タイトル | Ideology, Genre, Auteur |
Publication Type | Journal Article |
Year of Publication | 1977 |
著者 | Wood, Robin |
Journal | Film Comment |
ボリューム | 13 |
Issue | 1 |
Pagination | 46-51 |
要約 | Montage theory enthrones editing as the essential creative act at the expense of other aspects of film; Bazin's Realist theory, seeking to right the balance, merely substitutes its own imbalance, downgrading montage and artifice; the revolutionary theory centered in Britain on Screen (but today very widespread) rejects-or at any rate seeks to "deconstruct"-Realist art in favor of the so-called "open text." Auteur theory, in its heyday, concentrated attention exclusively on the fingerprints, thematic or stylistic, of the individual artist; recent attempts to discuss the complete "filmic text" have tended to throw out ideas of personal authorship altogether. |