Bibliography
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[RN137] "Meeting Minutes as a Rhetorical Genre: Discrepancies Between Professional Writing Textbooks and Workplace Practice Tutorial." IEEE Transactions on Professional Communication 49 (2006): 254-364.
[RN14] "Models and the Teaching of Technical Writing." Journal of Technical Writing and Communication 19 (1989): 69-81.
[999] "'Mutt Genres' and the Goal of FYC: Can We Help Students Write the Genres of the University?" College Composition and Communication 60 (2009): 756-789.
[993] "The Myth of the Rhetorical Situation." Philosophy and Rhetoric 6 (1973): 154-161.
[RN103] "Mobility and Composition: The Architecture of Coherence in Non-places." Technical Communication Quarterly 16 (2007): 279-309.
[RN146] "Making the Pitch: Examining Dialogue and Revisions in Entrepreneurs' Pitch Decks." IEEE Transactions on Professional Communication 57 (2014): 158-181.
[959] "Modeling Genre Ecologies." In 20th Annual International Conference on Computer Documentation, 200-207. ACM Press, 2002.
[RN56] "Meeting Students Where They Are: Advancing a Theory and Practice of Archives in the Classroom." Journal of Technical Writing and Communication 41 (2011): 173-191.
[RN217] "Mapping the Research Questions in Technical Communication." Journal of Business and Technical Communication 23 (2009): 174-215.
[1221] "Mediating Materiality and Discursivity: Critical Ethnography as Meta-Generic Learning." In Ethnography Unbound: From Theory Shock to Critical Praxis, edited by Stephen G. Brown and Sidney I. Dobrin, 35-51. New York: SUNY P, 2004.
[RN101] "The Mundane, Power, and Symmetry: A Reading of the Field with Dorothy Winsor and the Tradition of Ethnographic Research." Technical Communication Quarterly 20 (2011): 353-383.
[1131] "More than Just Remixing: Uptake and New Media Composition." Computers and Composition 30, no. 3 (2013): 183-196.
[1128] "More than Just Remixing: Uptake and New Media Composition." Computers and Composition 30, no. 3 (2013): 183-196.
[1134] "More than Just Remixing: Uptake and New Media Composition." Computers and Composition 30, no. 3 (2013): 183-196.
[904] "A Model of Hierarchical Meanings in Coherent Conversation and a Study of Indirect Responses." Communication Monographs 46 (1979): 76-87.
[1296] Music Genres and Corporate Cultures. London: Routledge, 1999.
[1138] "Maybe Epic: The Origins and Reception of Sumerian Heroic Poetry." In Epic and History, 7-25. Chichester: Wiley-Blackwell, 2010.
[RN206] "Meeting Minutes as Symbolic Action." Journal of Business and Technical Communication 12 (1998): 198-216.
[850] "On the Material and the Symbolic: Silverstone's Double Articulation of Research Traditions in New Media Studies." New Media & Society 9 (2007): 16-24.
[836] "Making peace through apology." Greater Good (2004): 16-19.
[1712] "Making sense of a generic label: A study of genre (re)cognition among novice genre analysts." In Genre in Language, Discourse and Cognition, 393-426. Vol. 33. Berlin/Boston: De Gruyter Mouton.
[RN140] "Mentors, models and clients: using the professional engineering community to identify and teach engineering genres." IEEE Transactions on Professional Communication 42 (1999): 3/11/2015.
[812] "The Modern Novel from a Sociological Perspective: Towards a Strategic Use of the Notion of Genres." Journal of Narrative Theory 38 (2008): 378-397.
[794] "A Model for Describing 'New' and 'Old' Properties of CMC Genres: The Case of Digital Folklore." In Genres in the Internet: Issues in the Theory of Genre, edited by Janet Giltrow and Dieter Stein, 239-262. Amsterdam: John Benjamins, 2009.
[1748] Metadiscourse in Written Genres: Uncovering Textual and Interactional Aspects of Texts, Edited by Ciler Hatipoglu, Erdem Akbas and Yasemin Bayyurt. Peter Lang D, 2017.