan-poe-and-economy-horror00550nas a2200181 4500008004100000245009000041210006900131300001000200490000600210653001700216653001100233653001300244653001400257653001200271653001600283100002100299856004800320 2009 eng d00aSituated Simulations: A Prototyped Augmented Reality Genre for Learning on the iPhone0 aSituated Simulations A Prototyped Augmented Reality Genre for Le a24-280 v310agenre design10aiPhone10amobility10anew media10areality10asimulations1 aLiestøl, Gunnar uhttps://genreacrossborders.org/pt/node/122000512nas a2200169 4500008004100000022001800041245005900059210005700118250000800175260003200183300001200215653001400227100002200241700001600263700001500279856004800294 2012 eng d a978047065808600aAlternative and Activist New Media: A Genre Framework0 aAlternative and Activist New Media A Genre Framework a2nd aMalden, MAbWiley-Blackwell a471-49110anew media1 aLievrouw, Leah, A1 aDurham, M.G1 aKellner, D uhttps://genreacrossborders.org/pt/node/126800515nas a2200157 4500008004100000245004900041210004700090260003500137300001200172653002100184653001000205653002200215653001100237100002300248856008600271 2009 eng d00aHacking Aristotle: What Is Digital Rhetoric?0 aHacking Aristotle What Is Digital Rhetoric aCambridge, MAbMIT Pressc2009 a47–9510adigital rhetoric10agenre10anew digital genre10aZappen1 aLosh, Elizabeth, M uhttp://site.ebrary.com.prox.lib.ncsu.edu/lib/ncsu/docDetail.action?docID=1028814400518nam a2200145 4500008004100000245005600041210005200097260005500149653001400204653001500218653001300233653001400246100002200260856009000282 1972 eng d00aThe Consolatio Genre in Medieval English Literature0 aConsolatio Genre in Medieval English Literature aGainesville, FLbUniversity of Florida Pressc197210aAristotle10aconsolatio10amedieval10anew genre1 aMeans, Michael, H uhttps://genreacrossborders.org/pt/biblio/consolatio-genre-medieval-english-literature00703nas a2200241 4500008004100000245005400041210005300095260003700148300001200185653001200197653001400209653001200223653001000235653001400245653001200259653001400271653001000285653001800295100002300313700002000336700001800356856008700374 1994 eng d00aRhetorical Community: The Cultural Basis of Genre0 aRhetorical Community The Cultural Basis of Genre aLondonbTaylor and Francisc1994 a67–7810aBakhtin10acommunity10aculture10agenre10agenre set10aGiddens10anarration10apolis10astructuration1 aMiller, Carolyn, R1 aFreedman, Aviva1 aMedway, Peter uhttps://genreacrossborders.org/pt/biblio/rhetorical-community-cultural-basis-genre00663nas a2200253 4500008004100000245005100041210004900092260000900141300001100150490000700161653001400168653001100182653001300193653001400206653001000220653001300230653001000243653001300253653001000266653001500276653001200291100001900303856008700322 2001 eng d00aA Cultural Approach to Television Genre Theory0 aCultural Approach to Television Genre Theory c2001 a3–240 v4010aacademics10aAltman10aaudience10aevolution10aFeuer10aFoucault10agenre10aindustry10aNeale10atelevision10aTodorov1 aMittell, Jason uhttps://genreacrossborders.org/pt/biblio/cultural-approach-television-genre-theory01661nas a2200169 4500008004100000245011300041210006900154300001200223490000700235520112700242653000901369653001101378653001801389100001701407700001901424856004801443 2013 eng d00aNeoliberal frames and genre of inequality: Recession-era chick flicks and male-centered corporate melodrama0 aNeoliberal frames and genre of inequality Recessionera chick fli a344-3610 v163 aMedia forms play a vital role in making cultural and political sense of the complex economic developments and profound ideological uncertainties which have accompanied the global recession. This article analyses how popular genre cinema tackles the inequalities – in particular, gender inequalities – that follow from the financial crisis, situating Hollywood’s representational strategies in the context of recessionary media culture. It posits and analyses two sub-genres which demonstrate different approaches to an altered socio-economic climate: the recessionary ‘chick flick’ and the corporate melodrama. Amid the financial crisis these sub-genres shift emphasis to respond to changing circumstances, notably in relation to the once-ubiquitous trope of choice central to post-feminist media culture; neoliberal choice rhetoric is now considerably harder to maintain. The two case studies contrast the different ways in which female-centred chick flicks and male-centred corporate melodramas address unemployment, downward mobility and the challenges of work–life balance.
