Bibliography

This Bibliography is for peer-reviewed academic research and scholarship. For other genre-related publications and sources, please see the Resources page and contribute such material there.

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D
[1282] Skågeby, Jörgen. "Dismantling the Guitar Hero? A Case of Prodused Parody and Disarmed Subversion." Convergence: The International Journal of Research into New Media Technologies 19, no. 1 (2012): 63-76.
[761] Gallagher, Victoria J.. "Displaying Race: Cultural Projection and Commemoration." In Rhetorics of Display, edited by Lawrence J. Prelli, 177-196. Columbia, SC: University of South Carolina Press, 2006.
[685] Cohen, Ralph. "Do Postmodern Genres Exist?" Genre 20 (1987): 241-257.
[1783] Thieme, Katja. "Do We Need New Method Names? Descriptions of Method in Scholarship on Canadian Literature." ESC: English Studies in Canada 44, no. 1 (2017): 91-110.
[RN25] Orbel, Brenda. "The DoD Tailhook Report: Unanswered Questions." Journal of Technical Writing and Communication 25 (1995): 201-213.
[RN54] Sapienza, Filipp. "Does Being Technical Matter? XML, Single Source, and Technical Communication." Journal of Technical Writing and Communication 32 (2002): 155-170.
[986] Toms, Elaine G., Grant D. Campbell, and Ruth Blades. "Does Genre Define the Shape of Information? The Role of Form and Function in User Interaction with Digital Documents." In 62nd ASIS Annual Meeting: Knowledge Creation, Organization, and Use, 693-704. Washington, DC: American Society for Information Science, 1999.
[1274] Davies, S R.. "Doing Dialogue: Genre and Flexibility in Public Engagement with Science." Science as Culture 18, no. 4 (2010): 397-416.
[778] Halloran, Michael. "Doing Public Business in Public." In Form and Genre: Shaping Rhetorical Action, edited by Karlyn Kohrs Campbell and Kathleen Hall Jamieson, 118-138. Falls Church, VA: Speech Communication Association, 1978.
E
[1259] Lanham, Richard A.. The Economics of Attention. Chicago: U of Chicago P, 2006.
[1310] Zwaan, Rolf A.. "Effect of Genre Expectations on Text Comprehension." Journal of Experimental Psychology 20, no. 4 (1994): 920-330.
[1234] Todorov, T. "El origen de los géneros." In Teoría de los géneros literarios, 31-48. Madrid, España: Arco Libros, 1988.
[1231] Urrejola, Bernarda. "El panegírico y el problema de los géneros en la retórica sacra del mundo hispánico. Acercamiento metodológico.", no. 82 (2012): 219-247.
[822] Kibby, Marjorie D.. "Email Forwardables: Folklore in the Age of the Internet." New Media & Society 7 (2005): 770-790.
[1417] Østergaard, Svend, and Peer F. Bundgaard. "The Emergence and Nature of Genres—A Social-Dynamic Account." Cognitive Semiotics 8, no. 2 (2015): 97-127.
[1264] Chapman, Marilyn L.. "The Emergence of Genres: Some Findings from an Examination of First-Grade Writing." Written Communication 11, no. 3 (1994): 348-380.
[807] Javitch, Daniel. "The Emergence of Poetic Genre Theory in the Sixteenth Century." Modern Language Quarterly: A Journal of Literary History 59 (1998): 139-169.
[1012] Yates, JoAnne. "The Emergence of the Memo as a Managerial Genre." Management Communication Quarterly 2 (1989).
[RN68] Henze, Brent R.. "Emergent Genres in Young Disciplines: The Case of Ethnological Science." Technical Communication Quarterly 13 (2004): 393-421.
[787] Henze, Brent R.. "Emergent Genres in Young Disciplines: The Case of Ethnological Science." Technical Communication Quarterly 13 (2004): 393-421.
[1717] Emerging Genres in New Media Environments, Edited by Carolyn R. Miller and Ashley R. Kelly. London: Palgrave Macmillan, 2017.
[855] Lüders, Marika, Lin Prøitz, and Terje Rasmussen. "Emerging Personal Media Genres." New Media & Society 12 (2010): 947-963.
[1280] Lüders, Marika, Lin Prøitz, and Terje Rasmussen. "Emerging Personal Media Genres." New Media and Society 12, no. 6 (2010): 947-963.
[RN185] Clark, Colin Mackinnon, Ulrike Marianne Murfett, Priscilla S. Rogers, and Soon Ang. "Is Empathy Effective for Customer Service? Evidence From Call Center Interactions." Journal of Business and Technical Communication 27 (2013): 123-153.
[1199] Drott, E. "The End(s) of Genre." Journal of Music Theory 57, no. 1 (2013): 1-45.

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