Bibliography

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[995] Vaughan, Misha W., and Andrew Dillon. "Why Structure and Genre Matter for Users of Digital Information: A Longitudinal Experiment with Readers of a Web-Based Newspaper." International Journal of Human-Computer Studies 64 (2006): 502-526.
[993] Vatz, Richard. "The Myth of the Rhetorical Situation." Philosophy and Rhetoric 6 (1973): 154-161.
[992] Varpio, Lara, Marlee M. Spafford, Catherine F. Schryer, and Lorelei Lingard. "Seeing and Listening: A Visual and Social Analysis of Optometric Record-Keeping Practices." Journal of Business and Technical Communication 21 (2007): 343-375.
[RN182] Varpio, Lara, Marlee M. Spafford, Catherine F. Schryer, and Lorelei Lingard. "Seeing and Listening: A Visual and Social Analysis of Optometric Record-Keeping Practices." Journal of Business and Technical Communication 21 (2007): 343-375.
[991] Vandenberg, Peter. "Review: Animated Categories: Genre, Action, and Composition." College English 67 (2005): 532-545.
[1279] Van Selm, Martine, and Allerd Peeters. "Additional Communication Channels in Dutch Television Genres." New Media and Society 9, no. 4 (2007): 651-659.
[RN243] Van Nostrand, A. D.. "A Genre Map of R&D Knowledge Production for the U.S. Department of Defense." In Genre and the New Rhetoric, edited by Aviva Freedman and Peter Medway, 133-145. London: Taylor and Francis, 1994.
[RN242] Van Nostrand, A. D.. Fundable Knowledge: The Marketing of Defense Technology. Mahwah, NJ: Lawrence Erlbaum Associates, 1997.
[RN39] Van Der Meij, Hans. "A Closer Look at Visual Manuals." Journal of Technical Writing and Communication 26 (1996): 371-383.
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[1269] Turner, A, and K Seemann. "Food Innovation and Technacy Genre Theory: Implications for Teaching and Learning." In Current Trends in Technology and Society, edited by R Van Der Zwan, 104-114. Brisbane: Primrose Hall Publishing Group, 2012.
[1295] Tumas-Serna, Jane. "The "Nueva Canción" Movement and Its Mass-Mediated Performance Context." Latin American Music Review / Revista de Música Latinoamericana 13, no. 2 (1992): 139-157.
[987] Trosborg, Anna. Analysing Professional Genres. Amsterdam: John Benjamins, 2000.
[985] Toms, Elaine G.. "Recognizing Digital Genre." Bulletin of the American Society for Information Science and Technology 27 (2001): http://www.asis.org/Bulletin/Dec-01/toms.html.
[986] Toms, Elaine G., Grant D. Campbell, and Ruth Blades. "Does Genre Define the Shape of Information? The Role of Form and Function in User Interaction with Digital Documents." In 62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use, 693-704. Washington, DC: American Society for Information Science, 1999.
[981] Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Ithaca, NY: Cornell University Press, 1975.
[982] Todorov, Tzvetan. "The Origin of Genres." New Literary History 8 (1976): 159-170.
[983] Todorov, Tzvetan. "The Typology of Detective Fiction." In The Poetics of Prose, 42-52. Ithaca, NY: Cornell University Press, 1977.
[984] Todorov, Tzvetan. Genres in Discourse. Cambridge: Cambridge University Press, 1990.
[1234] Todorov, T. "El origen de los géneros." In Teoría de los géneros literarios, 31-48. Madrid, España: Arco Libros, 1988.
[1390] Todd, Jeff. "Genre Theory for Product Instructions and Warnings." Washburn Law Journal 54, no. 2 (2015): 303-328.
[RN64] Tillery, Denise. "Radioactive Waste and Technical Doubts: Genre and Environmental Opposition to Nuclear Waste Sites." Technical Communication Quarterly 12 (2003): 405-421.
[RN147] Tillery, Denise. "The Problem of Nuclear Waste: Ethos and Scientific Evidence in a High-Stakes Public Controversy." IEEE Transactions on Professional Communication 49 (2006): 325-334.
[980] Thurlow, Crispin, and Adam Jaworski. "Communicating a Global Reach: Inflight Magazines as a Globalizing Genre in Tourism." Journal of Sociolinguistics 7 (2003): 579-606.

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