10afilm10agender10aneoliberalism1 aNegra, Diane1 aTasker, Yvonne uhttps://genreacrossborders.org/pt/node/127800491nas a2200205 4500008004100000245002300041210002300064260000900087300001200096490000700108653001800115653001400133653001200147653001000159653001400169653000900183100001700192700001600209856006000225 1996 eng d00aNarrating the Self0 aNarrating the Self c1996 a19–430 v2510acollaboration10acommunity10aemotion10agenre10anarration10aself1 aOchs, Elinor1 aCapps, Lisa uhttps://genreacrossborders.org/pt/biblio/narrating-self00636nas a2200205 4500008004100000245007300041210006900114260000900183300001400192490000700206653001300213653001500226653001000241653001000251653001100261653001400272653002000286100002800306856009600334 2010 eng d00aThe Genre of the Mood Memoir and the Ethos of Psychiatric Disability0 aGenre of the Mood Memoir and the Ethos of Psychiatric Disability c2010 a479–5010 v4010aapologia10adisability10aethos10agenre10amemoir10anarrative10aslave narrative1 aPryal, Katie Rose Guest uhttps://genreacrossborders.org/pt/biblio/genre-mood-memoir-and-ethos-psychiatric-disability01968nas a2200193 4500008004100000245006200041210006100103300001400164490000700178520143200185653001601617653001801633653002601651653001301677653001001690653001101700100001501711856004801726 2013 eng d00aMore than Just Remixing: Uptake and New Media Composition0 aMore than Just Remixing Uptake and New Media Composition a183–1960 v303 aThis article turns to genre theory's recent explorations of uptake, broadly defined as the ways genres interact, as a resource for sketching a pedagogy of shuttling between genres. Using uptake, I intend to reconceptualize multimodal compositions as a means of participating in rhetorical ecologies that consist of transactions between genres instead of thinking of remixes as an end in themselves. In this article, I first define the concept of uptake in detail and discuss its use in rhetorical genre studies. After further illustrating uptake through an analysis of transactions between YouTube parodies and the 2005 German language film Downfall, I discuss existing scholarship in multimodal composition that draws on genre but not the idea of uptake in order to lay a foundation for a pedagogy that highlights the links, feedbacks, and rules that coordinate genres. My aim in the last section is to sketch possibilities for how teachers and students can deploy the concept of uptake as a rhetorical tool to strengthen their awareness of genre and multimodality. In doing this, I hope to reposition multimodal projects as beginnings or midpoints that lead to students’ emersion into public discourse rather than culminations or end goals in themselves. Integrating studies of uptake into writing curricula in this way will help students to make sophisticated rhetorical decisions in the age of media convergence.
10aconvergence10amultimodality10anew media composition10apedagogy10aremix10auptake1 aRay, Brian uhttps://genreacrossborders.org/pt/node/113100559nas a2200193 4500008004100000245006100041210005900102260000900161300001400170490000700184653001300191653001000204653000800214653001000222653001300232653001100245100001900256856009000275 2006 eng d00aCommentary: Why Opera? The Politics of an Emerging Genre0 aCommentary Why Opera The Politics of an Emerging Genre c2006 a401–4090 v3610aemerging10agenre10anew10aopera10apolitics10aVenice1 aRomano, Dennis uhttps://genreacrossborders.org/pt/biblio/commentary-why-opera-politics-emerging-genre00575nam a2200181 4500008004100000245006500041210006300106260005500169653001100224653001300235653001000248653001000258653000800268653001100276653001100287100001800298856007700316 1991 eng d00aOpera in Seventeenth-Century Venice: The Creation of a Genre0 aOpera in SeventeenthCentury Venice The Creation of a Genre aBerkeley, CAbUniversity of California Pressc199110acreate10aemerging10agenre10amusic10anew10aorigin10asource1 aRosand, Ellen uhttp://www.escholarship.org/editions/view?docId=ft3199n7sm;brand=ucpress00399nas a2200157 4500008004100000245002600041210002500067260000900092300001000101490000700111653001100118653001400129653001500143100001600158856006700174 2003 eng d00aTV Genres Re-Reviewed0 aTV Genres ReReviewed c2003 a2–40 v3110ahybrid10anew genre10atelevision1 aRose, Brian uhttps://genreacrossborders.org/pt/biblio/tv-genres-re-reviewed00536nas a2200205 4500008004100000245003700041210003600078260002100114490000900135653001300144653001000157653001500167653001100182653001000193653000900203653001000212653001000222100001500232856008300247 2005 eng d00aBloggers vs. Journalists Is Over0 aBloggers vs Journalists Is Over bPressThinkc20050 v200610ablogging10agenre10ajournalism10akairos10amedia10anews10apress10atrust1 aRosen, Jay uhttp://journalism.nyu.edu/pubzone/weblogs/pressthink/2005/01/21/berk_essy.html00610nas a2200181 4500008004100000245008400041210006900125260000900194300001600203490000800219653001000227653001200237653000900249653001400258100002200272700001600294856011800310 1987 eng d00aGenre and Structure: Toward an Actantial Typology of