Bibliography
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[1223] "Cultural Artifacts as Scaffolds for Genre Development." Reading Research Quarterly 34 (1999): 138-170.
[986] "Does Genre Define the Shape of Information? The Role of Form and Function in User Interaction with Digital Documents." In 62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use, 693-704. Washington, DC: American Society for Information Science, 1999.
[613] "The Evolution of Internet Genres." Computers and Composition 16 (1999): 269-282.
[1016] "Explicit and Implicit Structuring of Genres in Electronic Communication: Reinforcement and Change of Social Interaction." Organization Science 10 (1999): 83-103.
[591] Film/Genre. London: British Film Institute, 1999.
[RN70] "From page to stage: How theories of genre and situated learning help introduce engineering students to discipline-specific communication." Technical Communication Quarterly 8 (1999): 301-316.
[1038] The functionality attribute of cybergenres In 32nd Hawaii International Conference on System Sciences, Edited by Jr. Sprague, Ralph H.. Maui: IEEE Computer Society Press, 1999.
[614] "Genre." Journal of Linguistic Anthropology 9 (1999): 84-87.
[1007] "Genre and Activity Systems: The Role of Documentation in Maintaining and Changing Engineering Activity Systems." Written Communication 16 (1999): 200-224.
[RN272] "Genre and Activity Systems: The Role of Documentation in Maintaining and Changing Engineering Activity Systems." Written Communication 16 (1999): 200-224.
[RN134] "Genre in the field of computer science and computer engineering." IEEE Transactions on Professional Communication 42 (1999): 32-37.
[RN138] "Genre, rhetorical interpretation, and the open case: teaching the analytical report." IEEE Transactions on Professional Communication 42 (1999): 20-31.
[RN175] "The Genre System of the Harvard Case Method." Journal of Business and Technical Communication 13 (1999): 373-400.
[938] "Genre Time/Space: Chronotopic Strategies in the Experimental Article." JAC: A Journal of Composition Theory 19 (1999): 81-89.
[1040] Grappling with distributed usability: A cultural-historical examination of documentation genres over four decades In ACM SIGDOC 1999: Proceedings of the 17th Annual International Conference on Computer Documentation. New York: ACM, 1999.
[1300] "Indie: The institutional politics and aesthetics of a popular music genre." Cultural Studies 13, no. 1 (1999): 34-61.
[RN53] "The Influence of the Purpose of a Business Document on Its Syntax and Rhetorical Schemes." Journal of Technical Writing and Communication 29 (1999): 401-408.
[RN3] "An Interactive Genre Within the University Textbook: The Preface." Journal of Technical Writing and Communication 29 (1999): 409-429.
[RN139] "Introduction: Changing regularities of genre [commentary]." IEEE Transactions on Professional Communication 42 (1999): 1/2/2015.
[1232] "La poesía como género híbrido: Experimentación literaria y heteroglosia en el Perú." Revista de Crítica Literaria Latinoamericana 25, no. 50 (1999): 235-245.
[RN140] "Mentors, models and clients: using the professional engineering community to identify and teach engineering genres." IEEE Transactions on Professional Communication 42 (1999): 3/11/2015.
[1296] Music Genres and Corporate Cultures. London: Routledge, 1999.
[1260] Remediation: understanding new media, Edited by Richard Grusin. Cambridge, MA: MIT Press, 1999.
[RN204] "On Scientific Narrative: Stories of Light by Newton and Einstein." Journal of Business and Technical Communication 13 (1999): 336-358.
[RN199] "Storytelling in a Central Bank: The Role of Narrative in the Creation and Use of Specialized Economic Knowledge." Journal of Business and Technical Communication 13 (1999): 249-273.