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[1745] "Listening for Genre Multiplicity in Classroom Soundscapes." Enculturation (2018).
[1747] "Exploring Metadiscourse in Master’s Dissertation Abstracts: Cultural and Linguistic Variations across Postgraduate Writers." International Journal of Applied Linguistics & English Literature 1, no. 1 (2012): 12-26.
[589] "The Verse-novel: A New Genre." Children's LIterature in Education 36 (2005): 269-283.
[RN115] "The Impact of Student Learning Outcomes Assessment on Technical and Professional Communication Programs." Technical Communication Quarterly 13 (2004): 93-108.
[1240] Los géneros cinematográficos. Barcelona, España: Paidós Iberica, 2000.
[590] "A Semantic/Syntactic Approach to Film Genre." Cinema Journal 23 (1984): 6-18.
[591] Film/Genre. London: British Film Institute, 1999.
[RN26] "Perceptions of Memo Quality: A Case Study of Engineering Practicioners, Professors, and Students." Journal of Technical Writing and Communication 35 (2005): 179-190.
[RN202] "Wrestling With Proteus: Tales of Communication Managers in a Changing Economy." Journal of Business and Technical Communication 22 (2008): 5-37.
[1342] Genre Theory in Information Studies. Bingley, UK: Emerald Group Publishing Ltd., 2015.
[1744] "Genre crash: The case of online shopping." Discourse, Context & Media 20 (2017): 191-203.
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[593] "Questioning the Motives of Habituated Action: Burke and Bourdieu on Practice." Philosophy and Rhetoric 37 (2004): 255-274.
[RN197] "This Is Too Formal for Us.: A Case Study of Variation in the Written Products of a Multinational Consortium." Journal of Business and Technical Communication 22 (2008): 38-64.
[1150] "The Generic Integrity of Newspaper Editorials: A Systemic Functional Perspective." RELC Journal: A Journal of Language Teaching and Research 36, no. 3 (2005): 271-295.
[594] "Teaching and Learning a Multimodal Genre in a Psychology Course." In Genre across the Curriculum, edited by Anne Herrington and Charles Moran, 171-191. Logan, UT: Utah State University Press, 2005.
[RN150] "Writing research article introductions in software engineering: how accurate is a standard model." IEEE Transactions on Professional Communication 42 (1999): 38-46.
[595] "Genre and Game Studies: Toward a Critical Approach to Video Game Genres." Simulation & Gaming 37 (2006): 6-23.
[1106] "Rhetorical Scarcity: Spatial and Economic Inflections on Genre Change." College Composition and Communication 63, no. 3 (2012): 483.
[1126] "Taskography: Translation as Genre of Literary Labor." PMLA 122, no. 5 (2007): 1403-15.
[RN70] "From page to stage: How theories of genre and situated learning help introduce engineering students to discipline-specific communication." Technical Communication Quarterly 8 (1999): 301-316.
[RN196] "'Just the Boys Playing on Computers': An Activity Theory Analysis of Differences in the Cultures of Two Engineering Firms." Journal of Business and Technical Communication 15 (2001): 164-194.
[RN160] "Awareness Versus Production: Probing Studentsí Antecedent Genre Knowledge." Journal of Business and Technical Communication 24 (2010): 476-515.
[RN259] "Stories of Becoming: A Study of Novice Engineers Learning Genres of Their Profession." In Genre in a Changing World, edited by Charles Bazerman, Adair Bonini and Débora Figueiredo, 158-178. Fort Collins, CO: WAC Clearinghouse and Parlor Press, 2009.