Narrative Genres and Modes0 aGenre and Structure Toward an Actantial Typology of Narrative Ge c1987 a1122–11500 v10210agenre10aGreimas10amode10anarrative1 aSchliefer, Ronald1 aVelie, Alan uhttps://genreacrossborders.org/pt/biblio/genre-and-structure-toward-actantial-typology-narrative-genres-and-modes01679nas a2200181 4500008004100000245009500041210006900136260000900205300001100214490000600225520106600231653001801297653001001315653001401325653001401339100001901353856012501372 2007 eng d00aBreast Cancer Narratives as Public Rhetoric: Genre Itself and the Maintenance of Ignorance0 aBreast Cancer Narratives as Public Rhetoric Genre Itself and the c2007 a3–230 v33 aThis paper explores questions of the permissible and the impermissible in breastcancer narratives. It deploys (inter alia) a theory of discourse and counterdiscourse to argue that the genre itself of the personal narrative performs a regulatory function in public discourse on cancer. The paper is inspired by an idea introduced into science studies by Schiebinger and Proctor – the idea of agnotology: the cultural production of ignorance. The paper argues that ignorance about cancer is maintained, in part, by the rehearsal of stories that have standard plots and features, and that suppress or displace other stories. The paper turns on examples of both conventional and unconventional stories. It focuses on Barbara Ehrenreich’s renegade cancer story and its public reception, and Wendy Mesley’s renegade cancer documentary and the public reception of that. The paper seeks to contribute to genre studies by analyzing instances of a genre of public discourse, and suggesting the nature of the social action performed by the genre itself. 10abreast cancer10agenre10aignorance10anarrative1 aSegal, Judy, Z uhttps://genreacrossborders.org/pt/biblio/breast-cancer-narratives-public-rhetoric-genre-itself-and-maintenance-ignorance00567nas a2200205 4500008004100000245003300041210002900074260004400103300001300147653001500160653001200175653001400187653001000201653001300211653001000224100002200234700002100256700001700277856006700294 1998 eng d00aThe Evolution of Cybergenres0 aEvolution of Cybergenres aMauibIEEE Computer Society Pressc1998 a97–10910acybergenre10adigital10aevolution10agenre10ainternet10anovel1 aShepherd, Michael1 aWatters, Carolyn1 aSprague, Jr. uhttps://genreacrossborders.org/pt/biblio/evolution-cybergenres00532nas a2200193 4500008004100000245004400041210004200085260003200127653001200159653001000171653001300181653002400194653001400218653001100232653000900243100001700252700002200269856004700291 2007 eng d00aA Companion to Digital Literary Studies0 aCompanion to Digital Literary Studies aMalden, MAbBlackwellc200710aDrucker10agenre10ahypertet10ainteractive fiction10anew media10ascreen10atext1 aSiemens, Ray1 aSchreibman, Susan uhttp://digitalhumanities.org/companionDLS/01156nas a2200217 4500008004100000245004300041210003800084260000900122300005100131490000600182520059400188653001200782653001000794653001300804653001100817653001400828653001500842653001200857100001800869856005100887 2006 eng d00aThe Website as a Domain-Specific Genre0 aWebsite as a DomainSpecific Genre c2006 ahttp://www.languageatinternet.de/articles/20060 v33 aThe paper takes an initial look at how the medial conditions of the screen and the Internet define newconstraints for language and style of company websites. The paper first discusses how the impact of bad grammar is enhanced by the salience and universal visibility on the screen. The main part of the paper argues that the language of company websites often represents fossilized rhetorical structures as a paper text hangover from the medial conditions of reading written texts and views this residue as an evolutionary stage of the evolution towards a medially appropriate style. 10adigital10agenre10ainternet10amedium10anew genre10atechnology10awebsite1 aStein, Dieter uhttp://www.languageatinternet.de/articles/200601387nas a2200205 4500008004100000245010000041210006900141300001200210490000700222520075500229653001400984653001900998653002101017653001901038653001701057653002501074653002101099100001801120856004301138 2010 eng d00aConstitutive rhetoric as an aspect of audience design: The public texts of Canadian suffragists0 aConstitutive rhetoric as an aspect of audience design The public a36–560 v273 aThis article offers a way of using the theory of audience design—how speakers position different audience groups as main addressees, overhearers, or bystanders—for written discourse. It focuses on main addressees, that is, those audience members who are expected to participate in and respond to a speaker’s utterances. The text samples are articles, letters, and editorials on women’s suffrage that were published between 1909 and 1912 in Canadian periodicals. In particular, the author analyzes noun phrases with which suffrageskeptical women are addressed, relying on the theory of constitutive rhetoric to highlight the interpellative force with which the audience design of this public political debate operates.
