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A
[1342] Andersen, Jack. Genre Theory in Information Studies. Bingley, UK: Emerald Group Publishing Ltd., 2015.
B
[1284] Ball, Cheryl E.. "Assessing Scholarly Multimedia: A Rhetorical Genre Studies Approach." Technical Communication Quarterly 21, no. 1 (2012): 61-77.
G
[1311] Gray, Jonathan. Watching with The Simpsons: Television, Parody, and Intertextuality. New York: Routledge, 2006.
L
[1280] Lüders, Marika, Lin Prøitz, and Terje Rasmussen. "Emerging Personal Media Genres." New Media and Society 12, no. 6 (2010): 947-963.
M
[1281] Matheson, Donald. "Negotiating Claims to Journalism: Webloggers' Orientation to News Genres." Convergence 10, no. 4 (2004): 33-54.
R
[1285] Rude, Carolyn D.. "Environmental Policy Making and the Report Genre." Technical Communication Quarterly 6, no. 1 (1997): 77-99.
S
[1282] Skågeby, Jörgen. "Dismantling the Guitar Hero? A Case of Prodused Parody and Disarmed Subversion." Convergence: The International Journal of Research into New Media Technologies 19, no. 1 (2012): 63-76.
V
[1279] Van Selm, Martine, and Allerd Peeters. "Additional Communication Channels in Dutch Television Genres." New Media and Society 9, no. 4 (2007): 651-659.
[1283] Vrooman, Steven S.. "The Art of Invective: Performing Identity in Cyberspace." New Media & Society 4, no. 1 (2002): 51-70.
Z
[1310] Zwaan, Rolf A.. "Effect of Genre Expectations on Text Comprehension." Journal of Experimental Psychology 20, no. 4 (1994): 920-330.
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