10aaddressee10aErving Goffman10aHerbert C. Clark10ainterpellation10anoun phrases10arhetorical situation10awomen’s rights1 aThieme, Katja uhttp://wcx.sagepub.com/content/27/1/3601943nas a2200229 4500008004100000245012000041210007200161300001200233520121000245653002801455653001401483653001301497653001401510653001801524653001601542653001401558653002201572653002201594653002601616100002301642856004801665 2012 eng d00aEl panegírico y el problema de los géneros en la retórica sacra del mundo hispánico. Acercamiento metodológico0 aEl panegírico y el problema de los géneros en la retórica sacra a219-2473 aEste trabajo analiza tres de los principales criterios mediante los cuales se ha buscado clasificar la predicación hispánica en géneros, entre los que se ha incluido el panegírico. Se revisa la tradición retórica clásica y se establecen diferencias con la oratoria sagrada, con el fin de determinar en qué medida es posible clasificar géneros del sermón. Además, se busca determinar cuál sería el lugar del panegírico dentro de la retórica sacra. Palabras clave: retórica sagrada, panegírico, discurso, Nueva España, siglos XVII-XVIII.
This work is based on a review of three of the main criteria used to classify Hispanic preaching in genres (types of sermons). These criteria have also been used to classify panegyric as a genre of sacred oratory. Establishing differences between classical rhetoric and sacred oratory, this paper will try to define the place of the panegyric in preaching, thus determining in which ways it is possible to speak about genres of the sermon. Key words: sacred oratory, panegyric, discourse, New Spain, 16th and 17th centuries.
10a16th and 17th centuries10adiscourse10adiscurso10aNew Spain10aNueva España10apanegírico10apanegyric10aretórica sagrada10asiglos XVII-XVIII10awords: sacred oratory1 aUrrejola, Bernarda uhttps://genreacrossborders.org/pt/node/123101645nas a2200193 4500008004100000245007200041210006800113260000900181300001400190490000700204520111800211653001201329653001001341653001501351653001001366100002201376700001901398856003401417 1998 eng d00aThe Role of Genre in Shaping Our Understanding of Digital Documents0 aRole of Genre in Shaping Our Understanding of Digital Documents c1998 a559–5660 v353 aInteracting with documents in the digital domain is challenging many of our notions about discourse and its boundaries. Hyperlinked documents on the World Wide Web defy easy categorization and evaluation - making the role and value of digital documents difficult to assess. Most importantly, in such fluid and complex environments it is difficult to understand the nature of the interaction between users and information resources. This paper argues that notions such as navigation are limiting our understanding of these complex information spaces. Instead, what is needed is a broader framework of analysis that can embrace these concepts, and incorporate extended issues relating to shared understanding, relevance, and style. In the present paper we explore the utility of the intersection of genre theory and cognitive psychology in providing a meaningful framework for analysis and design purposes. In so doing we report the results of our latest research into the elements of genre that influence users of digital documents and provide examples of the usefulness of this analysis in web-based environments.10adigital10agenre10anavigation10astory1 aVaughan, Misha, W1 aDillon, Andrew uGenre analysis has been applied to a sizable body of linguistic studies on various text types. However, little attention has been paid to advertorials as an emerging hybridized genre. To identify the generic and linguistic characteristics of advertorials, and therefore to classify advertorials into an appropriate genre, this study carries out a comprehensive genre analysis of advertorials based on Bhatia’s (1993) seven-step genre analysis methodology. A corpus of 55 advertorials was collected from four English-language magazines and two English-language newspapers, from which a sub-corpus of 12 samples was further selected for a thorough examination of linguistic characteristics. Attempting to gain a comprehensive view of generic features of advertorials, this study makes a critical comparison of advertorials with three inextricably related genres: advertisements, news stories and editorials. Linguistic evidence sufficiently demonstrates that advertorials share fundamental generic and linguistic natures with advertisements and proposes classifying advertorials as a sub-genre of advertisements.
10aadvertisement10aeditorials10anews stories1 aZhou, Sijing uhttps://genreacrossborders.org/pt/node/1276